Composed by Leos Janacek (1854-1928). Edited by Jan Krejci; Alena Nemkova. For v...(+)
Composed by Leos Janacek
(1854-1928). Edited by
Jan Krejci; Alena
Nemkova. For violin and
piano. This edition:
Urtext edition. Stapled.
Level 4. Score with part.
Published by Baerenreiter
Verlag
Violin and piano - Level 3 SKU: LM.27639 Composed by Michel Leclerc and O...(+)
Violin and piano - Level
3
SKU: LM.27639
Composed by Michel
Leclerc and Olivier
Leclerc. Michel Leclerc.
Pop, jazz. Score and CD.
Editions Henry Lemoine
#27639. Published by
Editions Henry Lemoine
(LM.27639).
ISBN
9790230976398.
RENA
UD : Mistral gagnant -
Manhattan Kaboul -
HALLYDAY Johnny : Retiens
la nuit - Que je t'aime -
CLERC Julien : Femmes je
vous aime - Fais-moi une
place - CABREL Francis :
Il faudra leur dire -
Hors-saison.
Violin & Piano SKU: SU.80101154 For Violin & Piano. Composed by Br...(+)
Violin & Piano
SKU:
SU.80101154
For
Violin & Piano.
Composed by Bruce Polay.
Strings, Violin. Score &
Parts. Zimbel Press
#80101154. Published by
Zimbel Press
(SU.80101154).
This work is a
setting for violin and
piano of the well-known
hymn tune New Britain
(Amazing Grace, How Sweet
the Sound). It provides
diverse treatments of the
tune -- from dramatic and
grand to introspective
and hushed. 12 pages
Published by: Zimbel
Press.
Amazing Grace Violon et Piano - Avancé Jackman Music Corporation
Edited by Jenny Oaks Baker. Arranged by Kurt Bestor. For solo violin and piano. ...(+)
Edited by Jenny Oaks
Baker. Arranged by Kurt
Bestor. For solo violin
and piano. First Chair
Series. Very advanced.
Score and part. 6 pages.
Published by Jackman
Music Corporation
Amazing Grace Violon et Piano - Intermédiaire MorningStar Music Publishers
By Duane Funderburk. Arranged by Duane Funderburk. For violin, piano, optional o...(+)
By Duane Funderburk.
Arranged by Duane
Funderburk. For violin,
piano, optional oboe and
strings quintet. Organ
with Instruments.
General. Moderately
Difficult. Score and solo
part. 8 pages. Published
by MorningStar Music
Publishers
Violon et Piano [Conducteur et Parties séparées] - Débutant Latham Music Enterprises
By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Po...(+)
By Hunter. Instrumental
Hymns, Violin Solo. Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus. All
1st position, compatible
with Suzuki Book #1;
violin plays melody with
simple accompaniments.
Now includes descant.
Published by Latham Music
Enterprises.
Trans
figured Life - Still
Life, Op. 165 (violin and
piano) - David
Braid
I am keen on
concise musical forms
such as Prelude and
Fugue, where there is one
clear straightforward
idea, followed by another
that is more involved and
developed.
In
keeping with that idea,
this work consists of two
distinct pieces, the
first - Transfigured Life
- aims to draw in the
listener with its quick,
dancing rhythm and
simple, melodic violin
part. It 'transfigures'
via a few short solo
piano interludes into
just two alternating
notes to end - which are
the core of the original
idea, now made clear by
clearing everything else
out of the
way.
The second
piece - Still Life -
retains its sense of
stillness through an
uncomplicated piano line
that gives lots of space
for the violin's
contrasting (but again
simple) part. As an
absolute, not
programmatic, piece the
title refers to the
atmospheric colour and
pacing only; it's up to
the listener to see
'Still life' of their
choosing in their own
mind.
A note on
performance: Despite
my reference to 'simple'
lines, and the work's
determined avoidance of
mainstream modernist
squeak - the work has
certain performance
challenges of phrasing
and ensemble that
requires considerable
skill and musicianship.
The work has had the
privilege of being
recently recorded by
violinist Ezgi
Sarıkcıoğlu and
pianist Rossitza
Stoycheva, and is
available on all major
platforms:
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025035
Violin and Piano.
Composed by Brett Dean.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages.
Duration 1020 seconds.
Bote & Bock #M202535639.
Published by Bote & Bock
(HL.48025035).
ISBN
9783793142607. UPC:
196288020790.
9.0x12.0x0.171
inches.
With Berlin
Music, Brett Dean wrote a
threefold homage: to the
classical duo consisting
of violin and piano; to
the violin virtuoso
Midori, for whom the
piece was written; and to
the city of Berlin, where
he lived between the
mid-1980s and 2000 and
whose rich cultural life
he owes much to his
development as a musician
and composer. The first
four, relatively short
movements of the
five-movement work form a
suite of character
pieces, which is followed
by a longer final
movement. In summary,
this turns out to be the
actual main movement from
which all motifs and
harmonies emerged in a
compositional manner.
This includes tuning down
the G side by a whole
tone - an apparently
small difference, but one
that has a major effect
on the timbre and
resonance of the
instrumentand suddenly
makes previously
impossible interval
sequences playable. In
addition, the violin in
the third movement (a
moto perpetuo in which
Dean bows to Ravel's
violin sonata) has to
play with a practice
damper, while the pianist
changes the instrument
and plays on a standing
piano that is dampened by
a pedal and placed next
to the concert grand
Expressing nervous energy
in tight college
spaces.
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris....(+)
Composed by Cesar Auguste
Franck (1822-1890).
Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Paperback. With an
introduction by Gudula
Schutz. Score and part.
Published by Baerenreiter
Verlag (BA.BA9425).
Piano Accompaniment; Violin (violin/piano) SKU: HL.51481275 Violin and...(+)
Piano Accompaniment;
Violin (violin/piano)
SKU: HL.51481275
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky. Edited by
Alexander Komarov. Henle
Music Folios. Classical.
Softcover. 50 pages. G.
Henle #HN1275. Published
by G. Henle
(HL.51481275).
UPC:
888680991661.
9.25x12.25x0.157
inches.
“Memo
ry of a dear placeâ€
is the title given to
this collection of three
enchanting pieces for
violin and piano. The
“place†in
question was the country
estate of Brailov that
belonged to Tchaikovsky's
patron and friend
Nadezhda von Meck. He
stayed there in idyllic
seclusion in May 1878 and
completed this work.
These pieces were
composed very close in
time to his Violin
Concerto, and they too
demonstrate Tchaikovsky's
matchless gifts as a
Romantic master of
melody. For this edition,
the Russian Tchaikovsky
specialist Alexander
Komarov offers the
highest degree of
editorial precision,
having drawn on all the
relevant sources from
both Russian and
international archives.
In the course of his work
he has also been able to
disprove beyond a doubt
the view held up to now
that the title Souvenir
d'un lieu cher was only
added after Tchaikovsky's
death.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin and Piano Reduction. Composed by Oscar Rieding. Edited by Annette Opper...(+)
Violin and Piano
Reduction.
Composed by Oscar
Rieding.
Edited by Annette
Oppermann.
Henle Music Folios.
Classical. Softcover. 14
pages. G. Henle #HN1048.
Published by G. Henle
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Violin and Piano - intermediate SKU: BT.DHP-1115209-400 Composed by Leo P...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1115209-400
Composed by Leo Portnoff.
Arranged by Nico Dezaire.
De Haske Study and Play.
Book with CD. Composed
2011. 32 pages. De Haske
Publications #DHP
1115209-400. Published by
De Haske Publications
(BT.DHP-1115209-400).
ISBN 9789043142304.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features a CD to
add something extra to
your study routine. When
you play this
Concertino Op. 96
the CD allows you to
practise at a slower
study tempo, as well as
the normal tempo, so that
you can improve your
insight into the music.
The carefully edited
volume also contains a
violin part and a piano
part. Of course, the
superb CD is also great
to play along with if
thereâ??s no pianist
available. You will find
this is a fun and
instructive enrichment of
your
repertoire.
Stu
dy and Play is het
ideale concept om je spel
op een plezierige en
verantwoorde manier te
ontwikkelen. Bij elke
uitgave onder deze noemer
wordt een cd meegeleverd
die iets extraâ??s
toevoegt aan je
studiemethode. In het
geval van dit
Concertino op.96
biedt de cd je de
mogelijkheid om te
studeren in zowel het
gewone tempo als een
rustig oefentempo,
waardoor je je inzicht in
de muziek kunt
verbeteren. De verzorgde
set bestaat verder uit
een vioolpartij en
pianopartij. Natuurlijk
is de sublieme cd ook
geschikt om mee samen te
spelen als er geen
pianist beschikbaar is.
Dit is beslist een leuke
en leerzame verrijking
van je
repertoire.
Stu
dy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept ist eine CD
beigefügt, welche die
tägliche
Ã?bungsroutine
individuell
ergänzt.Mit Hilfe der
CD kann dieses
Concertino Op. 96
im langsameren
Ã?bungstempo sowie auch
im normalen Tempo
gespielt werden, so dass
man sich zunächst ganz
auf das Violinspiel
konzentrieren kann und
dabei die Musik kennen
lernt. Diese
sorgfältig
ausgearbeitete Ausgabe
enthält au�erdem
eine Violin- und eine
Klavierstimme. Die
exzellente CD eignet sich
selbstverständlich
auch bestens zum
Mitspielen, wenn kein
Pianist zur Verfügung
steht.
DiesesConcertino Op.
96 ist eine ebenso
reizvolle wie lehrreiche
Erweiterung des
Repertoires.
Study and
Play è il concetto
ideale per sviluppare il
vostro modo di suonare in
un contesto piacevole e
solidamente strutturato.
Il CD vi permette di
suonare sia a tempo
normale che più lento,
al fine di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellâ??accompagnamento
al pianoforte incluse
nelle pubblicazioni
(versione cartacea) vi
permettono di suonare con
un pianista
accompagnatore.
Violin SKU: AP.12-0571541887 Composed by Thomas Ades. Performance Music E...(+)
Violin
SKU:
AP.12-0571541887
Composed by Thomas Ades.
Performance Music
Ensemble; String - Violin
and Piano. Form:
Concerto. Living
Composer. Book. Faber
Music #12-0571541887.
Published by Faber Music
(AP.12-0571541887).
ISBN 9780571541881.
English.
Thomas
Adès's Violin Concerto
Concentric Paths, written
in 2005, is one of the
most important additions
to the violin concerto
repertoire since
Ligeti's. Cast in three
contrasting
movements?each linked by
a preoccupation with
circling musical figures?
the concerto, subtitled
Concentric Paths now
occupies a place in
standard repertoire. Two
lithe, rhythmically
driven movements, Rings
and Rounds bookend Paths,
an intensely emotional
and gritty exploration of
passacaglia-like
sequences, which peaks in
a lyrical outpouring of
exceptional beauty. This
is the violin part and
piano reduction.
In just 20
minutes, this
three-movement piece does
something magical. The
way it swirls ethereally
in the first movement,
exerts a tragic and
vice-like grip in the
chaconne-like second part
and finally propels you
into the uninhibited
flight of the finale is
like being spun into an
infinite space. The
Guardian (Tom
Service).
by Costel Puscoiu. For violin. solos. Non-Series. Classic. Level: Beginning-Inte...(+)
by Costel Puscoiu. For
violin. solos.
Non-Series. Classic.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
136 pages. Published by
Mel Bay Publications, Inc
Composed by Leos Janacek (1854-1928). Edited by Jan Krejci; Alena Nemcova. For v...(+)
Composed by Leos Janacek
(1854-1928). Edited by
Jan Krejci; Alena
Nemcova. For violin,
piano. This edition:
Complete edition. Linen.
Complete Critical Edition
of the Works of Leos
Janacek. Volume E/1.
Performance score,
part(s), anthology.
Published by Baerenreiter
Verlag
Composed by Bohuslav
Martinu. Arranged by
Karel Å olc. Stapled.
Replaces H 5797. Piano
reduction, Part. H 226,
No. 1. Baerenreiter
Verlag #BA11527_90.
Published by Baerenreiter
Verlag (BA.BA11527-90).
ISBN 9790260107946. 31
x 24.5 cm inches.
Preface: Sandra
Bergmannova.
Bohusl
av Martinu wrote his
First Violin Concerto in
Paris in 1932-33, this
work having been
commissioned by the
violin virtuoso Samuel
Dushkin. However, it was
never performed during
the composer's lifetime
and was even considered
lost after his death. It
was not until 1961 that
musicologist and
collector Hans
Moldenhauer bought it
from Boaz Piller,
contrabassoonist of the
Boston Symphony
Orchestra. Moldenhauer
approached Czech
violinist Josef Suk, who
gave the world premiere
of the work with the
Chicago Symphony
Orchestra under Georg
Solti in October
1973.
This piano
reduction is based on the
musical text of the first
edition. The solo part
has been revised by a
leading Czech violinist
and performer of
Martinu's music.
*
Major violin concerto of
the 20th century * New
Foreword by Martinu
scholar Sandra
Bergmannova
(Cz/Eng/Ger)
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.48014302 Vio...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.48014302
Violin
and Piano. Composed
by Isang Yun. Edited by
Holger Groschopp. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 32
pages. Bote & Bock
#M202532515. Published by
Bote & Bock
(HL.48014302).
UPC:
073999949827.
9.0x12.0x0.129
inches.
Gasa is a
Korean word meaning
simply Song-Words and is
the name of a Korean
narrative art song. It is
sung by a woman and is
accompanied by a bamboo
flute, the Taegum and an
hourglass drum, the
Changgo. In Gasa the
violin part is modeled on
the character of the
voice which contrasts
such opposites as purity
and courseness, near and
far, light and dark.
''Gasa exists in space.
It takes no heed of time-
each moment exists in
space and that space is
unending. Within this
(space) however, there
exists a dramatic
development.AE (Isang
Yun) In Gasa Yun combines
his central-tone
technique with twelve
note tone-fields.
Second Version 1845; with separate commentary on performance practice. Co...(+)
Second Version 1845;
with separate commentary
on performance
practice. Composed by
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Todd, R. Larry
/ Brown, Clive. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Late version.
Vocal score, Part(s),
book. Opus 64. Duration
12 hours. Baerenreiter
Verlag #BA09099-93.
Published by Baerenreiter
Verlag (BA.BA09099-93).
Second Version 1845. Composed by Felix Bartholdy Mendelssohn (1809-1847)....(+)
Second Version
1845. Composed by
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Todd, R. Larry
/ Brown, Clive. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Late version.
Vocal score, Part(s).
Opus 64. Duration 12
hours. Baerenreiter
Verlag #BA09099-90.
Published by Baerenreiter
Verlag (BA.BA09099-90).
Violin and Piano SKU: AP.36-60710010 (from For Children, Sz. 42). ...(+)
Violin and Piano
SKU:
AP.36-60710010
(from For Children,
Sz. 42). Arranged by
Bela Bartok and ed./arr.
Joseph Szigeti. Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710010. Published
by LudwigMasters
Publications
(AP.36-60710010).
ISBN
9798888521663. UPC:
676737709938.
English.
Hungarian
composer, pianist and
ethnomusicologist Béla
Bartók (1881-1945)
originally completed the
cycle of 85 short piano
pieces FOR CHILDREN in
1909. Each piece was
based on a folk tune,
with the first 42 being
Hungarian, and the
remaining 43 being
Slovakian. Famed
Hungarian violinist
Joseph Szigeti
(1892-1973) took six of
the Hungarian folk tunes
and transcribed them for
violin and piano. As
Bartók later removed and
revised some of the songs
in the collection, the
following numbers
included are the original
numbers from the 1909
collection: No. 28 -
Parlando, No. 18 -
Andante con moto, No. 42
- Allegro vivace, No. 33
- Andante sostenuto, No.
6 - Allegro, No. 13 -
Andante, No. 38 - Poco
vivace. In addition to
the original, more
difficult violin part he
transcribed originally,
Szigeti also wrote a
simplified version where
only the first to fourth
positions are used. Both
violin versions are
included in this
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.