Violon et Piano [Conducteur et Parties séparées] - Intermédiaire Latham Music Enterprises
Instrumental Hymns, Violin Solo. How Firm a Foundation, Come Thou Fount of Every...(+)
Instrumental Hymns,
Violin Solo. How Firm a
Foundation, Come Thou
Fount of Every Blessing,
Spiritual, Simple Gifts,
There is a Fountain, Be
Thou My Vision, Holy
Manna and Shall We Gather
at the River. To 3rd
position, some double
stops. Published by
Latham Music Enterprises.
Violin and Piano SKU: YM.GTW01100445 Composed by Various. Japanese Tradit...(+)
Violin and Piano
SKU:
YM.GTW01100445
Composed by Various.
Japanese Traditional
Songs; Strings. Score and
part. Yamaha Music Media
#GTW01100445. Published
by Yamaha Music Media
(YM.GTW01100445).
ISBN
9784636103052. 8.5 x 12
inches.
Here, you
can enjoy the beautiful
Japanese classic tunes
expressing the changing
seasonal sentiments in
this book. It features 25
songs, mainly nursery
rhymes, children's songs,
and shoka songs, and it
comes with a karaoke CD
of piano accompaniment.
Please enjoy these
wonderful arrangements,
which are perfect for
recitals and
concerts.
Violon et Piano [Partition] Jackman Music Corporation
By Various. Arranged by Crawford Gates, Kurt Bestor, Tyler Castleton, David Zabr...(+)
By Various. Arranged by
Crawford Gates, Kurt
Bestor, Tyler Castleton,
David Zabriskie. For
Violin and Piano. Level:
Very Difficult. Published
by Jackman Music
Corporation.
Violin and piano SKU: LM.26851 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26851
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26851. Published by
Editions Henry Lemoine
(LM.26851).
ISBN
9790230968515.
Two
Days - Travel in winter -
Here comes the jazz show
- My friend Gabriel -
Maria's memories - Never
in September - When
Charley meets Dan - For a
moment of stillness -
Time to rag - Somewhere
in my heart - White and
Blue song - Call me -
Fleeting moment - She is
gone - Like in a
dream.
For Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited by Wo...(+)
For Violin and Piano.
Composed by Antonin
Dvorak
(1841-1904). Edited by
Wolfgang Birtel. Arranged
by
Friedemann Eichhorn. This
edition: Saddle
stitching.
Sheet music. String Solo.
Dvoraks Romantic Pieces
are
a welcome addition to the
violin repertoire and a
very
effective alternative to
Dvorak's large-scale
violin
works, the Concerto in A
minor and Romance in F
minor.For this edition
reference has been made
to a
copy of the origina.
Classical. Score and
part.
Op. 75. 28 pages. Schott
Music #ED 22395.
Published
by Schott Music
Arranged by Denise Gendron. Performance part for piano accompaniment. With chord...(+)
Arranged by Denise
Gendron. Performance part
for piano accompaniment.
With chord names.
Accompaniment for
[SP.TS358]. 47 pages.
Published by Santorella
Publications.
Violin and Piano - Grade 3.5 SKU: AP.36-52710047 Composed by Lee Burswold...(+)
Violin and Piano - Grade
3.5
SKU:
AP.36-52710047
Composed by Lee Burswold.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Sacred. Book.
Latham Music Enterprises
#36-52710047. Published
by Latham Music
Enterprises
(AP.36-52710047).
ISBN
9781628762655. UPC:
746241220431.
English.
Eight
beautiful arrangements of
well-known American hymns
and spirituals.
Hymns included: 1.
How Firm a Foundation
2. Come Thou Fount
of Every Blessing
3. Spiritual
4. Simple Gifts
5. There is a
Fountain 6. Be Thou
My Vision 7. Holy
Manna 8. Shall We
Gather at the River?
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Three Selected Pieces. Composed by Hyung-ki Joo / Aleksey Igudesman. Scor...(+)
Three Selected
Pieces. Composed by
Hyung-ki Joo / Aleksey
Igudesman. Score and
part(s). Universal
Edition #UE34170.
Published by Universal
Edition (PR.UE034170).
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I and
Volume
II. Classical. Score and
part.
Baerenreiter Verlag
#BA09036. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume II.
Classical. Score and
part.
Baerenreiter Verlag
#BA09015. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I.
Classical.
Score and part.
Baerenreiter
Verlag #BA09014.
Published
by Baerenreiter Verlag
Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano.
Composed by Nigel Hess.
Strings, Repertoire,
Solos. Ladies in
Lavender: Fantasy.
Softcover Book. 12 pages.
Faber Music #F0571537316.
Published by Faber Music
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Violin, piano SKU: BR.EB-8327 Urtext. Composed by Tommaso Giordani...(+)
Violin, piano
SKU:
BR.EB-8327
Urtext. Composed
by Tommaso Giordani.
Edited by Martin Lutz.
Solo instruments;
Softcover. Edition
Breitkopf. Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Sonata; Classical. Score.
48 pages. Breitkopf and
Haertel #EB 8327.
Published by Breitkopf
and Haertel (BR.EB-8327).
ISBN 9790004176351. 9
x 12
inches.
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate. The
Sonatas Op. IVa show that
Giordani is a Haydn
contemporary who can
really hold his own.
Giordani's chamber-music
works with obbligato
piano were actually very
important for the
development of chamber
music. Too bad Giordani
did not contend himself
with writing more of
these enchanting ensemble
sonatas rather than
investing in dubious
opera projects and going
bankrupt. That was no way
to become a serious
Classical
composer!
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pie...(+)
Violin and Piano - easy
SKU:
BT.DHP-1196083-404
16 easy 'swinging'
pieces for violin and
piano accompaniment.
Composed by Joachim
Johow. Contemporary
Music. Book with Part and
Audio-Online. Composed
2019. 57 pages. De Haske
Publications #DHP
1196083-404. Published by
De Haske Publications
(BT.DHP-1196083-404).
ISBN 9789043156837.
English-German-French-Dut
ch.
Swing-style
music for violin lessons?
A delightful idea in
itself, but suitable
literature is somewhat
thin on the ground. This
is where the Little
Swingies collection
comes in: sixteen new
pieces by Joachim
Johow—some
full-spirited and
passionate, others
gentler in
character—introduc
e the student step by
step to playing in the
swing style. In addition
to the violin part, this
edition includes an
easy-to-play piano
accompaniment: and on top
of this, MP3 recordings
of both demo performances
and backing tracks are
available online.
Little Swingies
will add new momentum to
violin lessons and
performances
alike.
Swingmuziek
voor de vioolles? Een
prachtig idee, maar het
materiaal daarvoor is dun
gezaaid. Little
Swingies biedt de
oplossing: zestien nieuwe
stukken van de hand van
Joachim Johow sommige
temperamentvol, andere
rustiger van karakter
laten de leerling stap
voor stap kennismaken met
het spelen in swingstijl.
Naast de vioolpartijen
bevat deze uitgave ook
eenvoudige
pianobegeleidingen:
bovendien zijn de
mp3-opnamen van zowel de
meespeel- als
begeleidingstracks online
te downloaden. Little
Swingies geeft
vioollessen en
toonmomenten een
verfrissende nieuwe
impuls.
Musik im
Swing-Stil für den
Geigenunterricht? An und
für sich eine
reizvolle Vorstellung,
jedoch ist
Spielliteratur, die
dafür geeignet
wäre, dünn
gesät. Hier setzt die
Sammlung Little
Swingies an: Sechzehn
neue Stücke von
Joachim Johow mal
temperamentvoll, mal eher
sanft im Charakter
führen die Schüler
Schritt für Schritt in
das Spiel im Swing-Stil
heran. Die Ausgabe
umfasst neben der
Violinstimme auch eine
gut spielbare
Klavierbegleitung:
zusätzlich stehen
sowohl Demo- als auch
Mitspielaufnahmen aller
Stücke im MP3-Format
online zur Verfügung.
Little Swingies
kann dem Geigenunterricht
wie auch dem Vorspiel
neue Impulse
geben.
Violin and Piano SKU: AP.36-60710008 For Violin and Piano. Compose...(+)
Violin and Piano
SKU:
AP.36-60710008
For
Violin and Piano.
Composed by Ralph Vaughan
Williams/ Inspired by a
poem of George Meredith.
Violin. Master String
Series. Book.
LudwigMasters
Publications
#36-60710008. Published
by LudwigMasters
Publications
(AP.36-60710008).
ISBN
9798888522028. UPC:
676737624248.
English.
Ralph
Vaughan Williams, ever
fond of poetry, found
creative impetus for his
beautiful romance The
Lark Ascending, IRV 39,
in an 1881 poem by George
Meredith. Marie Pauline
Hall, to whom the work
was dedicated, gave the
first performance of the
original violin and piano
version, here presented
in a Masters reprint
edition, at Shirehampton
Public Hall on December
15, 1920, beside pianist
Geoffrey Mendham. After
World War I, the composer
expanded the work for
soloist and full
orchestra. This has
become the version most
familiar to listeners.
The violin, lifting its
silvery tones above the
stage, captures the
soaring nature of
Meredith's couplet: Till
lost on his aerial
rings/In light, and then
the fancy sings. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Violin & piano - Advanced SKU: EC.LMP044 Composed by Kareem Roustom. Inst...(+)
Violin & piano - Advanced
SKU: EC.LMP044
Composed by Kareem
Roustom. Instrumental
part. E.C. Schirmer
Publishing #LMP044.
Published by E.C.
Schirmer Publishing
(EC.LMP044).
ISBN
9781962585026.
This
work was especially
arranged for Thomas
Stumpf and Joanna
Kurkowicz and was adapted
from the second movement
of my Violin Concerto No.
1. The inspiration comes
from the melodic shapes
and sentiments of the
hymns and chants of the
Syrian Orthodox Church.
Though there is no direct
reference to any
particular hymn or chant
in that repertoire, it is
the formal structure and
melodic contour from that
tradition that provided
inspiration for Hymn;
especially in the opening
and closing sections. The
inner feelings of Hymn
reflect on one aspect of
the nature of faith, and
how one holds on to it in
a tumultuous world. This
is reflected in the
middle section where the
piano's jagged rhythms
attempt to throw off the
steady pulses of the
violin. Only faith in
one's own inner rhythm
can keep the violinist
moving steadily forward.
-Kareem Roustom.
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Piano Accompaniment; Violin (Score and Solo Part) - advanced SKU: HL.49045598...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced
SKU:
HL.49045598
Poem
for Violin and Piano.
Composed by Tatjana
Komarova. This edition:
Saddle stitching. Sheet
music. String Solo.
Musiker sind auf der
Buhne von Rampenlicht und
Ruhm, und nach der
Auffuhrung von einem
seltsamen Nebel in
Einsamkeit umhullt.Licht
verknupft sich mit Auf-
und Untergang, es fuhrt
in die Helligkeit, aber
auch in die Finsternis.
Licht kann erleuchten
oder b. Classical.
Softcover. Composed 2014.
36 pages. Duration 14'.
Schott Music #VLB193.
Published by Schott Music
(HL.49045598).
ISBN
9790001165709. 0.196
inches.
Musicians
onstage stand in the
limelight and enjoy their
fame whereas after
performance they become
shrouded in a strange fog
of isolation. Light is
associated with ascent
and descent: it can lead
into brightness, but
equally into darkness.
Light can illuminate and
yet bedazzling; fog
stands for insecurity,
uncertainty and anxiety
... but also for
mysticism and wafting
dreams. Somehow time
stands still...
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Violin and Piano SKU: BT.EMBZ2524 Composed by Bela Bartok. EMB Music of B...(+)
Violin and Piano
SKU:
BT.EMBZ2524
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Exam
Material. Book Only.
Composed 1957. 6 pages.
Editio Musica Budapest
#EMBZ2524. Published by
Editio Musica Budapest
(BT.EMBZ2524).
English-German-Hungari
an.
An Evening in
the Village was composed
in 1908 as no. 5 of the
Ten Easy Piano Pieces. It
has become one of
Bartók s favorite
works, which the composer
himself was fond of
playing at recitals. As
he explained in an
American interview, it
was an original
composition that is ...
with themes of my own
invention but ... the
themes are in the style
of the
Hungarian-Transylvanian
folk tunes. There are two
themes. The first one is
a parlando-rubato-rhythm
and the second one is
more in a dance-like
rhythm. The second one is
more or less the
imitation of a peasant
flute playing. Bartók
also orchestrated the
piece in 1931 as no. 1 of
Hungarian Sketches.