Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I and
Volume
II. Classical. Score and
part.
Baerenreiter Verlag
#BA09036. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I.
Classical.
Score and part.
Baerenreiter
Verlag #BA09014.
Published
by Baerenreiter Verlag
Violin and Piano. Composed by Csar Franck. Edited by Monica Steegmann. H...(+)
Violin and Piano.
Composed by Csar Franck.
Edited by Monica
Steegmann. Henle Music
Folios. Softcover. 66
pages. G. Henle #HN1351.
Published by G. Henle
(HL.51481351).
And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-...(+)
And Piano,- Version for
Violin and Piano. By
Robert Schumann. Edited
by W. Haug-Freienstein.
Violin. Pages: Score =
VII and 29 * Vl Part = 8.
Edition for Violin-paper
bound. Published by G.
Henle.
By George Frideric Handel (1685-1759). Dowani Book/CD. Play Along. Book and CD. ...(+)
By George Frideric Handel
(1685-1759). Dowani
Book/CD. Play Along. Book
and CD. 16 pages. Dowani
International #DOW4519.
Published by Dowani
International
Violin and Piano SKU: BT.EMBZ12051 Composed by Arcangelo Corelli, Istvan ...(+)
Violin and Piano
SKU:
BT.EMBZ12051
Composed
by Arcangelo Corelli,
Istvan Homolya, and
Sandor Devich. EMB
Urtext. Book Only.
Composed 1983. 73 pages.
Editio Musica Budapest
#EMBZ12051. Published by
Editio Musica Budapest
(BT.EMBZ12051).
English-German-Hungari
an.
The present
edition contains Twelve
Sonatas for Violin Solo
and Basso Continuo, Op. 5
by Arcangelo Corelli. The
first part of the series
(Z. 12050: Sonatas No.
1-3, Z. 12051: Sonatas
Nos. 4-6) comprises
church sonatas (sonate da
chiesa), while the second
one (Z. 12265: Sonatas
Nos. 7-12) chamber
sonatas (sonate da
camera). The present
edition is based on the
first edition of the work
published in Rome in
1700.
Der
vorliegende Band enthält
die zwölf Sonaten für
Solo-Violine mit Basso
continuo, Op. 5 von
Arcangelo Corelli. Die
erste Teil (Z. 12050:
Sonaten 1-3, Z. 12051:
Sonaten 4-6) umfasst die
Kirchensonaten (sonate da
chiesa), der zweite Teil
(Z. 12265: Sonaten 7-12)
die Kammersonaten (sonata
da camera). Die
vorliegende Ausgabe
stützt sich auf die 1700
in Rom erschienene
Erstausgabe des
Werkes.
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - x, x, x, x (+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
x, x, x, x
SKU:
HL.51481370
Violin
and Piano. Composed
by Pablo de Sarasate.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 120
pages. G. Henle #HN1370.
Published by G. Henle
(HL.51481370).
ISBN
9790201813707. UPC:
888680749972.
9.25x12.25x0.391
inches.
Just like
many other violin
virtuosos of the 19th
century, Pablo de
Sarasate also composed a
series of pieces for
violin and piano (or
orchestra) for his own
concert use. Highly
virtuosic salon pieces
with echoes of national
folk music traditions
from all over Europe are
at the centre. Sarasate
published his eight
Spanish dances in four
books between 1878 and
1882. They alternate
between fiery passion and
a yearning
expressiveness, and are
undoubtedly among his
most successful
compositions. In masterly
fashion, Sarasate here
mixes up Spanish folk
tunes with arrangements
of popular compositions
of the time. As in the
case of the Henle Urtext
edition of Sarasate's
Zigeunerweisen (HN 573),
a violin wizard of our
own time is responsible
for the fingerings and
bowings: Ingolf
Turban.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Strings Piano
Accompaniment; Violin -
Henle Level 8
SKU:
HL.51480587
Urtext
Edition with Marked and
Unmarked String Part.
Composed by Maurice
Ravel. Edited by
Jean-Francois Monnard.
Arranged by Frank Peter
Zimmermann and Pascal
Roge. This edition:
Paperback/Soft Cover.
Sheet Music. Paperbound.
Henle Music Folios. With
marked and unmarked
string parts. Classical.
Softcover. 25 pages. G.
Henle #N587. Published by
G. Henle (HL.51480587).
ISBN 9790201805870.
UPC: 888680044091.
10.0x13.0x0.15
inches.
“Virtuoso
piece in the style of a
Hungarian Rhapsody” –
thus reads Ravel's entry
on “Tzigane” in the
so-called
“Autobiographical
Sketch.” Composed in
1924, there are three
versions of this work:
with piano, with
orchestra and with
luthéal, a device for
keyboard instruments to
extend the timbre.
“Tzigane” was
inspired by the
Hungarian-English
violinist Jelly d'Aranyl,
to whom Ravel had already
promised a virtuoso piece
in 1922 following Franz
Liszt's “Hungarian
Rhapsodies.” Work
progressed slowly and
d'Aranyl only received
the music four days
before the première –
but she still gave a
brilliant
performance.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravins...(+)
(Movements I and II
Arranged for Violin and
Piano). By Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For violin
piano. 8 2 pages.
Duration 7 minutes.
Published by Carl Fischer
Violin and piano (VN/PF) - difficult SKU: HL.49008004 Seven pieces...(+)
Violin and piano (VN/PF)
- difficult
SKU:
HL.49008004
Seven
pieces. Composed by
Heinz Holliger. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed
1985-1994. 52 pages.
Duration 23'. Schott
Music #ED 8430. Published
by Schott Music
(HL.49008004).
ISBN
9790001112383.
9.0x12.0x0.15
inches.
This
collection is more than
just a continuation of
volume 1 (4 Lieder ohne
Worte = AVV 131), pieces
from both volumes can be
mixed and played in
different running order.
The intermezzi are in
irregular metres with
strongly accented
rhythms. The remaining
items are mood pieces
with violin and piano
part closely
interwoven.
Piano Accompaniment; Violin (violin/piano) SKU: HL.51481275 Violin and...(+)
Piano Accompaniment;
Violin (violin/piano)
SKU: HL.51481275
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky. Edited by
Alexander Komarov. Henle
Music Folios. Classical.
Softcover. 50 pages. G.
Henle #HN1275. Published
by G. Henle
(HL.51481275).
UPC:
888680991661.
9.25x12.25x0.157
inches.
“Memory
of a dear place” is the
title given to this
collection of three
enchanting pieces for
violin and piano. The
“place” in question
was the country estate of
Brailov that belonged to
Tchaikovsky's patron and
friend Nadezhda von Meck.
He stayed there in
idyllic seclusion in May
1878 and completed this
work. These pieces were
composed very close in
time to his Violin
Concerto, and they too
demonstrate Tchaikovsky's
matchless gifts as a
Romantic master of
melody. For this edition,
the Russian Tchaikovsky
specialist Alexander
Komarov offers the
highest degree of
editorial precision,
having drawn on all the
relevant sources from
both Russian and
international archives.
In the course of his work
he has also been able to
disprove beyond a doubt
the view held up to now
that the title Souvenir
d'un lieu cher was only
added after Tchaikovsky's
death.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin and Piano - easy SKU: BT.EMBZ14935 Easy repertoire pieces for y...(+)
Violin and Piano - easy
SKU: BT.EMBZ14935
Easy repertoire pieces
for young violinists with
CD. By András Soós.
Educational Tool. Book
with CD. Composed 2015.
36 pages. Editio Musica
Budapest #EMBZ14935.
Published by Editio
Musica Budapest
(BT.EMBZ14935).
Hungarian-English-Germ
an-French.
It's an
unforgettable experience
to go on stage for the
first time and win
applause with your
playing. This album
encourages children to
make a first appearance
and gives effective help
in doing so. It brings
together pieces that can
be used to achieve real
success they comprise
easy arrangements of
favorite works by
Dowland, Vivaldi, Handel,
Bach, Haydn, Mozart,
Weber, Schubert,
Schumann, Liszt, and
Brahms. The CD enclosed
with the publication
includes recordings of
the piano accompaniment
for each piece and a full
performance by noted
Hungarian musicians. This
CD makes practice at home
easier and gives
assistance with
performance style as
well. The publication
offers numerouspieces of
advice to young
violinists, including how
to get ready for a
concert, how to control
stage fright, and how to
be confident on stage. In
addition, it has features
some charming
illustrations by Edit
Szalma.
It’s an
unforgettable experience
to go on stage for the
first time and win
applause with your
playing. This album
encourages children to
make a first appearance
and gives effective help
in doing so. It brings
together pieces that can
earn realsuccess: easy
arrangements of favorite
works by Dowland,
Vivaldi, Handel, Bach,
Haydn, Mozart, Weber,
Schubert, Schumann,
Liszt, Anton Rubinstein
and Brahms. The CD
enclosed with the
publication includes
recordings of the piano
accompaniment for
eachpiece and a full
performance by noted
Hungarian musicians. So
the disc makes practice
at home easier and gives
assistance with
performance style as
well. The publication
offers numerous pieces of
advice to young
violinists, including:
how to getready for a
concert, how to control
stage fright, and how to
be confident on stage. In
addition, some charming
illustrations by Edit
Szalma are
included.
Es ist
ein unvergessliches
Erlebnis, wenn wir zum
ersten Mal das Podium
betreten und mit unserem
Spiel Erfolg ernten.
Dieses Album möchte die
Kinder zu ihren ersten
Auftritten ermuntern und
ihnen dazu eine effektive
Hilfestellung bieten. Es
enthält deshalb lauter
Stücke, mit denen man
wirklich erfolgreich sein
kann: leichte
Transkriptionen der
beliebtesten Werke von
Dowland, Vivaldi,
Händel, Bach, Haydn,
Mozart, Weber, Schubert,
Schumann, Liszt, Anton
Rubinstein und Brahms.
Auf der CD-Beilage des
Albums sind - von
namhaften ungarischen
Interpreten vorgetragen -
die Klavierbegleitung
sämtlicher Stücke und
deren vollständige
Fassung zu hören.
Violin and Piano SKU: YM.GTW01100445 Composed by Various. Japanese Tradit...(+)
Violin and Piano
SKU:
YM.GTW01100445
Composed by Various.
Japanese Traditional
Songs; Strings. Score and
part. Yamaha Music Media
#GTW01100445. Published
by Yamaha Music Media
(YM.GTW01100445).
ISBN
9784636103052. 8.5 x 12
inches.
Here, you
can enjoy the beautiful
Japanese classic tunes
expressing the changing
seasonal sentiments in
this book. It features 25
songs, mainly nursery
rhymes, children's songs,
and shoka songs, and it
comes with a karaoke CD
of piano accompaniment.
Please enjoy these
wonderful arrangements,
which are perfect for
recitals and
concerts.
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346<...(+)
Strings Piano
Accompaniment; Violin
(Violin and Piano) - l5
SKU: HL.51481346
Violin and Piano.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 16
pages. G. Henle #HN1346.
Published by G. Henle
(HL.51481346).
ISBN
9790201813462. UPC:
888680925031.
9.25x12.0x0.066
inches.
When
composing his Spanish
Dances (HN 1370), the
composer and violin
virtuoso Sarasate united
existing material - folk
songs and songs by
well-known composers -
with his own uniquely
charming musical
language. The two Dances
op. 22, “Romanza
andaluza” and
“JotaNavarra,” were
completed in 1878 during
Sarasate's first concert
tour through Scandinavia.
After their initial
performances, the lyrical
“Romanza” soon
outstripped its brilliant
sister piece in
popularity, and
thereafter it was one of
Sarasate's compositions
that he played most often
himself. Since then, this
piece has lost nothing of
its charm, and it is now
available as a
stand-alone edition in
the Henle catalogue.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Opper...(+)
Violin and Piano
Reduction.
Composed by Oskar
Rieding.
Edited by Annette
Oppermann.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1056. Published
by
G. Henle
Old American Songs Violon et Piano [Partition + Accès audio] Boosey and Hawkes
Violin and Piano. Composed by Aaron Copland (1900- 1990). Boosey and Hawkes Ch...(+)
Violin and Piano.
Composed
by Aaron Copland (1900-
1990). Boosey and Hawkes
Chamber Music. Softcover
Audio Online. 76 pages.
Published by Boosey and
Hawkes
Violon et Piano [Conducteur et Parties séparées] - Débutant Latham Music Enterprises
By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Po...(+)
By Hunter. Instrumental
Hymns, Violin Solo. Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus. All
1st position, compatible
with Suzuki Book #1;
violin plays melody with
simple accompaniments.
Now includes descant.
Published by Latham Music
Enterprises.
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I belong
to that group of people
who appropriate Debussy's
wonderfully formulated
philosophy according to
which music begins where
words end. Contrary to a
view that has become
widespread during the
past 100 years, I am
convinced that the task
of the composer is to
write music, not to talk
about it. Even if my
technical and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.”
(Krzysztof Meyer).
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.