For Violin and Piano. Composed by Morten Lauridsen (1943-). Peermusic Classical. Softcover. 8 pages. Published by Peermusic (HL.201336).

Violin and Piano

SKU: HL.14003914

Composed by A.C. MacKenzie. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120038. Published by Music Sales (HL.14003914).

8.25x11.75x0.058 inches.

Benedictus is a work of depth and feeling that some listeners claim 'out-Elgars Elgar.'Composer, conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes, as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim 'out-Elgars Elgar.'Composer, conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes, as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Halle. During hislifetime - 1847 to 1935 - MacKenzie's programmatic Scottish-inflected work was extremely popular, and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Halle. During his lifetime - 1847 to 1935 - MacKenzie's programmatic Scottish-inflected work was extremely popular, and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

Violin and Piano

SKU: IS.VLP4190EM

Composed by Flor Alpaerts. Strings - Violin. Metropolis Music Publishers #VLP4190EM. Published by Metropolis Music Publishers (IS.VLP4190EM).

ISBN 9790365041909.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.

By Watson Forbes. For violin and piano. Violin. Other Collection. Piano score and violin part. 32 pages

By ABRSM. For violin, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Watson Forbes. For violin and piano. Violin. Other Collection. Piano score and violin part. 24 pages

Choral Piano, Violin

SKU: HP.C6304

Composed by Andrae Crouch. Arranged by Paul Langford. Piano with optional Violin (Included). Spirituals & Gospel, Thanksgiving, General Worship, Blood, Devotion, Discipleship, Gratefulness, Jesus Christ - Love, Jesus Christ - Redeemer, Adoration & Praise. Octavo. 12 pages. Hope Publishing Company #C6304. Published by Hope Publishing Company (HP.C6304).

UPC: 763628163044.

Popul ar song by Andrae Crouch Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

Violin & Piano (Organ) + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-29363

Composed by Various. Violin & CD Playback (Play Along). Score and parts. Duration 67'00. Editions Marc Reift #EMR 29363. Published by Editions Marc Reift (MA.EMR-29363).

Dix / Nearer, My God, To Thee / Passion Choral / Grosser Gott, wir loben Dich / Redemption / Jerusalem / Pray For A Better World / Wir pflugen / Resurrection / In Terra Pax / Lobe den Herrn / Nun danket alle Gott / Ein' feste Burg ist unser Gott ....

Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.