Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07894-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07894-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 8 pages.
Baerenreiter Verlag
#BA07894_74. Published by
Baerenreiter Verlag
(BA.BA07894-74).
ISBN
9790006564200. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07894-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07894-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 7 pages.
Baerenreiter Verlag
#BA07894_75. Published by
Baerenreiter Verlag
(BA.BA07894-75).
ISBN
9790006564217. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
