Score and Part Piano Accompaniment; Violin (Score and Solo Part) - x, x, x, x (+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
x, x, x, x
SKU:
HL.51481370
Violin
and Piano. Composed
by Pablo de Sarasate.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 120
pages. G. Henle #HN1370.
Published by G. Henle
(HL.51481370).
ISBN
9790201813707. UPC:
888680749972.
9.25x12.25x0.391
inches.
Just like
many other violin
virtuosos of the 19th
century, Pablo de
Sarasate also composed a
series of pieces for
violin and piano (or
orchestra) for his own
concert use. Highly
virtuosic salon pieces
with echoes of national
folk music traditions
from all over Europe are
at the centre. Sarasate
published his eight
Spanish dances in four
books between 1878 and
1882. They alternate
between fiery passion and
a yearning
expressiveness, and are
undoubtedly among his
most successful
compositions. In masterly
fashion, Sarasate here
mixes up Spanish folk
tunes with arrangements
of popular compositions
of the time. As in the
case of the Henle Urtext
edition of Sarasate's
Zigeunerweisen (HN 573),
a violin wizard of our
own time is responsible
for the fingerings and
bowings: Ingolf
Turban.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Vi...(+)
(Very First Pieces with
Piano Accompaniment).
Arranged by Paul de
Keyser. For Violin. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Beginner;
Elementary. Published by
Faber Music
Violin and piano - Advanced SKU: DY.DO-1525 Composed by David Braid. Scor...(+)
Violin and piano -
Advanced
SKU:
DY.DO-1525
Composed
by David Braid. Score and
part. Les Editions
Doberman-Yppan #DO 1525.
Published by Les Editions
Doberman-Yppan
(DY.DO-1525).
ISBN
9782897963057.
J'ai
me les formes musicales
concises telles que le
Prélude et la Fugue, où
il y a une idée claire
et directe, suivie d'une
autre plus complexe et
développée.
Conf
ormément à cette idée,
cette œuvre se compose
de deux pièces
distinctes, la première
- Transfigured Life -
vise à attirer
l'auditeur avec son
rythme rapide et dansant
et sa partie de violon
simple et mélodique. Il
se «transfigure» via
quelques courts
intermèdes au piano solo
en seulement deux notes
alternées pour terminer
- qui sont le cœur de
l'idée originale,
maintenant clarifiée en
effaçant tout le
reste.
Le
deuxième morceau - Still
Life - conserve son
sentiment de quiétude
grâce à une ligne de
piano simple qui laisse
beaucoup d'espace à la
partie contrastée (mais
encore une fois simple)
du violon. En tant que
pièce absolue et non
programmatique, le titre
fait référence
uniquement à la couleur
et au rythme
atmosphériques ; c'est
à l'auditeur de voir la
« nature morte » de son
choix dans son
esprit.
Une note
sur les performances
: Malgré ma
référence à des lignes
« simples » et
l'évitement déterminé
par l'œuvre des
grincements modernistes
traditionnels, l'œuvre
présente certains défis
d'exécution en termes de
phrasé et d'ensemble qui
nécessitent des
compétences et une
musicalité
considérables. L'œuvre
a eu le privilège
d'être récemment
enregistrée par le
violoniste Ezgi
Sarıkcıoğlu et la
pianiste Rossitza
Stoycheva, et est
disponible sur toutes les
principales plateformes
:
Trans
figured Life - Still
Life, Op. 165 (violin &
piano) - David
Braid
I am keen on
concise musical forms
such as Prelude and
Fugue, where there is one
clear straightforward
idea, followed by another
that is more involved &
developed.
In
keeping with that idea,
this work consists of two
distinct pieces, the
first - Transfigured Life
- aims to draw in the
listener with its quick,
dancing rhythm and
simple, melodic violin
part. It 'transfigures'
via a few short solo
piano interludes into
just two alternating
notes to end - which are
the core of the original
idea, now made clear by
clearing everything else
out of the
way.
The second
piece - Still Life -
retains its sense of
stillness through an
uncomplicated piano line
that gives lots of space
for the violin's
contrasting (but again
simple) part. As an
absolute, not
programmatic, piece the
title refers to the
atmospheric colour and
pacing only; it's up to
the listener to see
'Still life' of their
choosing in their own
mind.
A note on
performance: Despite
my reference to 'simple'
lines, and the work's
determined avoidance of
mainstream modernist
squeak - the work has
certain performance
challenges of phrasing
and ensemble that
requires considerable
skill and musicianship.
The work has had the
privilege of being
recently recorded by
violinist Ezgi
Sarıkcıoğlu and
pianist Rossitza
Stoycheva, and is
available on all major
platforms:
Violin and Piano. Composed by Edvard Greig. Edited by Einar Steen-Nokleberg ...(+)
Violin and Piano.
Composed by
Edvard Greig. Edited by
Einar
Steen-Nokleberg and
Ernst-
Gunter Heinemann. Henle
Music
Folios. Classical.
Softcover.
G. Henle #HN1105.
Published
by G. Henle