Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
Breitkopf
and Haertel #EB-9340.
Published by Breitkopf
and
Haertel
And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-...(+)
And Piano,- Version for
Violin and Piano. By
Robert Schumann. Edited
by W. Haug-Freienstein.
Violin. Pages: Score =
VII and 29 * Vl Part = 8.
Edition for Violin-paper
bound. Published by G.
Henle.
Piano Accompaniment; Violin (Violin/Piano) - easy SKU: HL.49046262 Vio...(+)
Piano Accompaniment;
Violin (Violin/Piano) -
easy
SKU:
HL.49046262
Violin
and Piano. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. Op. 15. 20
pages. Schott Music
#SE1042. Published by
Schott Music
(HL.49046262).
ISBN
9783795716660. UPC:
888680954178.
9.0x12.0x0.067 inches.
German - English -
French.
Ferdinand
Küchler is regarded as
one of the great violin
teachers of the 20th
century. Apart from his
Violin Method, it is,
above all, his
concertinos that are an
absolute must for the
development of any violin
pupil, especially his
famous Concertino in G
major Op. 11 (Schott SE
1001) as well as his
Concertino in D major Op.
15 which both enjoy great
popularity. Composed
“in the style of
Antonio Vivaldiâ€,
the work has, without
doubt, been one of the
most frequently played
works in student violin
literature for decades.
It is the perfect
educational link to
Vivaldi's somewhat more
difficult “student
concertosâ€. The
completely baroque-style
movements appeal to every
pupil. The fast outer
movements contain
rewarding, always
seemingly violinistic
runs and idiomatic
figurations. The appeal
of the slow middle
movement lies in its
simple, yet tonally
demanding Siciliano
theme. The works requires
knowledge of the 2nd and
3rd positions and is here
presented in a new modern
edition. Bowing,
articulation and
fingerings are based on
today's experience of
interpreting Vivaldi's
music, providing creative
space and possibilities
for personal ideas in
modern violin lessons.
This edition is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty,from 1
(easy) to 5 (difficult),
for instrumental lessons.
For more information see
www.schott-student-editio
n.com.
Book/Audio Online Guitar; Piano Accompaniment; Violin (Violin/Piano) SKU: HL....(+)
Book/Audio Online Guitar;
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025055
Violin and Piano
Book/Audio Online.
Composed by Various.
Edited by Edward Huws
Jones. Boosey and Hawkes
Chamber Music. Blues,
Jazz, Ragtime. Softcover
Audio Online. 68 pages.
Boosey and Hawkes
#M060138935. Published by
Boosey and Hawkes
(HL.48025055).
ISBN
9781784547042. UPC:
196288024316.
9.0x12.0x0.235
inches.
Klezmer Fiddler Violon et Piano [Partition + Accès audio] Boosey and Hawkes
Traditional Fiddle Music from Around the World Complete Edition. Composed by...(+)
Traditional Fiddle Music
from
Around the World Complete
Edition. Composed by
Edward
Huws Jones. Boosey &
Hawkes
Chamber Music. Folk,
Klezmer.
Softcover Audio Online.
104
pages. Boosey &
Hawkes
#M060138911. Published by
Boosey & Hawkes
Il Diavolo Violon et Piano SATB, Orchestre Editorial de Musica Boileau
Violin and piano SKU: BO.B.3673 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3673
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3673).
It is a work
for violin and piano
inspired directly by
Paganini's Capriccio No.
13, known as La risata
del diavolo and one of
the most renowned
capriccios from the
series of twenty-four
composed by the
celebrated Genovese
violinist and composer.
In my version for violin
and piano, I have singled
out the two essential
features of the work: the
third notes on a double
string that emulate the
devil's laughter, and the
quick eighth notes that
follow, all of it within
a light and humorous
chromaticism.
Il
diavolo begins with a
slow and fragmented but
suggestive violin
cadenza. It then follows
the Allegro deciso, built
on the two features
mentioned above. In the
central part, yet another
violin cadenza of a
similar character but
which recalls the devil's
laughter more evidently.
The Allegro deciso goes
on up to a carefree and
virtuosic
finale.
Composed by Leos Janacek (1854-1928). Edited by Jan Krejci; Alena Nemkova. For v...(+)
Composed by Leos Janacek
(1854-1928). Edited by
Jan Krejci; Alena
Nemkova. For violin and
piano. This edition:
Urtext edition. Stapled.
Level 4. Score with part.
Published by Baerenreiter
Verlag
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Violin and Piano SKU: AP.36-60710008 For Violin and Piano. Compose...(+)
Violin and Piano
SKU:
AP.36-60710008
For
Violin and Piano.
Composed by Ralph Vaughan
Williams/ Inspired by a
poem of George Meredith.
Violin. Master String
Series. Book.
LudwigMasters
Publications
#36-60710008. Published
by LudwigMasters
Publications
(AP.36-60710008).
ISBN
9798888522028. UPC:
676737624248.
English.
Ralph
Vaughan Williams, ever
fond of poetry, found
creative impetus for his
beautiful romance The
Lark Ascending, IRV 39,
in an 1881 poem by George
Meredith. Marie Pauline
Hall, to whom the work
was dedicated, gave the
first performance of the
original violin and piano
version, here presented
in a Masters reprint
edition, at Shirehampton
Public Hall on December
15, 1920, beside pianist
Geoffrey Mendham. After
World War I, the composer
expanded the work for
soloist and full
orchestra. This has
become the version most
familiar to listeners.
The violin, lifting its
silvery tones above the
stage, captures the
soaring nature of
Meredith's couplet: Till
lost on his aerial
rings/In light, and then
the fancy sings. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and Piano. By Edward Elgar. Arranged by Donald Fraser. Fentone Play Along...(+)
Violin and Piano. By
Edward Elgar. Arranged by
Donald Fraser. Fentone
Play Along Books. Play
Along. Size 9x12 inches.
20 pages. Published by
Fentone Music.