By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Power of God; Take My Life, and Let it Be; Come Thou Long-Expected Jesus; Joyful, Joyful, We Adore Thee; Amazing Grace; For the Beauty of the Earth; Holy, Holy, Holy; Be Thou My Vision; Fairest Lord Jesus. All 1st position, compatible with Suzuki Book #1; violin plays melody with simple accompaniments. Now includes descant. Published by Latham Music Enterprises.

(Instrumental Duet Series, Book 4). Composed by Victor Labenske. String ensemble. For violin and piano. Instrumental Duet Series. Published by Lillenas Publishing Company

Violin and Piano - Grade 1.5

SKU: AP.36-52710030

Composed by Ted Hunter. Method/Instruction; Reference Textbooks; Solo Small Ensembles. Ludwig Masters. Secular. Book. Latham Music Enterprises #36-52710030. Published by Latham Music Enterprises (AP.36-52710030).

ISBN 9781633619579. UPC: 679360704073. English.

All 1st position, compatible with Suzuki Book #1; violin plays melody with simple accompaniments. Includes optional descant for violin. Hymns included: Jesus Loves Me; I Sing the Mighty Power of God; Take My Life, and Let it Be; Come Thou Long-Expected Jesus; Joyful, Joyful, We Adore Thee; Amazing Grace; For the Beauty of the Earth; Holy, Holy, Holy; Be Thou My Vision; Fairest Lord Jesus.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Violin and Piano - early intermediate

SKU: BT.DHP-1115233-400

By Nico Dezaire. By Ferdinand Kuchler. De Haske Study and Play. Book with CD. Composed 2011. 24 pages. De Haske Publications #DHP 1115233-400. Published by De Haske Publications (BT.DHP-1115233-400).

ISBN 9789043136204. 9x12 inches. English-German-French-Dut ch.

The Concertino op. 12 by the German violinist, composer and violin educator Ferdinand Küchler (1867-1937) is a three-movement work that is ideal for the development of playing in first and third position. The first movement is both powerful and playful in character, and its themes that follow on from each other rapidly, producing a concise sonata form. The second movement has been written in a three-part song form (A-B-A). The A section has a cantabile atmosphere, whereas section B is more dramatic. The third movement is a rondo (with a refrain and episodes). The refrain is joyful in spirit, and the episodes present variation.

Het Concertino op. 12 van Ferdinand Küchler (1867-1937) is een driedelig werk. Voor de leerling is dit het ideale werk om aan de eerste en derde positie te werken. Het eerste deel is krachtig en speels tegelijk. Het tweededeel is in de vorm van een driedelige lied geschreven (A-B-A). Het derde deel is een rondo.

Das Concertino op. 12 von Ferdinand Küchler (1867-1937) ist ein dreisätziges Werk, mit dem Schüler ausgezeichnet an ihrem Spiel in der ersten und dritten Lage arbeiten können. Der erste Satz ist kraftvoll und verspielt zugleich; der zweite Satz wurde in der Form eines dreistimmigen Liedes geschrieben (A-B-A). Der dritte Satz ist ein Rondo.

Le Concertino opus 12 de Ferdinand Küchler (1867-1937) est un Å?uvre en trois mouvements, destinées aux élèves maîtrisant le jeu en première et troisième position. Le premier mouvement est puissant et ludique, le deuxième a été écrit sous la forme d'une mélodie en trois parties (ABA). Le troisième mouvement est un rondo.

Il Concertino op. 12 di Ferdinand Küchler (1867-1937) è un brano in tre movimenti, ideale per praticare la prima e terza posizione. Il primo movimento è al contempo potente e gioioso, il secondo in forma di un canto a voci (A-B-A), mentre il terzo movimento è un rondò.

Violin, Piano

SKU: FG.042-08244-7

Composed by Paavo Heininen. Published by Fennica Gehrman (FG.042-08244-7).

ISBN 979-0-042-08244-7.

One of the most joyful of all my compositions is how Heininen sums up his Violin Sonata. The work was written at the turn of the 1970's when Heininen was much engaged in writing chamber music for strings. Heininen cunningly combines opposites - intensity and playfulness, passion and lyricism - in a work not tinged by dry argument.