(1 Part with editorial annotations) - for Violin and Piano (Harpsichord). By Johann Sebastian Bach. Edited by H. Eppstein. Violin. Pages: Score (Pno) = VIII and 126 * 2 Vl Parts = 43 each. Urtext edition-paper bound. Published by G. Henle.

Composed by Erik Satie (1866-1925). Arranged by Eric Vireton. Violin Solo and Piano Accompaniment. For Violin solo and Piano. Classical, Educational. Grade 2. Score and set of parts. 4 pages (score); 1 pages (parts). Published by FLEX Editions

By P. Rode. Edited by Marty Winkler. Educational instrumental collection (Violin). Level: advanced. 68 pages. Published by Edwin F. Kalmus.

For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano accompaniment. Classical period, romantic period and impressionistic. 242 pages. 9x12 inches. Published by Schirmer.

By Erik Satie (1866-1925). Arranged by Eric Vireton. Violin Solo and Piano Accompaniment. For Violin solo and Piano. Classical, Educational. Grade 2. Score and set of parts. 6 pages (score); 2 pages (parts). Published by FLEX Editions

(Volume 2: Sonatas Nos. 4-6). By Luigi Boccherini (1743-1805). Edited by Rudolf Rasch. For Violin and Piano. Early Music. Score and parts. Op. 5 (G 25-30). 96 pages. Published by Ut Orpheus

Composed by Jules Massenet (1842-1912). Arranged by Sarah Labrousse-Baert. Chamber Music. Classical, Educational. Score and set of parts. 6 pages (score); 2 pages (parts) pages. Published by FLEX Editions (FL.FX072847).

Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performance parts for violin solo and piano accompaniment. With bowings, fingerings, introductory text and discography. 128 pages. Published by Carl Fischer.

With 2 Violin Parts (1 Part with editorial annotations) - for Violina and Piano (Harpsichord). By Johann Sebastian Bach. Edited by H. Eppstein. Violin. Pages: Score = 126 * 2 Vl Parts = 43 each. Urtext edition without fingering-paper bound. Published by G. Henle.

Composed by Johann Sebastian Bach (1685-1750), edited by Rudolf Gerber. For violin (or viola da gamba - extra part included) and piano (or harpsichord). Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin and viola da gamba parts). With solo part, piano accompaniment and introductory text. Baroque. 104 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Composed by Johann Sebastian Bach (1685-1750), edited by Rudolf Gerber. For violin (or viola da gamba - extra part included) and piano (or harpsichord). Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin and viola da gamba parts). With solo part, piano accompaniment and introductory text. Baroque. 89 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

Composed by Georg Philipp Telemann (1681-1767), edited by Waldemar Woehl. For violin (oboe, flute, or recorder can be substituted), keyboard and basso continuo. Format: set of performance parts (includes separate pull out violin and continuo parts). With solo part, basso continuo part, keyboard realization and introductory text. Baroque. 88 pages. 9x12 inches. Published by Hortus Musicus.

Violin, Piano SKU: HU.HN77 Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Strings, Repertoire, Collections. Sonatas for Piano and Violin Vol. 1. Classical. Softcover Book. 171 pages. G. Henle #HN77. Published by G. Henle (HU.HN77). 12.2 x 9.3 x 0.5 inches. An authoritative Urtext edition with marked and unmarked violin parts of Mozart's first volume of sonatas for violin and piano. Contains Sonatas K.301 to K.306.

Composed by Joseph Haydn, edited by Carl Flesch. Hob. VIIa: 1. For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Classical period. 35 pages. 9x12 inches. Published by C.F. Peters.

Composed by Samuel Barber (1910-1981), arranged by Jerry Lanning. For violin and piano. Format: set of performance parts (includes separate pull out part for violin). 20th Century. 6 pages. 9x12 inches. Published by G. Schirmer, Inc..

Compiled by Barbara Barber. Collection for violin and piano accompaniment. With a set of parts. Series: Suzuki Method. 84 pages. Published by Alfred Publishing.

Composed by Antonin Dvorak (1841-1904), arranged by Fritz Kreisler (1875-1962). Set of performance parts for violin and piano. With bowings and fingerings. 6 pages. Published by Carl Fischer.

(Volume 1: Sonatas Nos. 1-3). By Luigi Boccherini (1743-1805). Edited by Rudolf Rasch. For Violin and Piano. Early Music. Score and parts. Op. 5 (G 25-30). 80 pages. Published by Ut Orpheus

Edited by Aaron Rosand, composed by Alexander Glazunov (1865-1936). Set of performance parts for violin and piano. 6 pages. Published by International Music Co.

Composed by Antonio Vivaldi (1678-1741), edited by Ferdinand Kuechler. Opus 3, No. 6. For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Baroque. A Minor. 19 pages. 9x12 inches. Published by C.F. Peters.

Chamber Music Clarinet, Piano, Violin

SKU: CF.MXE71

Composed by Martin Bresnick. SWS. Contemporary. Set of Score and Parts. With Standard notation. 23+6+5 pages. Carl Fischer Music #MXE71. Published by Carl Fischer Music (CF.MXE71).

ISBN 9781491144749. UPC: 680160902248. 9 x 12 inches.

The day that Australian and New Zealand forces joined the Allies for an invasion of the Gallipoli Peninsula of Turkey in World War I, with disastrous consequences, is celebrated in Australia as Anzac Day (Australian and New Zealand Army Corps). To honor this special day, Bresnick takes inspiration from two selected poems by Bertolt Brecht (And I Always Thought and Legend of the Unknown Soldier Beneath the Triumphal Arch). Commissioned to commemorate Australia’s Anzac Day, similar to Memorial Day, and inspired by two Brecht poems…The somber opening violin and clarinet lines unfolded to haunting effect before eventually reaching a fervent climax. --Vivien Schweitzer, The New York Times.