Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced to
difficult
SKU:
HL.49019599
Three
Poems for Violin and
Piano. Composed by
Karol Szymanowski. Edited
by Ida Bieler and
Wolfgang Birtel. Arranged
by Ida Bieler. This
edition: Saddle
stitching. Sheet music.
String. 20Th Century,
Classical. Softcover. Op.
30. 72 pages. Schott
Music #VLB174. Published
by Schott Music
(HL.49019599).
ISBN
9790001191043. UPC:
841886019546.
9.0x12.0x0.187 inches.
Eds. Wolfgang Birtel and
Ida Bieler.
Karol
Szymanowski (1882-1932)
is regarded as one of the
most important Polish
composers since Chopin.
He received his formative
musical training in
Warsaw where he lived for
many years and was also
director of the
Conservatoire and Music
Academy. His
compositional oeuvre
comprises a large variety
of styles: Szymanowski
first leaned towards
Chopin and Scriabin, then
studied Richard Strauss
and Igor Stravinsky,
finally finding a style
in which he combined
impressionism and
expressionism. His
'Mythes' for violin and
piano from 1915 fell in a
transitional period,
turning away from late
German Romanticism. They
are expressive miniatures
full of tonal refinement
and impressionist charm
and, thanks to their
accessible virtuosity,
perfect performance
pieces. Contents: I. La
Fontaine d'Arethuse
• II. Narcisse
• III. Dryades et
Pan.
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 24.
Baerenreiter
Verlag #BA10937.
Published by
Baerenreiter Verlag
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pie...(+)
Violin and Piano - easy
SKU:
BT.DHP-1196083-404
16 easy 'swinging'
pieces for violin and
piano accompaniment.
Composed by Joachim
Johow. Contemporary
Music. Book with Part and
Audio-Online. Composed
2019. 57 pages. De Haske
Publications #DHP
1196083-404. Published by
De Haske Publications
(BT.DHP-1196083-404).
ISBN 9789043156837.
English-German-French-Dut
ch.
Swing-style
music for violin lessons?
A delightful idea in
itself, but suitable
literature is somewhat
thin on the ground. This
is where the Little
Swingies collection
comes in: sixteen new
pieces by Joachim
Johow—some
full-spirited and
passionate, others
gentler in
character—introduc
e the student step by
step to playing in the
swing style. In addition
to the violin part, this
edition includes an
easy-to-play piano
accompaniment: and on top
of this, MP3 recordings
of both demo performances
and backing tracks are
available online.
Little Swingies
will add new momentum to
violin lessons and
performances
alike.
Swingmuziek
voor de vioolles? Een
prachtig idee, maar het
materiaal daarvoor is dun
gezaaid. Little
Swingies biedt de
oplossing: zestien nieuwe
stukken van de hand van
Joachim Johow sommige
temperamentvol, andere
rustiger van karakter
laten de leerling stap
voor stap kennismaken met
het spelen in swingstijl.
Naast de vioolpartijen
bevat deze uitgave ook
eenvoudige
pianobegeleidingen:
bovendien zijn de
mp3-opnamen van zowel de
meespeel- als
begeleidingstracks online
te downloaden. Little
Swingies geeft
vioollessen en
toonmomenten een
verfrissende nieuwe
impuls.
Musik im
Swing-Stil für den
Geigenunterricht? An und
für sich eine
reizvolle Vorstellung,
jedoch ist
Spielliteratur, die
dafür geeignet
wäre, dünn
gesät. Hier setzt die
Sammlung Little
Swingies an: Sechzehn
neue Stücke von
Joachim Johow mal
temperamentvoll, mal eher
sanft im Charakter
führen die Schüler
Schritt für Schritt in
das Spiel im Swing-Stil
heran. Die Ausgabe
umfasst neben der
Violinstimme auch eine
gut spielbare
Klavierbegleitung:
zusätzlich stehen
sowohl Demo- als auch
Mitspielaufnahmen aller
Stücke im MP3-Format
online zur Verfügung.
Little Swingies
kann dem Geigenunterricht
wie auch dem Vorspiel
neue Impulse
geben.
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performanc...(+)
Composed by Jascha
Heifetz, edited by Eric
Wen. Collection and set
of performance parts for
violin solo and piano
accompaniment. With
bowings, fingerings,
introductory text and
discography. 128 pages.
Published by Carl
Fischer.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Trans
figured Life - Still
Life, Op. 165 (violin and
piano) - David
Braid
I am keen on
concise musical forms
such as Prelude and
Fugue, where there is one
clear straightforward
idea, followed by another
that is more involved and
developed.
In
keeping with that idea,
this work consists of two
distinct pieces, the
first - Transfigured Life
- aims to draw in the
listener with its quick,
dancing rhythm and
simple, melodic violin
part. It 'transfigures'
via a few short solo
piano interludes into
just two alternating
notes to end - which are
the core of the original
idea, now made clear by
clearing everything else
out of the
way.
The second
piece - Still Life -
retains its sense of
stillness through an
uncomplicated piano line
that gives lots of space
for the violin's
contrasting (but again
simple) part. As an
absolute, not
programmatic, piece the
title refers to the
atmospheric colour and
pacing only; it's up to
the listener to see
'Still life' of their
choosing in their own
mind.
A note on
performance: Despite
my reference to 'simple'
lines, and the work's
determined avoidance of
mainstream modernist
squeak - the work has
certain performance
challenges of phrasing
and ensemble that
requires considerable
skill and musicianship.
The work has had the
privilege of being
recently recorded by
violinist Ezgi
Sarıkcıoğlu and
pianist Rossitza
Stoycheva, and is
available on all major
platforms:
Violon et Piano [Conducteur et Parties séparées] - Débutant Latham Music Enterprises
By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Po...(+)
By Hunter. Instrumental
Hymns, Violin Solo. Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus. All
1st position, compatible
with Suzuki Book #1;
violin plays melody with
simple accompaniments.
Now includes descant.
Published by Latham Music
Enterprises.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025296
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1800 seconds.
Bote & Bock #M202533635.
Published by Bote & Bock
(HL.48025296).
UPC:
196288174325.
â€
œBeing Russian born I
have a strong connection
to the ballet scores of
Tchaikovsky, Prokofiev
and Stravinsky, and as a
result in theWild Swans,
more than in any other
work of mine, I allowed
myself the freedom to
roam through 200 years of
musical genres, ranging
from Hungarian Operetta
through folk music and
even including the
influences of jazz and
popular music,â€
says Elena Kats-Chernin.
The full-length work,
which premiered in Sydney
in 2003, was written for
choreographer Meryl
Tankard after the two
artists had already
worked together for the
opening ceremony of the
2000 Olympic Games, and
became one of the
composer's greatest
successes. Many excerpts
in various arrangements
have a concert life of
their own today -
including the
world-renowned Eliza
Aria. Arranged by the
composer in 2004 for
violin and piano after
the original orchestral
version, the half-hour
suite comprises ten
characteristic movements:
Green Leaf Prelude, Eliza
Aria, Brothers, Wicked
Witch (piano solo), Magic
Spell Tango, Glow Worms,
Darkness of the Forest,
Eliza and the Prince,
Mute Princess,
Transformation.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Transcriptions and Arrangements, Original Compositions for Violin and Piano. Com...(+)
Transcriptions and
Arrangements, Original
Compositions for Violin
and Piano. Composed by
Fritz Kreisler
(1875-1962). Edited by
Eric Wen. The Fritz
Kreisler Collection.
Classical and 20th
Century. Collection and
set of performance parts.
With introductory text,
bowings and fingerings.
Published by Carl Fischer
Violin, Piano - Grade 3 SKU: FL.FX071152 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071152
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071152.
Published by FLEX
Editions (FL.FX071152).
A romantic
composition dedicated to
my Director Jacques
Andrieu and to his wife
Daniele (pianist). The
seventh intervals (range
rarely used), major,
minor or diminished
allowed me to create a
tender and touching
melody.
Composed by Charles-Auguste de Beriot. Edited by Kurt Sassmannshaus. Stapled. ...(+)
Composed by
Charles-Auguste
de Beriot. Edited by Kurt
Sassmannshaus. Stapled.
Baerenreiter's Concert
Pieces. Piano reduction,
part. Opus 100. 11/19
pages
pages. Published by
Baerenreiter Verlag
Chamber Music violin, piano SKU: CF.B3475 Composed by Martin Bresnick. Pe...(+)
Chamber Music violin,
piano
SKU:
CF.B3475
Composed by
Martin Bresnick.
Performance Score. 32+12
pages. Carl Fischer Music
#B3475. Published by Carl
Fischer Music (CF.B3475).
ISBN 9781491162026.
UPC:
680160920709.
This
work for violin and piano
by Martin Bresnick is a
play on the words suite
and bittersweet. Each of
the four movements is
based on a Yiddish folk
song, which in English
translate to On the Road,
My Resting Place, Black
Cat, and Dona, Dona. Each
of the four pieces is
primarily based on a
Jewish folk song, but
re-envisions them in a
modern context, akin to
Bartok and Kodaly. The
composer noted, I found
it a very challenging,
yet touching way to
remain in contact with
some part of my own past
that I don't usually
reveal. The title
references the difficult
(bitter) and pleasant
(sweet) aspects of
experiencing the
tumultuous history of a
people through their folk
music. This work for
violin and piano by
Martin Bresnick is a play
on the words suite and
bittersweet. Each of the
four movements is based
on a Yiddish folk song,
which in English
translate to On the Road,
My Resting Place, Black
Cat, and Dona, Dona. Each
of the four pieces is
primarily based on a
Jewish folk song, but
re-envisions them in a
modern context, akin to
Bartok and Kodaly. The
composer noted, “I
found it a very
challenging, yet touching
way to remain in contact
with some part of my own
past that I don’t
usually reveal.â€
The title references the
difficult (bitter) and
pleasant (sweet) aspects
of experiencing the
tumultuous history of a
people through their folk
music.
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
Violin and Piano - Grade 1.5 SKU: AP.36-52710030 Composed by Ted Hunter. ...(+)
Violin and Piano - Grade
1.5
SKU:
AP.36-52710030
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Secular. Book.
Latham Music Enterprises
#36-52710030. Published
by Latham Music
Enterprises
(AP.36-52710030).
ISBN
9781633619579. UPC:
679360704073.
English.
All 1st
position, compatible with
Suzuki Book #1; violin
plays melody with simple
accompaniments. Includes
optional descant for
violin. Hymns included:
Jesus Loves Me; I Sing
the Mighty Power of God;
Take My Life, and Let it
Be; Come Thou
Long-Expected Jesus;
Joyful, Joyful, We Adore
Thee; Amazing Grace; For
the Beauty of the Earth;
Holy, Holy, Holy; Be Thou
My Vision; Fairest Lord
Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Violon et Piano [Set de Parties séparées] Carl Fischer
(Three Pictures of Chassidic Life) Composed by Ernest Bloch (1880-1959). Set of ...(+)
(Three Pictures of
Chassidic Life) Composed
by Ernest Bloch
(1880-1959). Set of
performance parts for
violin and piano. With
bowings and fingerings.
14 pages. Published by
Carl Fischer.
Starter Solos Violon et Piano [Partition + CD] - Facile Anglo Music
Violin and Piano - easy SKU: BT.AMP-345-400 20 Progressive Pieces with...(+)
Violin and Piano - easy
SKU:
BT.AMP-345-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
345-400. Published by
Anglo Music Press
(BT.AMP-345-400).
ISBN
9789043138635. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Lotus Land was undoubtedly the work for which Scott is best known. Written in 19...(+)
Lotus Land was
undoubtedly the work for
which Scott is best
known. Written in 1905,
Lotus Land achieved great
popularity and was
arranged for a vast array
of instruments. It is a
dreamy, impressionistic
piece and extremely
innovative for its era.
Cyril Scott was a British
composer active from the
very late 19th century
and through the 20th
whose work could be
termed late Romantic with
elements of impressionism
with free use of exotic
harmonies. Scott was an
extremely prolific
composer who left more
than four hundred works
ranging from symphonies,
operas and concertos to
many works for smaller
ensembles, solo
instruments and short
songs.Virtuoso Violinist
Fritz Kreislerwas the
premier Violinist of his
day and, some believe,
the greatest Violinist of
all time. In addition to
his original
compositions, Kreisler
often transcribed or
arranged the work of
other composers
Violin and Piano - Grade 3.5 SKU: AP.36-52710047 Composed by Lee Burswold...(+)
Violin and Piano - Grade
3.5
SKU:
AP.36-52710047
Composed by Lee Burswold.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Sacred. Book.
Latham Music Enterprises
#36-52710047. Published
by Latham Music
Enterprises
(AP.36-52710047).
ISBN
9781628762655. UPC:
746241220431.
English.
Eight
beautiful arrangements of
well-known American hymns
and spirituals.
Hymns included: 1.
How Firm a Foundation
2. Come Thou Fount
of Every Blessing
3. Spiritual
4. Simple Gifts
5. There is a
Fountain 6. Be Thou
My Vision 7. Holy
Manna 8. Shall We
Gather at the River?
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-...(+)
And Piano,- Version for
Violin and Piano. By
Robert Schumann. Edited
by W. Haug-Freienstein.
Violin. Pages: Score =
VII and 29 * Vl Part = 8.
Edition for Violin-paper
bound. Published by G.
Henle.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025319 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025319
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 420 seconds.
Bote & Bock #M202536292.
Published by Bote & Bock
(HL.48025319).
UPC:
196288175384.
Note
by the
composer:“This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. Thebasis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
By Willy Van Dorsselaer. Edited by John Bowden. For Violin and Piano. Educationa...(+)
By Willy Van Dorsselaer.
Edited by John Bowden.
For Violin and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 24+12
pages. Duration 27
minutes. Published by
Digital Music Print
(Belgian import).
Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompanim...(+)
Arranged by John F.
Wilson. For C instrument
solo (or duet) and piano
accompaniment. Format:
instrumental solo/duet
book. With standard
notation, solo part,
harmony part and piano
accompaniment. Christian.
9x12 inches. Published by
Hope Publishing Company.
Violin and Piano. Composed by James Macmillan. Boosey & Hawkes Chamber M...(+)
Violin and Piano.
Composed by
James Macmillan. Boosey
&
Hawkes Chamber Music.
Classical. Softcover. 46
pages. Boosey &
Hawkes
#M060136221. Published by
Boosey & Hawkes