With a CD of Performance and Backing Tracks Complete Edition (Violin, Guitar...(+)
With a CD of Performance
and
Backing Tracks Complete
Edition (Violin, Guitar,
Piano). Composed by
Various.
Edited by Edward Huws
Jones.
Arranged by Edward Huws
Jones. Boosey &
Hawkes
Chamber Music. Bluegrass,
Blues, Jazz, Ragtime.
Softcover with CD. 28
pages.
Boosey & Hawkes
#M060124228.
Published by Boosey &
Hawkes
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.49046809 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.49046809
Violin and Piano.
Composed by Alexander
Rosenblatt. String Solo.
Classical. Softcover. 36
pages. Schott Music
#VLB227. Published by
Schott Music
(HL.49046809).
UPC:
842819116110.
9.0x12.0x0.112
inches.
Rosenblatt
composed Introduction and
Siberian Blues as the 2nd
day round's obligatory
piece for Victor
Tretyakov's Second
International Violin
Competition in
Krasnoyarsk. A slow and
lyrical introduction in
the Russian style is
followed by the Siberian
Blues - a jazzy piece of
music incorporating
Russian folk
elements.
Book/Audio Online Guitar; Piano Accompaniment; Violin (Violin/Piano) SKU: HL....(+)
Book/Audio Online Guitar;
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025055
Violin and Piano
Book/Audio Online.
Composed by Various.
Edited by Edward Huws
Jones. Boosey and Hawkes
Chamber Music. Blues,
Jazz, Ragtime. Softcover
Audio Online. 68 pages.
Boosey and Hawkes
#M060138935. Published by
Boosey and Hawkes
(HL.48025055).
ISBN
9781784547042. UPC:
196288024316.
9.0x12.0x0.235
inches.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.