Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand K...(+)
Violin and Piano Schott
Student Edition - Level
2.
Composed by Ferdinand
Kuechler. Edited by
Ulrich
Schliephake. This
edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. Op. 12. 36
pages.
Schott Music #SE 1043.
Published by Schott Music
Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced to
difficult
SKU:
HL.49019599
Three
Poems for Violin and
Piano. Composed by
Karol Szymanowski. Edited
by Ida Bieler and
Wolfgang Birtel. Arranged
by Ida Bieler. This
edition: Saddle
stitching. Sheet music.
String. 20Th Century,
Classical. Softcover. Op.
30. 72 pages. Schott
Music #VLB174. Published
by Schott Music
(HL.49019599).
ISBN
9790001191043. UPC:
841886019546.
9.0x12.0x0.187 inches.
Eds. Wolfgang Birtel and
Ida Bieler.
Karol
Szymanowski (1882-1932)
is regarded as one of the
most important Polish
composers since Chopin.
He received his formative
musical training in
Warsaw where he lived for
many years and was also
director of the
Conservatoire and Music
Academy. His
compositional oeuvre
comprises a large variety
of styles: Szymanowski
first leaned towards
Chopin and Scriabin, then
studied Richard Strauss
and Igor Stravinsky,
finally finding a style
in which he combined
impressionism and
expressionism. His
'Mythes' for violin and
piano from 1915 fell in a
transitional period,
turning away from late
German Romanticism. They
are expressive miniatures
full of tonal refinement
and impressionist charm
and, thanks to their
accessible virtuosity,
perfect performance
pieces. Contents: I. La
Fontaine d'Arethuse
• II. Narcisse
• III. Dryades et
Pan.
Violin (flute, oboe) and piano - easy SKU: HL.49009272 Composed by Istvan...(+)
Violin (flute, oboe) and
piano - easy
SKU:
HL.49009272
Composed
by Istvan Szelé and
nyi. Edited by Laszlo
Szelenyi. This edition:
Saddle stitching. Sheet
music. Einzelausgaben
(Single Sheets).
Classical. 4 pages.
Schott Music #ED09767.
Published by Schott Music
(HL.49009272).
ISBN
9790001115186. UPC:
840126938975.
9.0x12.0x0.042
inches.
Istvan
Szelenyi (1904-1972), a
student of Kodaly, taught
composition at the
Budapest conservatory.
Apart from chamber music
and piano pieces he
composed mainly
educational material,
e.g.for youth orchestra
and violin ensemble.
Improvisation, composed
1946, is equally suited
for violin, flute or
oboe. Simple piano chords
provide the background
for a rhapsodic,
improvisatory solo part
with an eastern European
folkloristic flavour.
Violin and piano - difficult SKU: HL.49017923 For Violin and Piano...(+)
Violin and piano -
difficult
SKU:
HL.49017923
For
Violin and Piano.
Composed by Sir Peter
Maxwell Davies. This
edition: Saddle
stitching. Sheet music.
String. Composed 2008. 36
pages. Duration 15'.
Schott Music #ED13223.
Published by Schott Music
(HL.49017923).
ISBN
9790220131141. UPC:
884088567217.
9.0x12.0x0.125
inches.
Sir Peter
Maxwell Davies is
universally acknowledged
as one of the foremost
composers of our time and
as he reaches his 75th
birthday in 2009 he
remains prolific.The
sonata for violin and
piano was written for the
virtuoso violinist, Ilya
Gringolts and first
performed at the St
Magnus Festival in Orkney
in 2008. The work is
principally concerned
with Italian architecture
and the music takes both
performers and audience
across an imaginary
walkway over Rome as
proposed by the architect
Giuseppe Rebecchini.
Starting at the 17th
Century Chiesa Nuova the
exceptional journey
passes Renaissance
churches, exhibition
spaces, the river Tiber,
glass facades, sculptures
and even a prison where a
Lazio folk tune can be
heard echoing from behind
the walls. The journey
ends 15 minutes later at
Gianicolo, an area where
one can take in
breathtaking views over
the whole city.
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626
For Violin and
Piano. Composed by
Samuel Coleridge-Taylor.
String. Softcover. 14
pages. Schott Music
#ED14074. Published by
Schott Music
(HL.49046626).
UPC:
842819114628.
9.0x12.0x0.07
inches.
Samuel
Coleridge-Taylor was paid
three guineas for the
publishing rights to his
Suite de Pièces by
Schott & Co. London
on 24 December 1892 when
the composer was just 17
years old. In the
following year the work
was published by Schott
Music's German office in
versions for both violin
with piano and violin
with organ.
Coleridge-Taylor was born
in London and brought up
in Croydon. He learnt to
play the violin, was
recognized as a child
prodigy and at 15 was
awarded a scholarship to
study at the Royal
College of Music with
Charles Villiers
Stanford, where he was a
contemporary of Holst and
Vaughan Williams.
Coleridge-Taylor
described himself
Anglo-African and,
despite support from his
colleagues, faced racism
throughout his whole
career. In spite of this
prejudice and his
tragically early death in
1912 aged just 37, he
enjoyed great success
during his lifetime and
his music was performed
at the Proms no less than
116 times between 1898
and 1939. In contrast,
since 1940 his music has
only been heard there on
eleven occasions. Like
many works, at some point
in the past Suite de
Pièces became out of
print. Schott Music is
very proud to present
this new modern
performing edition of the
version for violin and
piano. Errors and
inconsistencies from the
first edition have now
been corrected.
Piano Accompaniment; Violin (Score and Solo Part) - advanced SKU: HL.49045598...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced
SKU:
HL.49045598
Poem
for Violin and Piano.
Composed by Tatjana
Komarova. This edition:
Saddle stitching. Sheet
music. String Solo.
Musiker sind auf der
Buhne von Rampenlicht und
Ruhm, und nach der
Auffuhrung von einem
seltsamen Nebel in
Einsamkeit umhullt.Licht
verknupft sich mit Auf-
und Untergang, es fuhrt
in die Helligkeit, aber
auch in die Finsternis.
Licht kann erleuchten
oder b. Classical.
Softcover. Composed 2014.
36 pages. Duration 14'.
Schott Music #VLB193.
Published by Schott Music
(HL.49045598).
ISBN
9790001165709. 0.196
inches.
Musicians
onstage stand in the
limelight and enjoy their
fame whereas after
performance they become
shrouded in a strange fog
of isolation. Light is
associated with ascent
and descent: it can lead
into brightness, but
equally into darkness.
Light can illuminate and
yet bedazzling; fog
stands for insecurity,
uncertainty and anxiety
... but also for
mysticism and wafting
dreams. Somehow time
stands still...
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
Horn in F, violin and piano - difficult SKU: HL.49019164 Composed by Huw ...(+)
Horn in F, violin and
piano - difficult
SKU:
HL.49019164
Composed
by Huw Watkins. This
edition: Saddle
stitching. Sheet music.
Special Import.
Softcover. Composed 2008.
62 pages. Duration 13'.
Schott Music #ED13251.
Published by Schott Music
(HL.49019164).
ISBN
9790220133312.
9.0x12.0x0.184
inches.
The idea to
write a horn trio came to
the composer (also an
acclaimed pianist) after
giving a concert with a
horn player from the Nash
Ensemble, which included
the Ligeti and the Brahms
horn trios. When the Nash
commissioned Watkins to
write a new piece, he
knew he would write
something for horn. The
result is an inventive
12-minute work for horn,
violin, and piano that
alternates driving
rhythmic passages with
slower, contemplative
music. The trio is both
lyrical and impelling,
typifying Watkins' clear
sound. Cast in a single
movement, the music
maintains a subtle
tension throughout,
finally building to a
climactic finish. A
fantastic piece for
ambitious players.
Piano Accompaniment; Violin (Violin/Piano) - easy SKU: HL.49046262 Vio...(+)
Piano Accompaniment;
Violin (Violin/Piano) -
easy
SKU:
HL.49046262
Violin
and Piano. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. Op. 15. 20
pages. Schott Music
#SE1042. Published by
Schott Music
(HL.49046262).
ISBN
9783795716660. UPC:
888680954178.
9.0x12.0x0.067 inches.
German - English -
French.
Ferdinand
Küchler is regarded as
one of the great violin
teachers of the 20th
century. Apart from his
Violin Method, it is,
above all, his
concertinos that are an
absolute must for the
development of any violin
pupil, especially his
famous Concertino in G
major Op. 11 (Schott SE
1001) as well as his
Concertino in D major Op.
15 which both enjoy great
popularity. Composed
“in the style of
Antonio Vivaldiâ€,
the work has, without
doubt, been one of the
most frequently played
works in student violin
literature for decades.
It is the perfect
educational link to
Vivaldi's somewhat more
difficult “student
concertosâ€. The
completely baroque-style
movements appeal to every
pupil. The fast outer
movements contain
rewarding, always
seemingly violinistic
runs and idiomatic
figurations. The appeal
of the slow middle
movement lies in its
simple, yet tonally
demanding Siciliano
theme. The works requires
knowledge of the 2nd and
3rd positions and is here
presented in a new modern
edition. Bowing,
articulation and
fingerings are based on
today's experience of
interpreting Vivaldi's
music, providing creative
space and possibilities
for personal ideas in
modern violin lessons.
This edition is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty,from 1
(easy) to 5 (difficult),
for instrumental lessons.
For more information see
www.schott-student-editio
n.com.
Violin and piano - advanced SKU: HL.49017953 Composed by Johanna Senfter....(+)
Violin and piano -
advanced
SKU:
HL.49017953
Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Op. 32. 80
pages. Schott Music
#VLB134. Published by
Schott Music
(HL.49017953).
ISBN
9790001157506. UPC:
841886013186.
9.25x12.0x0.276
inches.
Johanna
Senfter (1879-1961) was a
pupil of Max
Reger.Beginning with an
expressive violin theme
in a densely packed,
'Brahms-like' piano
setting, the classical
four-movement work
centres around two
capricious and playful
movements: Lustig, nicht
zu schnell is how the
second movement begins, a
fugal gem working with
all kinds of contrapuntal
tricks. This is followed
by a scherzo-like,
wittily flirting Rasch.
The finale begins with a
melodically simple tune
in an almost
folksong-like tone which,
by a sequence of
character variations,
builds to a grand gesture
which eventually leads
back to the initial
cantabile - with the
sonata coming to a quiet
end. A valuable addition
to the chamber music
repertoire.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Violin and Piano SKU: BT.PWM10192 This publication is part of Music fr...(+)
Violin and Piano
SKU:
BT.PWM10192
This
publication is part of
Music from Chopin's Land
project, edition
2022. By Tyrone
Greive. By Zygmunt
Noskowski. This
publication is part of
Music from Chopin's Land
project, edition 2022.
Classical. Book and
Part(s). 16 pages.
Polskie Wydawnictwo
Muzyczne #PWM10192.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM10192).
Written within
throughly romantic style
Melody is a highly
attractive example of the
composers typically
elegant melodic writing,
strong sense of
structural proportion and
lush romantic harmonies.
The totally idiomatic
violin writing reflects
ahigh degree of
attainment in its
composers violin studies
with J. Hornziel and A.
Ktski. [Tyrone
Greive].
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
Chamber Music Clarinet, Flute, Piano, Violin SKU: PR.11440561S Composed b...(+)
Chamber Music Clarinet,
Flute, Piano, Violin
SKU: PR.11440561S
Composed by Ralph Shapey.
Score. With Standard
notation. 36 pages.
Duration 12:30. Theodore
Presser Company
#114-40561S. Published by
Theodore Presser Company
(PR.11440561S).
UPC:
680160009039.
The
three movements examine
the same materials from
different points of view;
in the first, the ideas
are chronologically
separated, but they
alternate and develop
through the instruments
in an intensifying way
that generates a rather
imposing and grandiose
rhetoric. The second,
with its hypnoti,
incessant reiterations at
maximum volume of a
simultaneous combination
of motives of different l
lengths and shapes, ends
just short of becoming
unbearable... In the last
movement the flute,
clarinet and violin
slowly unfold a
continuous texture that
combines several of the
earlier elements, while
the piano softly
interjects the echo of
its first movement
triplets.
Resignation Violon et Piano - Intermédiaire MorningStar Music Publishers
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo wi...(+)
Composed by David
Nowakowsky. Arranged by
Gregory Cherninsky. For
violin solo with piano
accompaniment. David
Nowakowsky Foundation
Series. Medium. Published
by MorningStar Music
Publishers
G Major, Op. 78 for Violin and Piano. Composed by Johannes Brahms (1833-1897...(+)
G Major, Op. 78 for
Violin and
Piano. Composed by
Johannes
Brahms (1833-1897).
Edited by
Bernd Wiechert. Henle
Music
Folios. Classical.
Softcover.
66 pages. G. Henle
#HN1568.
Published by G. Henle