Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Violin, piano

SKU: BR.EB-9407

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Kagi. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 68 pages. Breitkopf and Haertel #EB 9407. Published by Breitkopf and Haertel (BR.EB-9407).

ISBN 9790004188811. 9 x 12 inches.

With his Six Morceaux , Raff created a collection of six short pieces with the aim of pleasantly entertaining many a listener and demonstrating that he was also capable of writing something easy. After all, he had made a name for himself in the years before with extremely demanding chamber music for renowned dedicatees. The Six Morceaux , dedicated to the violinist Ludwig Straus, on the other hand, are probably related to Raff's teaching activities at a private piano school in Wiesbaden at that time. Therefore, with the individual pieces varying in difficulty they are well suited for violin lessons without losing any of their musical ambition. The most famous piece is probably the Cavatina. Arranged for various scorings during Raff's lifetime, it continues to be one of the most popular Encore pieces altogether - Fritz Kreisler, Yehudi Menuhin and Itzhak Perlman have made recordings of the piece. They say that a piano quintet version was even heard on the Titanic . This modern Urtext edition is based on the first printing, supervised and initiated by Raff himself. In collaboration with the Joachim-Raff-Archiv Lachen (CH).

Violin and Piano - early intermediate

SKU: BT.DHP-1043625-404

Composed by Alexei Janschinow. De Haske Study and Play. Educational Tool. Book with Part and Audio-Online. Composed 2021. 16 pages. De Haske Publications #DHP 1043625-404. Published by De Haske Publications (BT.DHP-1043625-404).

ISBN 9789043161763. 9x12 inches. English-German-French-Dut ch.

Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result.

The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire.

Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extra’s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.

St udy and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche Übungsroutine individuellergänze n. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren Übetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird.

Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires.

Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo d’é tude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusqu’ ce que vous ayez atteint le résultat souhaité.

Le titre de la pièce évoque le contexte d’unconcer t : l’interpr� �ƒÂ©tation d’une partie soliste avec accompagnement. On compte des milliers d’oeuvres similaires pour violon mais un grand nombre d’entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidéra bles. Concertino in Russian Style Opus 35 vous permet d’acquà ©rir l’expÃ� �©rience nécessaire l’interpr� �ƒÂ©tation de ce genre de pièces, c’est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien d’un accompagnateur lors de l’interpr� �ƒÂ©tation. Choisi avec soin, ce Concertino enrichira votre répertoire.

Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dell’accom pagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore.

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 44 pages. De Haske Publications #DHP 1125296- 400. Published by De Haske Publications

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 24. Baerenreiter Verlag #BA10937. Published by Baerenreiter Verlag

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
Envoyer des commentaires

Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Andante Con Variazioni by Ludwig van Beethoven (1770-1827). Arranged by Steven Isserlis. For Violin and Piano. Solo; String - Violin Solo and Piano. Faber Edition. Form: Variations. Classical; Masterwork Arrangement; Romantic. Advanced. Published by Faber Music

Violin, piano

SKU: BA.BA04539-01

Composed by Wolfgang Amadeus Mozart. Edited by Eduard Reeser. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series VIII, Volume 23, No. 1. Klassik (Classical). Complete edition, Performance score, Part, anthology. Baerenreiter Verlag #BA04539_01. Published by Baerenreiter Verlag (BA.BA04539-01).

ISBN 9790006450206. 33 x 26 cm inches.

Urtext der Neuen Mozart Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin, piano

SKU: BA.BA04540-01

Composed by Wolfgang Amadeus Mozart. Edited by Eduard Reeser. This edition: complete edition, urtext edition. Linen. New Mozart Edition (NMA) VIII/23/2. Klassik (Classical). Complete edition, Performance score, Part, anthology. Duration 3 hours, 15 minutes. Baerenreiter Verlag #BA04540_01. Published by Baerenreiter Verlag (BA.BA04540-01).

ISBN 9790006450237. 33 x 26.1 cm inches.

Urtext der Neuen Mozart Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By John Craton. Chamber ensemble. For Violin, piano. Chamber Music. Student sonatina for violin and piano. Contemporary. Score and part. 24 pages. Duration 12:00. Published by Wolfhead Music. (WM509) Level: Moderately advanced.

(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravinsky. Arranged by David Dutkanicz. For violin piano. 8 2 pages. Duration 7 minutes. Published by Carl Fischer

Violin and Piano - Beginner

SKU: FP.FDC24

Composed by Cyril Dalmaine. Sheet Music and Books. Music sketches for beginner violinists with piano accompaniment, by Cyril Dalmaine. Classical. Collection. Forsyths Publications #FDC24. Published by Forsyths Publications (FP.FDC24).

ISBN 9790570504336.

An imaginative first violin book, featuring 12 music sketches with fingering and tips on technique and reading music, inspired by the composer's experience teaching a young boy named Peter, and the musical pictures they painted together.


Comp oser and critic Cyril Carr Dalmaine graduated from the Royal College of Music and was Music master at Uppington School before going on to become chorus master to the BBC. He is most famous for coining the term 'Lord Haw-Haw' in his work as radio critic of the Daily Express under the pseudonym Jonah Barrington, in reference to the Nazi propaganda broadcasts of William Joyce during the Second World War.

Dalmaine was also a record presenter in the pre-1955 days and responsible for the 'discovery' of the then deceased Italian tenor, Alessandro Valente, giving Valente enjoyed a considerable posthumous vogue. As a composer Dalmaine wrote chamber music, and transcribed the cantatas of J.S. Bach to piano as well as a wide range of piano and string works published by Forsyth. His works such as Variation from Versailles and Pathway to the Proms remain in print and are well worth re-discovering, while his arrangements of popular classics in our Silhouette Series remain best sellers.

Composed by Charles E. Callahan Jr. (1951-). For Flute or Violin, Keyboard (Organ or Piano). 21st Century. Moderately Easy. Scripture: Psalms 84:1 (26);Psalms 100 (26);Psalms 23:2 (26);Psalms 96 (26). Published by MorningStar Music Publishers

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

Composed by Charles-Auguste de Beriot. Edited by Kurt Sassmannshaus. Stapled. Baerenreiter's Concert Pieces. Piano reduction, part. Opus 104 No. 9. 14/26 pages pages. Published by Baerenreiter Verlag

By Pam Wedgwood. For Violin. Book; CD; String - Violin Studies or Collection. Faber Edition: After Hours. 24 pages. Published by Faber Music

Violin, Piano, Play-Along CD SKU: HU.F0571523560 For Violin and Piano/CD. Composed by Pam Wedgwood. Strings, Repertoire, Collections. After Hours. Softcover Book and CD. 32 pages. Faber Music #F0571523560. Published by Faber Music

By Oliver Knussen (1952-). For Violin and Piano. Masterworks; Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius (1865-1957). Edited by Anna Pulkkis. The violin was Sibelius's instrument, and the virtuoso aspect is eminent in Drei Stucke Op. 116 as well as in his entire oeuvre for violin and piano. Apart from that, Op. 116 provides a glimpse into the last active phase of Sibelius's care. Breitkopf and Haertel #EB-9341. Published by Breitkopf and Haertel

Violin, piano

SKU: BR.MN-8708

Composed by Janos Tamas. Solo instruments; Softcover. Musikverlag Nepomuk. Music pedagogy; Music post-1945. Score. Composed 1977. 12 pages. Duration 7'. Breitkopf and Haertel #MN 8708. Published by Breitkopf and Haertel (BR.MN-8708).

ISBN 9790004790182. 8.5 x 11.5 inches.

Composed by Antonin Dvorak (1841-1904). This edition: Urtext edition. Piano reduction. Published by Baerenreiter Verlag (BA.BA10422-90).

By Music Sales Ltd. For Violin, Piano Accompaniment. Contemporary, 20th Century, Classical. Sheet Music. 108 pages. Published by Chester Music.

Piano. Composed by Carl Vine (1954-). Masterworks; Part(s); Score; Solo; String - Violin and Piano. Faber Edition. Form: Concerto. 20th Century; Masterwork. Published by Faber Music (AP.12-0571572278).

Violin and piano

SKU: HL.49044153

Composed by Stefan Heucke. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 2000. Op. 38. 70 pages. Duration 21'. Schott Music #VLB188. Published by Schott Music (HL.49044153).

ISBN 9790001197748.

Die Sonate op. 38 entstand im November und Dezember 2000 und ist das einzige unmittelbar autobiographische Stuck, das ich bisher komponiert habe. Es ist dem Gedenken eines toten Freundes gewidmet, den ich 17 Jahre lang aus den Augen verloren und im Sommer 2000 auf dem Friedhof wiedergefunden habe. Ein wahrend der Zeit unserer Freundschaft im Herbst 1983 entstandener Plan fur eine Violinsonate konnte nun verwirklicht werden. Die Initialen des Widmungstragers - A.F. - beherrschen die gesamte Struktur des Werkes. Der erste, in unaufhaltsamer, wilder Bewegung voransturmende Satz speist sich aus zwei ausladenden gesanglichen Themen, das erste aus dem Intervall A - F, das zweite aus dem Intervall (E)S - H gewonnen, die von unaufhorlichen Sechzehntelbewegungen des Klaviers vorangetrieben werden. Der zweite Satz schweisst drei Formteile in einen grossen Variationssatz zusammen: Zunachst Thema und funf Variationen uber Brahms' Volkslied Da unten im Tale, dann ein variierter Scherzosatz uber eben dieses Thema und schliesslich eine gedrangte Passacaglia, die auf der Basis des Klanges A - F die vergangenen musikalischen Ereignisse zusammenpresst. Zum Schluss erscheint noch einmal das Brahms-Lied in entruckter Klanggestalt in der entfernten Tonart E-Dur. Der Text dieses Liedes lautet: Da unten im Tale laufts Wasser so trub,Und i kann dirs net sagen, i hab di so lieb. Sprichst allweil von Lieb, sprichst allweil von Treu,und a bissele Falschheit is au wohl dabei. Und wenn i dirs zehnmal sag, dass i di lieb,und du willst nit verstehen, muss i halt weiterziehen. Fur die Zeit, wo du g'liebt mi hast, dank i dir schon,und i wunsch, das dirs anderswo besser mag gehen. - Stefan Heucke.

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.