Composé en 1917, Tanz-Idylle est la cinquième partie d'un ensemble de six piè...(+)
Composé en 1917, Tanz-Idylle est la cinquième partie d'un ensemble de six pièces pour violon et piano de Sibelius. Une danse délicieuse pastorale qui présente un défi fascinant mélodiques pour le joueur de violon accompli. La pièce comprend une partie de violon séparée et partition de piano. / Violon Et Piano
Par SIBELIUS JEAN. Work for Violin and Piano dating from 1916. Work for Violin a...(+)
Par SIBELIUS JEAN. Work for Violin and Piano dating from 1916. Work for Violin and Piano dating from 1916. / Rép Classique / Répertoire / Violon et Piano
Par SIBELIUS JEAN. Work for Violin and Piano dating from 1916. Work for Violin a...(+)
Par SIBELIUS JEAN. Work for Violin and Piano dating from 1916. Work for Violin and Piano dating from 1916. / Rép Classique / Répertoire / Violon et Piano
Among the best of Jean Sibeliusâ oeuvre are his 1917 compositions the Humo...(+)
Among the best of Jean Sibeliusâ oeuvre are his 1917 compositions the Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He used a considerably smaller Orchestra accompaniment to the Violin in the second group but maintained the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. This work features a seperate Violin part with a Piano reduction of the String Orchestra by Karl Ekman.
Among the best of Jean Sibeliusâ oeuvre are his 1917 compositions The Humor...(+)
Among the best of Jean Sibeliusâ oeuvre are his 1917 compositions The Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He uses a considerably smaller Orchestra accompaniment to the Violin in the second group but maintains the subtlety of depth and texture. The opening bars of the Fifth Humoresque act as a continuation of the minor tonality that dominated the previous two pieces but the music soon reverts into a warmer major mood. Op.89 No.3 is the highlight of this group and one of Sibelius' most immediately compelling creations.