Composed by Martin Suckling. Solo; Solo Small Ensembles; String - Violin and P...(+)
Composed by Martin
Suckling.
Solo; Solo Small
Ensembles;
String - Violin and
Piano.
Faber Edition. Part(s);
Score. Faber Music #12-
0571540813. Published by
Faber Music
Violin and piano - advanced SKU: HL.49045998 For Violin and Piano....(+)
Violin and piano -
advanced
SKU:
HL.49045998
For
Violin and Piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2018. 44 pages.
Duration 13'. Schott
Music #ED 30262.
Published by Schott Music
(HL.49045998).
ISBN
9781540034960. UPC:
888680790998.
9.0x12.0x0.142
inches.
In The
Diamond Sutra, an early
Buddhist text also known
as The Diamond that Cuts
Through Illusion, the
Buddha leads his
interlocutor, the Elder
Subhuti, through a series
of questions and
provocations. The Buddha
then concludes the
session by offering this
teaching to those
assembled:All composed
things are like a dream,a
phantom, a drop of dew, a
flash of lightning.That
is how to meditate on
them;that is how to
observe them.This duo
piece is in four
sections, corresponding
roughly to these four
disparate visions of
impermanence: four
distinct moments of
interplay between form
and emptiness, four
corners of a diamond.
This series of images is
itself a 'composed
thing,' gathering
dissimilar elements into
a unified system. It
suggests that the things
we make are similar to
things that exist beyond
intention. The Buddha's
utterance helps us hear
so-called 'composition'
and 'improvisation' - or
the encompassing
category, 'music' - as
part of an even larger
aggregate: that which
forms and recedes.- Vijay
Iyer.
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pie...(+)
Violin and Piano - easy
SKU:
BT.DHP-1196083-404
16 easy 'swinging'
pieces for violin and
piano accompaniment.
Composed by Joachim
Johow. Contemporary
Music. Book with Part and
Audio-Online. Composed
2019. 57 pages. De Haske
Publications #DHP
1196083-404. Published by
De Haske Publications
(BT.DHP-1196083-404).
ISBN 9789043156837.
English-German-French-Dut
ch.
Swing-style
music for violin lessons?
A delightful idea in
itself, but suitable
literature is somewhat
thin on the ground. This
is where the Little
Swingies collection
comes in: sixteen new
pieces by Joachim
Johow—some
full-spirited and
passionate, others
gentler in
character—introduc
e the student step by
step to playing in the
swing style. In addition
to the violin part, this
edition includes an
easy-to-play piano
accompaniment: and on top
of this, MP3 recordings
of both demo performances
and backing tracks are
available online.
Little Swingies
will add new momentum to
violin lessons and
performances
alike.
Swingmuziek
voor de vioolles? Een
prachtig idee, maar het
materiaal daarvoor is dun
gezaaid. Little
Swingies biedt de
oplossing: zestien nieuwe
stukken van de hand van
Joachim Johow sommige
temperamentvol, andere
rustiger van karakter
laten de leerling stap
voor stap kennismaken met
het spelen in swingstijl.
Naast de vioolpartijen
bevat deze uitgave ook
eenvoudige
pianobegeleidingen:
bovendien zijn de
mp3-opnamen van zowel de
meespeel- als
begeleidingstracks online
te downloaden. Little
Swingies geeft
vioollessen en
toonmomenten een
verfrissende nieuwe
impuls.
Musik im
Swing-Stil für den
Geigenunterricht? An und
für sich eine
reizvolle Vorstellung,
jedoch ist
Spielliteratur, die
dafür geeignet
wäre, dünn
gesät. Hier setzt die
Sammlung Little
Swingies an: Sechzehn
neue Stücke von
Joachim Johow mal
temperamentvoll, mal eher
sanft im Charakter
führen die Schüler
Schritt für Schritt in
das Spiel im Swing-Stil
heran. Die Ausgabe
umfasst neben der
Violinstimme auch eine
gut spielbare
Klavierbegleitung:
zusätzlich stehen
sowohl Demo- als auch
Mitspielaufnahmen aller
Stücke im MP3-Format
online zur Verfügung.
Little Swingies
kann dem Geigenunterricht
wie auch dem Vorspiel
neue Impulse
geben.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.48014302 Vio...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.48014302
Violin
and Piano. Composed
by Isang Yun. Edited by
Holger Groschopp. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 32
pages. Bote & Bock
#M202532515. Published by
Bote & Bock
(HL.48014302).
UPC:
073999949827.
9.0x12.0x0.129
inches.
Gasa is a
Korean word meaning
simply Song-Words and is
the name of a Korean
narrative art song. It is
sung by a woman and is
accompanied by a bamboo
flute, the Taegum and an
hourglass drum, the
Changgo. In Gasa the
violin part is modeled on
the character of the
voice which contrasts
such opposites as purity
and courseness, near and
far, light and dark.
''Gasa exists in space.
It takes no heed of time-
each moment exists in
space and that space is
unending. Within this
(space) however, there
exists a dramatic
development.AE (Isang
Yun) In Gasa Yun combines
his central-tone
technique with twelve
note tone-fields.
Chamber Music violin, piano SKU: PR.144405830 Poem for Violin & Piano<...(+)
Chamber Music violin,
piano
SKU:
PR.144405830
Poem
for Violin & Piano.
Composed by Jay Reise.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 12+4
pages. Duration 6
minutes. Theodore Presser
Company #144-40583.
Published by Theodore
Presser Company
(PR.144405830).
ISBN
9781491101490. UPC:
680160615032.
For
the 25th Havana Festival
of Contemporary Music,
Reise adapted the larger
Flight to create the
shorter Ghost of the Red
Sea Swallow for flute and
piano, premiered by
Christina Jennings and
James Freeman. As with
Flight, Ghost of the Red
Sea Swallow exists in two
versions, for flute and
for violin. Duration:
6'.
Violin and Piano SKU: AP.36-60710011 In the Style of Antonio Vivaldi(+)
Violin and Piano
SKU:
AP.36-60710011
In
the Style of Antonio
Vivaldi. Composed by
Fritz Kreisler. Violin.
Master String Series.
Score. LudwigMasters
Publications
#36-60710011. Published
by LudwigMasters
Publications
(AP.36-60710011).
ISBN
9798888521892. UPC:
676737626686.
English.
Austrian-b
orn American violinist
and composer Fritz
Kreisler (1875-1962) is
considered among the best
virtuosic violinists in
history. While he did
write some operettas,
vocal works, and a
smattering of pieces for
other instruments, it is
unsurprising that most of
his output was for the
violin. In the earlier
part of his career, he
wrote a number of
pastiches in the style of
other well-known
composers, going so far
as to ascribe the work to
them rather than to
himself. In 1935,
Kreisler revealed that he
had composed these select
works, answering his
critics by pointing out
that they had deemed to
music worthy under the
other composers' names,
and that the name
changes, the value
remains. Among these such
works is his Concerto in
C, IFK 42, which Kreisler
falsely attributed to
Baroque composer Antonio
Vivaldi. In three
movements, the work
exists with both string
orchestra accompaniment
and this Master reprint
edition for violin and
piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346<...(+)
Strings Piano
Accompaniment; Violin
(Violin and Piano) - l5
SKU: HL.51481346
Violin and Piano.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 16
pages. G. Henle #HN1346.
Published by G. Henle
(HL.51481346).
ISBN
9790201813462. UPC:
888680925031.
9.25x12.0x0.066
inches.
When
composing his Spanish
Dances (HN 1370), the
composer and violin
virtuoso Sarasate united
existing material - folk
songs and songs by
well-known composers -
with his own uniquely
charming musical
language. The two Dances
op. 22, “Romanza
andaluza†and
“JotaNavarra,â€
were completed in 1878
during Sarasate's first
concert tour through
Scandinavia. After their
initial performances, the
lyrical
“Romanzaâ€
soon outstripped its
brilliant sister piece in
popularity, and
thereafter it was one of
Sarasate's compositions
that he played most often
himself. Since then, this
piece has lost nothing of
its charm, and it is now
available as a
stand-alone edition in
the Henle catalogue.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
Assonanzen (1986) Violon et Piano - Intermédiaire/avancé Barenreiter
Violin, piano - Level 4 SKU: BA.BA07112 Spiel mit der Koexistenz diver...(+)
Violin, piano - Level 4
SKU: BA.BA07112
Spiel mit der
Koexistenz divergierender
Kompositionstechniken
. Composed by Peter
Michael Hamel. Stapled.
Performance score, Part.
Composed 1986. Duration 1
hour, 10 minutes.
Baerenreiter Verlag
#BA07112_00. Published by
Baerenreiter Verlag
(BA.BA07112).