Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10134-74 Cantata for Easter Tuesday...(+)
First violin (1. Violin)
SKU: BA.BA10134-74
Cantata for Easter
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Third
version. Single part. BWV
134. Baerenreiter Verlag
#BA10134_74. Published by
Baerenreiter Verlag
(BA.BA10134-74).
ISBN
9790006491117. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10134-75 Cantata for Easter Tuesda...(+)
Second violin (2. Violin)
SKU: BA.BA10134-75
Cantata for Easter
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Third
version. Single part. BWV
134. 8 pages.
Baerenreiter Verlag
#BA10134_75. Published by
Baerenreiter Verlag
(BA.BA10134-75).
ISBN
9790006491124. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10068-75 Cantata for Whit Monday(+)
Second violin (2. Violin)
SKU: BA.BA10068-75
Cantata for Whit
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 68. 5
pages. Baerenreiter
Verlag #BA10068_75.
Published by Baerenreiter
Verlag (BA.BA10068-75).
ISBN 9790006490462.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10068-74 Cantata for Whit Monday(+)
First violin (1. Violin)
SKU: BA.BA10068-74
Cantata for Whit
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 68. 5
pages. Baerenreiter
Verlag #BA10068_74.
Published by Baerenreiter
Verlag (BA.BA10068-74).
ISBN 9790006490455.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA03884-75 Kantate. Composed by ...(+)
Second violin (2. Violin)
SKU: BA.BA03884-75
Kantate. Composed
by Karl Marx. Stapled.
Kantaten (Cantatas).
Single part. Composed
1957. Opus 58.
Baerenreiter Verlag
#BA03884_75. Published by
Baerenreiter Verlag
(BA.BA03884-75).
ISBN
9790006440948. Text:
Eichendorff, Joseph
von.
First violin (1. Violin) SKU: BA.BA03884-74 Kantate. Composed by K...(+)
First violin (1. Violin)
SKU: BA.BA03884-74
Kantate. Composed
by Karl Marx. Stapled.
Kantaten (Cantatas).
Single part. Composed
1957. Opus 58.
Baerenreiter Verlag
#BA03884_74. Published by
Baerenreiter Verlag
(BA.BA03884-74).
ISBN
9790006440931. Text:
Eichendorff, Joseph
von.
First violin (1. Violin) - Level 4 SKU: BA.BA07590-74 Composed by Giusepp...(+)
First violin (1. Violin)
- Level 4
SKU:
BA.BA07590-74
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 30 pages.
Baerenreiter Verlag
#BA07590_74. Published by
Baerenreiter Verlag
(BA.BA07590-74).
ISBN
9790006541614. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) - Level 4 SKU: BA.BA07590-75 Composed by Giusep...(+)
Second violin (2. Violin)
- Level 4
SKU:
BA.BA07590-75
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 27 pages.
Baerenreiter Verlag
#BA07590_75. Published by
Baerenreiter Verlag
(BA.BA07590-75).
ISBN
9790006541621. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin, second violin (1. Violin, 2. Violin) SKU: BA.BA03155-74 ...(+)
First violin, second
violin (1. Violin, 2.
Violin)
SKU:
BA.BA03155-74
Song
Cantata. Composed by
Karl Marx. Stapled.
Single part. Composed
1953. Baerenreiter Verlag
#BA03155_74. Published by
Baerenreiter Verlag
(BA.BA03155-74).
Second violin (2. Violin) SKU: BA.BA03453-75 Kantate für vier gemis...(+)
Second violin (2. Violin)
SKU: BA.BA03453-75
Kantate für vier
gemischte Stimmen,
fünfstimmiges
Streichorchester und
Basso continuo.
Composed by Philipp
Heinrich Erlebach. Edited
by Otfried von Steuber.
Stapled. Kantaten
(Cantatas). Single part.
Baerenreiter Verlag
#BA03453_75. Published by
Baerenreiter Verlag
(BA.BA03453-75).
First violin (1. Violin) SKU: BA.BA03453-74 Kantate für vier gemisc...(+)
First violin (1. Violin)
SKU: BA.BA03453-74
Kantate für vier
gemischte Stimmen,
fünfstimmiges
Streichorchester und
Basso continuo.
Composed by Philipp
Heinrich Erlebach. Edited
by Otfried von Steuber.
Stapled. Kantaten
(Cantatas). Single part.
Baerenreiter Verlag
#BA03453_74. Published by
Baerenreiter Verlag
(BA.BA03453-74).
First violin (1. Violin) SKU: BA.BA02876-74 Chorale Cantata for mixed ...(+)
First violin (1. Violin)
SKU: BA.BA02876-74
Chorale Cantata for
mixed Chrous, two
Violins, two Violas,
Bassoon and Basso
continuo. Composed by
Johann Pachelbel. Edited
by Hans Heinrich
Eggebrecht. Stapled.
Single part. Baerenreiter
Verlag #BA02876_74.
Published by Baerenreiter
Verlag (BA.BA02876-74).
Second violin (2. Violin) SKU: BA.BA06380-75 Cantata. Composed by ...(+)
Second violin (2. Violin)
SKU: BA.BA06380-75
Cantata. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Oswald Bill. Stapled.
Choral Music of the 19th
Century (Chormusik des
19. Jahrhunderts).
Kantaten, Romantik
(Cantatas, Romantic).
Single part. Baerenreiter
Verlag #BA06380_75.
Published by Baerenreiter
Verlag (BA.BA06380-75).
First violin (1. Violin) SKU: BA.BA10039-74 Cantata for the First Sund...(+)
First violin (1. Violin)
SKU: BA.BA10039-74
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
James Webster, Robert
Freeman, and Walther
Durr. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. BWV 39. 6
pages. Baerenreiter
Verlag #BA10039_74.
Published by Baerenreiter
Verlag (BA.BA10039-74).
ISBN 9790006541409.
32.5 x 25.5 cm
inches.
Partitur
siehe TP 1039.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10039-75 Cantata for the First Sun...(+)
Second violin (2. Violin)
SKU: BA.BA10039-75
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
James Webster, Robert
Freeman, and Walther
Durr. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. BWV 39. 5
pages. Baerenreiter
Verlag #BA10039_75.
Published by Baerenreiter
Verlag (BA.BA10039-75).
ISBN 9790006541416.
32.5 x 25.5 cm
inches.
Partitur
siehe TP 1039.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04233-74 Concerto for Organ (Harpsi...(+)
First violin (1. Violin)
SKU: BA.BA04233-74
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_74.
Published by Baerenreiter
Verlag (BA.BA04233-74).
ISBN 9790006446490. 30
x 23 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04233-75 Concerto for Organ (Harps...(+)
Second violin (2. Violin)
SKU: BA.BA04233-75
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_75.
Published by Baerenreiter
Verlag (BA.BA04233-75).
ISBN 9790006446506. 30
x 23 cm inches. Key:
B-flat major.
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through