By Laszlo Rossa. For Violin Or Cello, Piano. Album. Published by Fennica Gehrman

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

For Violin and Piano (Origianlly for Cello and Piano). By Frederic Chopin. Arranged by Behzad Ranjbaran. For Violin, Piano. Classical. Solo part with piano reduction. Opus 65. 44 pages. Published by Theodore Presser Company.

Three Pieces for Violin and Piano by Frank Bridge (1879-1941). For Violin and Piano. Masterworks; Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Violin and Piano (VC)

SKU: HL.49005467

Grosse Erfolge. Arranged by Wilhelm Lutz. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 24 pages. Schott Music #ED 5152-03. Published by Schott Music (HL.49005467).

ISBN 9790001058773.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

Chamber Music Cello, Piano, Violin

SKU: PR.114423360

Composed by Stacy Garrop. Set of Score and Parts. 24+12+12 pages. Duration 8:30. Theodore Presser Company #114-42336. Published by Theodore Presser Company (PR.114423360).

UPC: 680160686285.

When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,â� �� the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.”In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.

Chamber Music Cello, Piano, Violin

SKU: PR.114422690

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2+2 pages. Duration 5 minutes. Theodore Presser Company #114-42269. Published by Theodore Presser Company (PR.114422690).

UPC: 680160684809. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

By Ernest Amedee Chausson. Edited by S. Chapelier, F. Ronchini. For cello or violin and piano. String music. Score and set of 2 parts. Published by Noten Roehr

Violin and Piano (Violin)

SKU: HL.14004213

Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 56 pages. Chester Music #CH55778. Published by Chester Music (HL.14004213).

9.0x12.0x0.175 inches.

Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before.

Composed by Bohuslav Martinu (1890-1959). Book Only. Composed 1984. 36 pages. Editions Salabert #SLB 00134700. Published by Editions Salabert

Composed by Wolfgang Amadeus Mozart (1756-1791). For string orchestra (2 violins and cello/flute, violin and cello/violin and piano). Corona - Werkreihe fur Kammerorchester. Solo part. Published by Moseler Verlag

Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo with piano accompaniment. David Nowakowsky Foundation Series. Medium. Published by MorningStar Music Publishers

Concerto fur Violin and Orchestra D major op. 61 by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For solo violin, piano (solo violin/flute/2 oboes/2 clarinets/2 bassoons/2 horns/2 clarin trumpets/timpani/2 violins/viola/cello/doubl e bass). This edition: Stapled, Urtext edition. Gleichzeitig auch Auffuhrungsmaterial fur BA 9013. Piano reduction, Part(s). Opus 61. 48/22/22 pages. Duration 42'. Published by Baerenreiter Verlag

Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1918) and Robert Orledge. Arranged by Robert Orledge. String. Softcover. 34 pages. Schott Music #VLB214. Published by Schott Music

Violin, Piano SKU: HU.HN410 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Strings, Repertoire, Solos. Sonata for Violin and Piano. Classical, Romantic. Softcover Book. 70 pages. G. Henle #HN410. Published by G. Henle (HU.HN410).

Chamber Music Cello, Piano, Violin

SKU: CF.MXE112

Composed by Paul Lansky. Sws. Set of Score and Parts. 32+8+8 pages. Duration 18 minutes. Carl Fischer Music #MXE112. Published by Carl Fischer Music (CF.MXE112).

ISBN 9781491156766. UPC: 680160915309. 9 x 12 inches.

Angles for Piano Trio plays with a variety of textures and timbres that can be produced on the piano. Each of the four movements takes a different textural or procedural angle. The first movement, With Pluck, uses a lot of pizzicato in the strings, with virtually no use of the pedal in the piano. The second movement, Take a Bow, uses extensive double stops in the strings. The third movement, About a Minute Waltz, is percussive and rhythmic, and the last movement, A Sad Song, contrasts repetitions of a straightforward lyrical stanza with rhapsodic interludes.

Chamber Music Cello, Piano, Violin

SKU: PR.114423790

Irminden. Composed by Lora Al-Ahmad. Set of Score and Parts. 44+12+12 pages. Duration 20 minutes. Theodore Presser Company #114-42379. Published by Theodore Presser Company (PR.114423790).

UPC: 680160688647.

(Piano and Violin (with Violoncello) With Marked and Unmarked String Parts). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Dieter Seiffert. For Cello, Piano, Violin. Henle Music Folios. Softcover. 22 pages. G. Henle #HN1078. Published by G. Henle

By Carlos Gardel. Arranged by Uwe Rossler. For violin and piano (cello, 2nd violin, double bass, optional C/B-flat instrument). Edition Pro Salon. Tango. Score and parts. Published by Uetz Music

Violin & Piano or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-54518

Melodies pour Debutants / Melodien fur Anfanger. Composed by Karel Chudy. Score and parts. Duration 23'54. Editions Marc Reift #EMR 54518. Published by Editions Marc Reift (MA.EMR-54518).

Solemn March / Thema Con Variazioni / Waltz / Bach's Cello / Rondo / Nocturne / Fairy Tale / Polka / Adieu / Tango Buero.

Violin and piano

SKU: M7.BRP-179

Composed by Henriette Bosmans. Sheet music. Score and parts. MDS (Music Distribution Services) #BRP 179. Published by MDS (Music Distribution Services) (M7.BRP-179).

As a woman composer she found less recognition in the Netherlands, except from colleagues and friends. Cellist Marix Loevensohn frequently performed her Poème for cello and orchestra, while Louis Zimmermann, concertmaster of the Concertgebouw Orchestra, premiered the Concert Piece for Violin and Orchestra in 1935, conducted by Willem Mengelberg. Her international breakthrough began in 1938, when violinist Willem Noske played this work, full of 'Oriental moods,' in Prague and Paris. In October 1941 it was also performed several times in the United States with Ruth Posselt as violinist. However, the prospect of further international engagements became blocked by the war.