Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I and
Volume
II. Classical. Score and
part.
Baerenreiter Verlag
#BA09036. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume II.
Classical. Score and
part.
Baerenreiter Verlag
#BA09015. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I.
Classical.
Score and part.
Baerenreiter
Verlag #BA09014.
Published
by Baerenreiter Verlag
(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(13 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(20 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
For violin. Format: instrumental solo/piano accompianment set. With solo part an...(+)
For violin. Format:
instrumental solo/piano
accompianment set. With
solo part and piano
accompaniment. Christmas
and holiday. 16 pages.
9x12 inches. Published by
Rubank.
Violin and Piano - Grade 1.5 SKU: AP.36-52710030 Composed by Ted Hunter. ...(+)
Violin and Piano - Grade
1.5
SKU:
AP.36-52710030
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Secular. Book.
Latham Music Enterprises
#36-52710030. Published
by Latham Music
Enterprises
(AP.36-52710030).
ISBN
9781633619579. UPC:
679360704073.
English.
All 1st
position, compatible with
Suzuki Book #1; violin
plays melody with simple
accompaniments. Includes
optional descant for
violin. Hymns included:
Jesus Loves Me; I Sing
the Mighty Power of God;
Take My Life, and Let it
Be; Come Thou
Long-Expected Jesus;
Joyful, Joyful, We Adore
Thee; Amazing Grace; For
the Beauty of the Earth;
Holy, Holy, Holy; Be Thou
My Vision; Fairest Lord
Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Denise Gendron. Performance part for piano accompaniment. With chord...(+)
Arranged by Denise
Gendron. Performance part
for piano accompaniment.
With chord names.
Accompaniment for
[SP.TS358]. 47 pages.
Published by Santorella
Publications.
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. I...(+)
Violin and piano
(reduction)
SKU:
BO.B.3414
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 12:00. Published
by Editorial de Musica
Boileau (BO.B.3414).
English
comments: Concertino
for violin and string
orchestra was composed in
1993. It is a pleasant
score with a slightly
virtuosic touch written
with the idea of creating
a relaxed atmosphere in
which the soloist and the
orchestra can display
their technique and
expressive capabilities.
It is a work, similar in
lenght to baroque
concertos, and is divided
into three movements,
folowing the conventional
form.: two fast movements
around a slow one. Te
first two movements
-Allegro burlesco and
Adagio cantabile- follow
the ABA pattern. The
third starts with a
-cadenza- by the soloist
which includes thematic
material from the
previous slow movement
linking straight up to
the -Presto- which uses
as its main idea a more
forceful version of the
opening melodic sketch of
the -Allegro burlesco-
converted into three
time. The work was
specially creatied for
the violinist Gerard
Claret and the Orquestra
de Cambra Nacional
d'Andorra. Recordings:
Hermitage
Orchestra-Camerata St.
Petersburg, violin:
Sergey Malov, conductor:
Alexis Soriano. Ensayo
(ENY-2003). Jordi
Cervello
Comenta
rios del
Espanol: Concertino
para violin y orquesta de
cuerda es una obra
compuesta en 1993. Se
trata de una partitura
amable y de cierto toque
virtuosistico cuya
principal preocupacion ha
sido crear una atmosfera
distendida en la que el
solista y la orquesta
puedan desplegar con
espontaneidad sus
capacidades tecnicas y
expresivas. Es una obra
de duracion similar a la
de los conciertos del
barroco y dividida en sus
tres tipicos movimientos.
Dos rapidos enmarcando
uno lento. Los dos
primeros -Allegro
burlesco y Adagio
cantabile- se desarrollan
bajo el esquema ABA. El
tercero inicia con una
-cadenza- del solista que
recoge material tematico
del movimiento lento
precedente para enlazar
sin interrupcion con el
-Presto- que utiliza como
idea principal el dibujo
melodico que abre el
-Allegro burlesco-, pero
mas decidido y a compas
ternario. La obra fue
compuesta expresamente
para el violinista Gerard
Claret y la Orquestra
Nacional de Cambra
d'Andorra. Grabaciones:
Hermitage
Orchestra-Camerata St.
Petersburg, violin
solista: Sergey Malov,
direccion: Alexis
Soriano. Ensayo
(ENY-2003) Jordi
Cervello.
In Sunlight Violon et Piano Oxford University Press
Violin & piano (Solo) - Difficult SKU: OU.9780193583245 Composed by Antho...(+)
Violin & piano (Solo) -
Difficult
SKU:
OU.9780193583245
Composed by Anthony
Powers. Violin & Piano.
24 pages. Duration 7'.
Oxford University Press
#9780193583245. Published
by Oxford University
Press (OU.9780193583245).
ISBN 9780193583245. 12
x 8 inches.
For
violin and piano The
composer writes: The
structure is a short set
of double variations, the
two themes following a
short introduction. One
is flamboyant and
rhetorical, the other
gentle and lyrical. The
first develops
rhythmically, through a
toccata to a vigorous
dance, the second becomes
increasingly decorated so
that the line is almost
dissolved, but finally
emerges in its clearest,
simplest form. In a coda
each musical character
disappears into
silence.