Miniature-Fantasias for Violin and Piano. Par PORTNOFF LEO. Miniature Fantasias by L. Portnoff, Russian Fantasia #4 E Minor, for Violin with Piano accompaniment. / Niveau : Intermédiaire / Rép Classique / Répertoire / Violon et Piano

Miniature-Fantasias for Violin and Piano. Par PORTNOFF LEO. Fantasia russe #3 en la mineur dans la 1re position ou la position de 1er-3, par L.Portnoff pour violon avec accompagnement au Piano. / Niveau : Elémentaire / Rép Classique / Répertoire / Violon et Piano

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano

Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Paganini? is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4.It (BA 10693) can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus 'Early Start on the Cello? and can manage first to fourth position.'The Boy Paganini? is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the violin (BA 10692), the technical requirements call for first to fifth position whereas on the cello (BA 10694), the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin? and 'Early Start on the Cello? respectively in order to master this work. - Popular recital pieces for young violinists and cellists- Both works form an ideal continuation of the Sassmannshaus 'Early Start? methods- Pieces originally scored for violin now also available for the first time for cello / Violon Et Piano

Par ADOLPHE BRUCE. This work was commissioned by violinist Solomiya Ivakhiv to celebrate and commemorate the life of her namesake, Solomiya Krushelnytska. A Ukranian soprano, Krushelnyts (1872-1952) left home at the age of 21 to study voice in Italy, where she became a very successful opera performer and close friends with Puccini. She is often credited with saving Madama Butterfly from obscurity by taking on the role after a failed premiere with a different cast. Visiting her family one summer, she was suddently trapped as Ukraine was absorbed by the Soviet Union and all borders were closed. Realizing that she would never be able to return to Italy to resume her solo career, she joined the faculty of the Lviv Conservatory, where she raised a generation of very fine singers. She died in poverty, never being able to access her savings or property in Italy, but she contributed to the growth of the Lviv Conservatory where Solomiya Ivakhiv studied. Krushelnyts became a well-known symbol of hope for young women in Ukraine, where much of the population knows her name, and many streets are named after her. / Date parution : 2022-06-14/ Répertoire / Violon et Piano

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano

Par SCHWARZ-SCHILLING REINHARD. Format: New Edition portrait/ Répertoire / Violon et Piano