Composed by Maurice Ravel (1875-1937). Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL24864. Published by Alphonse Leduc

(for Clarinet, Bass Clarinet, Violin and Piano). By Stefan Wolpe (1902-1972). For Clarinet, Piano, Violin, Bass Clarinet (Set). Peermusic Classical. Peermusic #61721-787. Published by Peermusic

Violin and piano (KB)

SKU: HL.49004571

Grosse Erfolge. Composed by Wilhelm Lutz. Arranged by Wilhelm Lutz. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 24 pages. Schott Music #ED 4002-04. Published by Schott Music (HL.49004571).

ISBN 9790001047890.

From 'La Stravaganza' Op. 4 Violin and Piano Reduction. Composed by Antonio Vivaldi (1678-1741). Edited by Antoni Cofalik. PWM. Baroque, Classical. Softcover. 30 pages. Polskie Wydawnictwo Muzyczne #11971010. Published by Polskie Wydawnictwo Muzyczne

Piano Accompaniment; Violin

SKU: HL.50601247

Composed by Antonio Vivaldi. Piano. Classical. Softcover Audio Online. 64 pages. Ricordi #NR 141500. Published by Ricordi (HL.50601247).

UPC: 888680890391. 9.0x12.0x0.333 inches.

Violin and Piano (Violin)

SKU: HL.14004213

Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 56 pages. Chester Music #CH55778. Published by Chester Music (HL.14004213).

9.0x12.0x0.175 inches.

Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before.

By Charpentier. Arranged by Uwe Rassler. For Piano Trio (optional Parts for 2nd Violin, Bass, Flute and Clarinet). Classical. Full score and parts. Published by Uetz Music (German import). (BU 9033)

Composed by Antonio Vivaldi (1678-1741). Edited by Walter Kolneder. This edition: Urtext. Reduction Score. Edition Peters #EP9055B. Published by Edition Peters (PE.P09055b).

Violin and Piano

SKU: IS.VLP4190EM

Composed by Flor Alpaerts. Strings - Violin. Metropolis Music Publishers #VLP4190EM. Published by Metropolis Music Publishers (IS.VLP4190EM).

ISBN 9790365041909.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.

Violin and Keyboard (Optional Basso Continuo) RV 23, 36, 8, 25, 12. Composed by Antonio Vivaldi. Edited by Cinzia Barbagelata. String. Baroque, Classical. Softcover Audio Online. 124 pages. Ricordi #NR14150100. Published by Ricordi