First violin, second violin, third violin, viola, viola, third violin, cello, do...(+)
First violin, second
violin, third violin,
viola, viola, third
violin, cello, double
bass, second cello (1.
Violin, 2. Violin, 3.
Violin, Viola, Viola, 3.
Violin, Violoncello,
Double bass, 2.
Violoncello)
SKU:
BA.BA08112
Ãœber
ein Thema von Georg
Friedrich Händel.
Composed by Herbert
Baumann. Stapled.
Spielraume. Solistische
oder chorische
Besetzungen. Score, Set
of parts. Composed 1985.
Baerenreiter Verlag
#BA08112_00. Published by
Baerenreiter Verlag
(BA.BA08112).
First violin, second violin, viola, cello, piano (1. Violin, 2. Violin, Viola, V...(+)
First violin, second
violin, viola, cello,
piano (1. Violin, 2.
Violin, Viola,
Violoncello, Piano) -
Level 4
SKU:
BA.BA07036
Composed
by Manfred Trojahn.
Stapled. Performance
score, Set of parts.
Composed 1988. 21/5/5/5/5
pages. Duration 15
minutes. Baerenreiter
Verlag #BA07036_00.
Published by Baerenreiter
Verlag (BA.BA07036).
ISBN 9790006484584. 35
x 27 cm
inches.
World
Premiere (Stuck 1)
20/10/1985,
Braunschweig.
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07895-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07895-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 8 pages. Baerenreiter
Verlag #BA07895_74.
Published by Baerenreiter
Verlag (BA.BA07895-74).
ISBN 9790006564255.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07895-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07895-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 7 pages. Baerenreiter
Verlag #BA07895_75.
Published by Baerenreiter
Verlag (BA.BA07895-75).
ISBN 9790006564262.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through