Hey Klezmorim! Violon et Piano - Intermédiaire De Haske Publications
Violin and Piano - intermediate SKU: BT.DHP-1196148-404 16 new Klezmer...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1196148-404
16 new Klezmer
melodies for violin and
piano. Composed by
Joachim Johow. Book with
Part and Audio-Online.
Composed 2019. 80 pages.
De Haske Publications
#DHP 1196148-404.
Published by De Haske
Publications
(BT.DHP-1196148-404).
ISBN 9789043157230.
English-German-French-Dut
ch.
Since the
revival of Klezmer in the
1990s, the style has
enjoyed a continued
popularity. Hey
Klezmorim! presents
16 new pieces of music
from the pen of Joachim
Johow, inspired by
traditional Yiddish
music. This edition is
especially aimed at
violinists who wish to be
accompanied on the piano.
It therefore also
contains easy-to-play
piano accompaniment parts
while play-along
recordings are available
online. Additional demo
recordings that encourage
you to develop your own
personal Klezmer playing
style should help you to
enjoy this unmistakable
and diverse
music!
Seit
seinem Revival in den
90er-Jahren des
vergangenen Jahrhunderts
erfreut sich der
Klezmer-Musikstil einer
ungebrochenen
Beliebtheit. Hey
Klezmorim!
präsentiert 16 neue
Musikstücke aus der
Feder von Joachim Johow,
die an die traditionelle
jiddische Musik
anknüpfen. Die Ausgabe
wendet sich besonders an
Geiger, die sich gerne am
Klavier begleiten lassen
möchten, und
enthält daher gut
spielbare
Klavierbegleitungen als
Notentext sowie in online
verfügbaren
Play-along-Aufnahmen.
Zusätzliche
Demo-Aufnahmen sollen
dazu anregen, einen
eigenen, persönlichen
Klezmer-Spielstil zu
entwickeln. Viel Freude
mit dieser
unverwechselbaren,
abwechslungsreichen
Musik!
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Violin and Piano SKU: YM.GTW01100445 Composed by Various. Japanese Tradit...(+)
Violin and Piano
SKU:
YM.GTW01100445
Composed by Various.
Japanese Traditional
Songs; Strings. Score and
part. Yamaha Music Media
#GTW01100445. Published
by Yamaha Music Media
(YM.GTW01100445).
ISBN
9784636103052. 8.5 x 12
inches.
Here, you
can enjoy the beautiful
Japanese classic tunes
expressing the changing
seasonal sentiments in
this book. It features 25
songs, mainly nursery
rhymes, children's songs,
and shoka songs, and it
comes with a karaoke CD
of piano accompaniment.
Please enjoy these
wonderful arrangements,
which are perfect for
recitals and
concerts.
Strings, Repertoire,
Collections. AMEB Violin.
Violin Series 9 - Seventh
Grade. Softcover Book.
113 pages. Australian
Music Examinations Board
(AMEB) #1202728739.
Published by Australian
Music Examinations Board
(AMEB) (HU.1202728739).
ISBN 9790720113401. 12 x
9.1 x 0.3 inches.
Collection of graded
repertoire for AMEB
Violin exams. Carefully
selected by top
Australian Violin
performers and
pedagogues, the grade
books feature a diversity
of musical styles and
often include works by
celebrated Australian
composers. Repertoire is
carefully coordinated to
align with the technical
requirements at each
grade level. Includes
piano accompaniment.
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: CF.MXE272 For...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
CF.MXE272
For
Flute, Clarinet in Bb,
violin, Violoncello And
Piano. Composed by
Paul Lansky. Sws. Score.
44+8+8+8+8 pages.
Duration 13:15. Carl
Fischer Music #MXE272.
Published by Carl Fischer
Music (CF.MXE272).
ISBN 9781491159064.
UPC: 680160917600. 9 x 12
inches.
Odd Moments
was written for the Da
Capo Chamber Players in
1999 in celebration of
George Perleas 85th
birthday. The piece was
revised in 2009,
resulting in a version
that is a few minutes
shorter. The title of the
piece obliquely refers to
Perleas late piece
Critical Moments, and
also to an aspect of
Perleas system of 12-tone
tonality, which
distinguishes between odd
and even harmonies. The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. A A A The
score is in C.
Accidentals apply only
within the measure, and
cautionary accidentals
have been added, as
needed. A A. Odd
Moments was written for
the Da Capo Chamber
Players in 1999 in
celebration of George
Perle's 85th birthday.
The piece was revised in
2009, resulting in a
version that is a few
minutes shorter. The
title of the piece
obliquely refers to
Perle's late piece
Critical Moments, and
also to an aspect of
Perle's system of 12-tone
tonality, which
distinguishes between odd
and even harmonies. The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. The score
is in C. Accidentals
apply only within the
measure, and cautionary
accidentals have been
added, as needed. Odd
Moments was written for
the Da Capo Chamber
Players in 1999 in
celebration of George
Perle’s 85th
birthday. The piece was
revised in 2009,
resulting in a version
that is a few minutes
shorter. The title of the
piece obliquely refers to
Perle’s late piece
Critical Moments, and
also to an aspect of
Perle’s system of
12-tone tonality, which
distinguishes between odd
and even harmonies.The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. Â Â
 The score is in C.
Accidentals apply only
within the measure, and
cautionary accidentals
have been added, as
needed. Â Â .
Figured Bass Realization by S. Petrenz. By French Violin Music Of The Baroque Er...(+)
Figured Bass Realization
by S. Petrenz. By French
Violin Music Of The
Baroque Era. Edited by G.
Meyn-Beckmann. Violin.
Pages: Score = IX and 63
* Vl Part = 28 * BC Part
= 24. Urtext
edition-paper bound.
Published by G. Henle.
Violin and Piano SKU: HL.14030977 Composed by Bent Sorensen. Music Sales ...(+)
Violin and Piano
SKU:
HL.14030977
Composed
by Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00906. Published
by Music Sales
(HL.14030977).
ISBN
9788759862148.
Work
for Violin and Piano
dating from 1999. The
composer writes: 'Sieben
Sehnsuchte was written in
1999 for David Alberman
and Rolf Hind. As the
title suggests, it is in
seven movements - each
more insanely difficult
and bothersome than the
other. All sorts of
possible and impossible
playing techniques have
been used, and the
performers have to both
whistle and sing.
However, it is not the
intention that the
slightly more unusual
sound should be heard as
effects. Everything is
supposed to fuse together
into something that is in
itself a little opera - a
'chamber piece'. It was
written in a period when
I was waiting impatiently
for the libretto for
Under the Sky, and I see
it as a meeting (or seven
meetings) between two
people - two instruments
- longing for each other;
longing to merge
together. The piece is a
kind of sister work to
Roses are Falling.'.
(Volume 2 Violin and Piano). By Various. Edited by Roberta Milanaccio. For Violi...(+)
(Volume 2 Violin and
Piano). By Various.
Edited by Roberta
Milanaccio. For Violin,
Piano Accompaniment. MGB.
Softcover. 96 pages.
Ricordi #R140715.
Published by Ricordi
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025296
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1800 seconds.
Bote & Bock #M202533635.
Published by Bote & Bock
(HL.48025296).
UPC:
196288174325.
â€
œBeing Russian born I
have a strong connection
to the ballet scores of
Tchaikovsky, Prokofiev
and Stravinsky, and as a
result in theWild Swans,
more than in any other
work of mine, I allowed
myself the freedom to
roam through 200 years of
musical genres, ranging
from Hungarian Operetta
through folk music and
even including the
influences of jazz and
popular music,â€
says Elena Kats-Chernin.
The full-length work,
which premiered in Sydney
in 2003, was written for
choreographer Meryl
Tankard after the two
artists had already
worked together for the
opening ceremony of the
2000 Olympic Games, and
became one of the
composer's greatest
successes. Many excerpts
in various arrangements
have a concert life of
their own today -
including the
world-renowned Eliza
Aria. Arranged by the
composer in 2004 for
violin and piano after
the original orchestral
version, the half-hour
suite comprises ten
characteristic movements:
Green Leaf Prelude, Eliza
Aria, Brothers, Wicked
Witch (piano solo), Magic
Spell Tango, Glow Worms,
Darkness of the Forest,
Eliza and the Prince,
Mute Princess,
Transformation.
Violin and piano SKU: M7.VHR-3435 23 Charakterstücke - leicht in be...(+)
Violin and piano
SKU:
M7.VHR-3435
23
Charakterstücke -
leicht in beiden
Instrumenten.
Composed by Karin Gross.
Sheet music. Holzschuh
Musikverlag #VHR 3435.
Published by Holzschuh
Musikverlag
(M7.VHR-3435).
ISBN
9783864341014.
Die
kleinen Duos erzählen
von Rittern und
Seeräubern, malen
Landschaftsbilder, lassen
Drachen steigen und
entführen ins Reich
der Tiere. Die Ausgabe
richtet sich
gleichermaßen an
Geigen- wie an
Klavierschüler/-innen
mit Freude am gemeinsamen
Musizieren. 1. und 2.
Griffart Die Ausgabe
einthält einen
20-seitigen Einleger
für Violine.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravins...(+)
(Movements I and II
Arranged for Violin and
Piano). By Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For violin
piano. 8 2 pages.
Duration 7 minutes.
Published by Carl Fischer
Two is a Team Violon et Piano [Partition + CD] - Facile De Haske Publications
Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Compo...(+)
Composed by Ed Wennink
and
Nettie Vening. Two is a
team.
Book with CD. Composed
2013.
44 pages. De Haske
Publications #DHP
1125296-
400. Published by De
Haske
Publications
By John Craton. Edited by John Craton. Chamber ensemble. For Violin, piano. Cham...(+)
By John Craton. Edited by
John Craton. Chamber
ensemble. For Violin,
piano. Chamber Music. A
collection of 16 medieval
and renaissance melodies
arranged for violin (in
1st position) and piano.
Medieval and Renaissance.
Score and part. 46 pages.
Duration 27:00. Published
by Wolfhead Music.
(WM505)
Level: Easy to
intermediate.
Violin and Piano SKU: BT.EMBZ2524 Composed by Bela Bartok. EMB Music of B...(+)
Violin and Piano
SKU:
BT.EMBZ2524
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Exam
Material. Book Only.
Composed 1957. 6 pages.
Editio Musica Budapest
#EMBZ2524. Published by
Editio Musica Budapest
(BT.EMBZ2524).
English-German-Hungari
an.
An Evening in
the Village was composed
in 1908 as no. 5 of the
Ten Easy Piano Pieces. It
has become one of
Bartók s favorite
works, which the composer
himself was fond of
playing at recitals. As
he explained in an
American interview, it
was an original
composition that is ...
with themes of my own
invention but ... the
themes are in the style
of the
Hungarian-Transylvanian
folk tunes. There are two
themes. The first one is
a parlando-rubato-rhythm
and the second one is
more in a dance-like
rhythm. The second one is
more or less the
imitation of a peasant
flute playing. Bartók
also orchestrated the
piece in 1931 as no. 1 of
Hungarian Sketches.
8 Great Pieces Violon et Piano - Intermédiaire Digital Music Print
By Various. Edited by John Bowden. For Violin and Piano. Educational. Instrument...(+)
By Various. Edited by
John Bowden. For Violin
and Piano. Educational.
Instrumental Collection.
Classical. Level:
Intermediate. Book and
Solo Part. 40+16 pages.
Duration 28 minutes.
Published by Digital
Music Print (Belgian
import).
Score and Part Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.4904...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part)
SKU: HL.49046912
16 Pieces for Violin
and Piano Book/Material
Online. Composed by
Joachim Johow. String
Solo. Klezmer. Softcover.
64 pages. Schott Music
#ED23372. Published by
Schott Music
(HL.49046912).
ISBN
9783795726409. UPC:
196288082118.
9.0x12.0x0.223
inches.
Rousing
Klezmer pieces newly
composed! Inspired by old
klezmer melodies, Joachim
Johow has written 16 new
tunes for violin,
reenacting scenes from
life in a Jewish town,
such as 'Am Morgen in der
Gasse' [On the Street in
the Morning], 'Auf dem
Jahrmarkt' [At the Fair],
'Schlittenfahrt' [Sleigh
Ride], 'Tanz der
Grosseltern' [Dance of
the Grandparents], 'Am
Abend' [In the Evening].
With notated piano
accompaniment and
additional harmonic
symbols as well as an
additional bass part (for
download) which allow for
a variety of
instrumentations. The
audio MP3 pack contains
both full and playback
versions.
Sea Blue Violon et Piano - Intermédiaire De Haske Publications
Violin and Piano - intermediate SKU: BT.DHP-1175827-401 Composed by Pasca...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1175827-401
Composed by Pascal
Proust. De Haske String
Series. Book and Part(s).
Composed 2017. 12 pages.
De Haske Publications
#DHP 1175827-401.
Published by De Haske
Publications
(BT.DHP-1175827-401).
ISBN 9789043153010.
English-German-French-Dut
ch.
The seaside, a
blue lagoon under the
sun… Only some
birds disrupt
tranquillity, but then
leave by the evening. An
idyllic vision
illustrated by the sound
of young violinists.
Composer Pascal Proust
has many years of
experience as a musician
and music teacher. His
work includes several
hundred compositions for
the most diverse
instrumentations. He
wrote Sea Blue for
violinists with an
ability of approximately
3 4 years’
experience. He paid
special attention to an
easy-to-follow,
attractive musical style.
Sea Blue is an
ideal performance or
competition work for
young
musicians.
De
kustlijn, een blauwe
lagune onder de
zon… Enkel het
gefluit van vogels
onderbreekt deze stilte,
maar verdwijnt weer tegen
de avond. Een idyllische
gedachte ge llusteerd
door de klank van de
jonge violist. De
componist Pascal Proust
kan bogen op een
jarenlange ervaring als
muzikant en muziekdocent.
Zijn oeuvre omvat
honderden composities
voor de meest diverse
instrumentaties. Hij
schreef Sea Blue
voor violisten die
ongeveer drie tot vier
jaar les hebben gehad,
waarbij hij speciaal
aandacht heeft besteed
aan een makkelijk te
volgen, aantrekkelijke
muziekstijl. Daardoor is
Sea Blue een
ideaal voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
Am
Meer, eine blaue Lagune
in der Sonne ... Nur ein
paar Vögel stören
diese friedliche Stille,
aber sie brechen wieder
auf, als es Abend wird.
Ein idyllisches Bild, das
durch die Klänge der
jungen Geiger
veranschaulicht wird.
Der Komponist Pascal
Proust kann aus seiner
langjährigen Erfahrung
als Musiker und
Musikpädagoge
schöpfen, sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
Sea Blue für
Geiger mit ungefähr 3
4 Jahren
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einen
leicht verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet sich
Sea Blue ideal als
Vortrags- und
Wettbewerbsstück
fürjunge Musiker.
Violin, Piano - Grade 3 SKU: FL.FX071152 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071152
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071152.
Published by FLEX
Editions (FL.FX071152).
A romantic
composition dedicated to
my Director Jacques
Andrieu and to his wife
Daniele (pianist). The
seventh intervals (range
rarely used), major,
minor or diminished
allowed me to create a
tender and touching
melody.
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Violin and piano (VN/PF) - difficult SKU: HL.49008004 Seven pieces...(+)
Violin and piano (VN/PF)
- difficult
SKU:
HL.49008004
Seven
pieces. Composed by
Heinz Holliger. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed
1985-1994. 52 pages.
Duration 23'. Schott
Music #ED 8430. Published
by Schott Music
(HL.49008004).
ISBN
9790001112383.
9.0x12.0x0.15
inches.
This
collection is more than
just a continuation of
volume 1 (4 Lieder ohne
Worte = AVV 131), pieces
from both volumes can be
mixed and played in
different running order.
The intermezzi are in
irregular metres with
strongly accented
rhythms. The remaining
items are mood pieces
with violin and piano
part closely
interwoven.
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
For Violin and Piano. By Franz Joseph Haydn. Edited by I. Becker-Glauch. Violin....(+)
For Violin and Piano. By
Franz Joseph Haydn.
Edited by I.
Becker-Glauch. Violin.
Pages: Score = V and 18 *
Vl Part = 6. Urtext
edition-paper bound.
Published by G. Henle.
Violin and Piano - Grade 1-5 SKU: BT.CAMCM235 Composed by Jeffery Wilson ...(+)
Violin and Piano - Grade
1-5
SKU:
BT.CAMCM235
Composed
by Jeffery Wilson and
Malcolm Miles. Creative
Variations. Book with CD.
38 pages. Camden Music
#CAMCM235. Published by
Camden Music
(BT.CAMCM235).
Creative
Variations provides
musicians with the
opportunity to explore
and develop their own
musical ideas in the
preparation and
performance of
contemporary
compositions. Each piece
offers a different
approach to'variation on
a theme' either through
demonstration or by
composition or
improvisation. Even fully
notated sections are open
to musical interpretation
and musicians should feel
free to add their own
dynamics, phrasing
andarticulations.