Violin and piano - difficult

SKU: HL.49017922

Composed by John Casken. This edition: Saddle stitching. Sheet music. String. Score and parts. Composed 2006. 40 pages. Duration 16'. Schott Music #ED13084. Published by Schott Music (HL.49017922).

ISBN 9790220127397. UPC: 884088567620. 9.0x12.0x0.125 inches.

These six short pieces might more readily be described as fantasies, each with its own sound-world but linked by shared material. The mood of each of these short movements is guided by an imaginary landscape, one shadowed by the blackened tree, a far-away song, shadows past, a quickening moon, forgotten voices, and by the harrowed land. The title of the last movement plays on the word harrow, something that is used to break up the soil, but also bringing with it suggestions of a land both pained and wounded.

Composed by Johann Sebastian Bach (1685-1750), edited by Rudolf Gerber. For violin (or viola da gamba - extra part included) and piano (or harpsichord). Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin and viola da gamba parts). With solo part, piano accompaniment and introductory text. Baroque. 104 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Violin and piano - difficult

SKU: HL.49044532

For Violin and Piano. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 2010-2013. 98 pages. Duration 30'. Schott Music #VLB152. Published by Schott Music (HL.49044532).

ISBN 9790001176071. UPC: 888680080570. 9.0x12.0x0.24 inches.

I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderato, to be bright, free, weightless, transparent, flooded in sunlight. In contrast, the newly composed second movement is nocturnal and cryptic, with a restrained glow. A Romance, a (summer) night piece. Jorg Widmann.

Composed by Georg Philipp Telemann (1681-1767), edited by Waldemar Woehl. For violin (oboe, flute, or recorder can be substituted), keyboard and basso continuo. Format: set of performance parts (includes separate pull out violin and continuo parts). With solo part, basso continuo part, keyboard realization and introductory text. Baroque. 88 pages. 9x12 inches. Published by Hortus Musicus.

Composed by Sarah Labrousse-Baert. Arranged by Sarah Labrousse-Baert. Classical, Educational. Score and set of parts. 38 (score); 16 (parts) pages. Duration 15 minutes +. Published by FLEX Editions (FL.FX072810).

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 219. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the New Mozart Edition. With solo part, piano reduction and introductory text. A Major. 69 pages. Published by Baerenreiter-Ausgaben (German import).

Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For violin and piano. Schirmer Library Vol..224. Format: set of performance parts (includes separate pull out violin part). With solo part and piano accompaniment. Romantic period. 20 pages. 9x12 inches. Published by G. Schirmer, Inc..

Composed by Antonio Vivaldi (1678-1741), edited by Christopher Hogwood. For violin and piano. Urtext. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction, introductory text and performance notes. Baroque. 75 pages. 9x12 inches. Duration 46m. Published by Baerenreiter-Ausgaben.

(Violin and Piano Reduction). Composed by William Bolcom. For Violin, Piano Accompaniment (Score and Parts). E.B. Marks. 32 pages. Published by Edward B. Marks Music

Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 1041. For violin and piano. Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Baroque. A Minor. 26 pages. 9x12 inches. Duration 15m. Published by Baerenreiter-Ausgaben.

Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 1042. For violin and piano. Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction and introductory text. Baroque. E Major. 32 pages. 9x12 inches. Duration 18m. Published by Baerenreiter-Ausgaben.

Set of performance parts. By Friedrich Seitz. Arranged by P Mittell. (Violin). String Solo. Size 9x12 inches. 14 pages. Published by G. Schirmer, Inc.

Composed by Antonin Dvorak (1841-1904), edited by Rok Klopcic. For violin and piano accompaniment. Schirmer' Library, volume 1913. Format: set of performance parts (includes separate pull-out violin part). Romantic period. 16 pages. 9x12 inches. Published by Schirmer.

(The Best Pieces for Violin and Piano). By Pablo de Sarasate (1844-1908). Edited by Wolfgang Birtel. For Violin, Piano Accompaniment (Score and Parts). Schott. Softcover. 100 pages. Schott Music #ED20933. Published by Schott Music

(Piano and Violin (with Violoncello) With Marked and Unmarked String Parts). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Dieter Seiffert. For Cello, Piano, Violin. Henle Music Folios. Softcover. 22 pages. G. Henle #HN1078. Published by G. Henle

Composed by Antonio Vivaldi (1678-1741), edited by Ferdinand Kuechler. Opus 3, No. 6. For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Baroque. A Minor. 19 pages. 9x12 inches. Published by C.F. Peters.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 218. For violin and piano. Urtext of the New Mozart Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction, cadenzas and performance notes. Classical Period. D Major. 73 pages. 9x12 inches. Duration 2230h. Published by Baerenreiter-Ausgaben (German import).

Composed by Felix Mendelssohn, edited by Carl Flesch. Opus 64. For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Romantic period. E Minor. 44 pages. 9x12 inches. Published by C.F. Peters.

Composed by Ralph Vaughan Williams (1872-1958). Set of performance parts for solo violin and piano accompaniment. E Minor. 22 pages. Published by Oxford University Press.

Chamber Music violin, piano

SKU: CF.B2704

Woo 14, No. 1. Composed by Ludwig van Beethoven. Arranged by Jascha Heifetz. The Jascha Heifetz Series. Set of Score and Parts. With Standard notation. 8+4 pages. Carl Fischer Music #B2704. Published by Carl Fischer Music (CF.B2704).

ISBN 9780825886102. UPC: 798408086107. 9 x 12 inches.

Edited by Aaron Rosand, composed by Alexander Glazunov (1865-1936). Set of performance parts for violin and piano. 6 pages. Published by International Music Co.

Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 1

SKU: FL.FX073770

Composed by Arnaud Meier. Original Composition. Classical, Educational. Score and Set of Parts. 5 (score); 1 (parts) pages. Duration 2 minutes, 45 seconds. FLEX Editions #FX073770. Published by FLEX Editions (FL.FX073770).

Impressionist piece describing a beautiful cloudy and mysterious landscape at the edge of a river. This piece is adapted for the end of the first year or second year of violin. ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 1.

Composed by Bela Bartok (1881-1945), arranged by Zoltan Szekely. Set of performance parts for Violin and piano. With bowings and fingerings. 11 pages. Published by Boosey and Hawkes.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

Chamber Music violin, piano

SKU: CF.B3456

Composed by Peter J. Wilhousky Mykola Leontovich. Arranged by Larry Clark. Fold. Set of Score and Parts. With Standard notation. 4+4 pages. Carl Fischer Music #B3456. Published by Carl Fischer Music (CF.B3456).

ISBN 9780825888052. UPC: 798408088057. 9 x 12 inches. Text by Peter Wilhousky.

Holiday favorite Carol of the Bells has been arranged for easy violin to facilitate performance by any level or age of player. Complete with piano accompaniment, this new solo arrangement is perfect for recital your next holiday gathering.