Composed by Ludwig van Beethoven (1770-1827). Masterworks; String - Violin and P...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Masterworks; String -
Violin and Piano. Kalmus
Edition. Classical
Period. Set of
performance parts. With
solo part and piano
accompaniment. 18 pages.
Kalmus Classic Edition
#00-K03150. Published by
Kalmus Classic Edition
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 47.
Baerenreiter
Verlag #BA10938.
Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 24.
Baerenreiter
Verlag #BA10937.
Published by
Baerenreiter Verlag
Violin and Piano - advanced SKU: BT.DOW-04534-400 Composed by Ludwig van ...(+)
Violin and Piano -
advanced
SKU:
BT.DOW-04534-400
Composed by Ludwig van
Beethoven. Dowani 3 Tempi
Play Along. Classical.
Book, CD and
Audio-Online. Composed
2021. 32 pages. Dowani
#DOW 04534-400. Published
by Dowani
(BT.DOW-04534-400).
ISBN 9789043160797.
English-German-French.
This edition presents
one of the most important
chamber works for violin:
the Sonata No. 5 for
Piano and Violin
(“Springâ€,
Op. 24) in F major by
Ludwig van Beethoven. It
allows you to work
through the piece
systematically and at
different tempi with
accompaniment. The
recordings begin with the
concert version of each
piece, following which
you will hear the piano
accompaniment at slow and
medium tempo to help you
practise. Having mastered
these slower versions,
you’ll now be
ready to play with piano
accompaniment at the
original tempo. All of
the versions were
recorded live.
Mit
dieser Ausgabe
präsentieren wir Ihnen
eines der wohl
bedeutendsten
KammerÂmusikwerke
für Violine: die
ÂSonate Nr. 5 für
Klavier und Violine
(Frühlingssonateâ€
, op. 24) in F-Dur von
Ludwig van Beethoven. Die
DOWANI-Ausgabe
ermöglicht es Ihnen,
das Werk systematisch und
in verschiedenen Tempi
mit Begleitung zu
erarbeiten. Sie
hören zunächst die
Konzertversion eines
jeden Stückes
(Flöte und Klavier).
Zum Ãœben folgt nun im
langsamen und mittleren
Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
begleiten lassen. Alle
eingespielten Versionen
wurden live
aufgenommen.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Concerto fur Violin and Orchestra D major op. 61 by Ludwig van Beethoven (1770-1...(+)
Concerto fur Violin and
Orchestra D major op. 61
by Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar.
Arranged by Martin
Schelhaas. For solo
violin, piano (solo
violin/flute/2 oboes/2
clarinets/2 bassoons/2
horns/2 clarin
trumpets/timpani/2
violins/viola/cello/doubl
e bass). This edition:
Stapled, Urtext edition.
Gleichzeitig auch
Auffuhrungsmaterial fur
BA 9013. Piano reduction,
Part(s). Opus 61.
48/22/22 pages. Duration
42'. Published by
Baerenreiter Verlag