(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
Violin and Piano - early intermediate SKU: BT.DHP-1115233-400 By Nico Dez...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1115233-400
By
Nico Dezaire. By
Ferdinand Kuchler. De
Haske Study and Play.
Book with CD. Composed
2011. 24 pages. De Haske
Publications #DHP
1115233-400. Published by
De Haske Publications
(BT.DHP-1115233-400).
ISBN 9789043136204.
9x12 inches.
English-German-French-Dut
ch.
The
Concertino op. 12
by the German violinist,
composer and violin
educator Ferdinand
Küchler (1867-1937) is
a three-movement work
that is ideal for the
development of playing in
first and third position.
The first movement is
both powerful and playful
in character, and its
themes that follow on
from each other rapidly,
producing a concise
sonata form. The second
movement has been written
in a three-part song form
(A-B-A). The A section
has a cantabile
atmosphere, whereas
section B is more
dramatic. The third
movement is a rondo (with
a refrain and episodes).
The refrain is joyful in
spirit, and the episodes
present
variation.
Het
Concertino op. 12
van Ferdinand Küchler
(1867-1937) is een
driedelig werk. Voor de
leerling is dit het
ideale werk om aan de
eerste en derde positie
te werken. Het eerste
deel is krachtig en
speels tegelijk. Het
tweededeel is in de vorm
van een driedelige lied
geschreven (A-B-A). Het
derde deel is een
rondo.
Das
Concertino op. 12
von Ferdinand Küchler
(1867-1937) ist ein
dreisätziges Werk, mit
dem Schüler
ausgezeichnet an ihrem
Spiel in der ersten und
dritten Lage arbeiten
können. Der erste Satz
ist kraftvoll und
verspielt zugleich; der
zweite Satz wurde in der
Form eines dreistimmigen
Liedes geschrieben
(A-B-A). Der dritte Satz
ist ein Rondo.
Il
Concertino op. 12
di Ferdinand Küchler
(1867-1937) è un brano
in tre movimenti, ideale
per praticare la prima e
terza posizione. Il primo
movimento è al
contempo potente e
gioioso, il secondo in
forma di un canto a voci
(A-B-A), mentre il terzo
movimento è un
rondò.
(Monstrous Pieces for Beginners). By Pam Wedgwood. For Violin and Piano. Book; S...(+)
(Monstrous Pieces for
Beginners). By Pam
Wedgwood. For Violin and
Piano. Book; String -
Violin Studies or
Collection. Faber
Edition. 16 pages.
Published by Faber Music
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025035
Violin and Piano.
Composed by Brett Dean.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages.
Duration 1020 seconds.
Bote & Bock #M202535639.
Published by Bote & Bock
(HL.48025035).
ISBN
9783793142607. UPC:
196288020790.
9.0x12.0x0.171
inches.
With Berlin
Music, Brett Dean wrote a
threefold homage: to the
classical duo consisting
of violin and piano; to
the violin virtuoso
Midori, for whom the
piece was written; and to
the city of Berlin, where
he lived between the
mid-1980s and 2000 and
whose rich cultural life
he owes much to his
development as a musician
and composer. The first
four, relatively short
movements of the
five-movement work form a
suite of character
pieces, which is followed
by a longer final
movement. In summary,
this turns out to be the
actual main movement from
which all motifs and
harmonies emerged in a
compositional manner.
This includes tuning down
the G side by a whole
tone - an apparently
small difference, but one
that has a major effect
on the timbre and
resonance of the
instrumentand suddenly
makes previously
impossible interval
sequences playable. In
addition, the violin in
the third movement (a
moto perpetuo in which
Dean bows to Ravel's
violin sonata) has to
play with a practice
damper, while the pianist
changes the instrument
and plays on a standing
piano that is dampened by
a pedal and placed next
to the concert grand
Expressing nervous energy
in tight college
spaces.
Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand K...(+)
Violin and Piano Schott
Student Edition - Level
2.
Composed by Ferdinand
Kuechler. Edited by
Ulrich
Schliephake. This
edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. Op. 12. 36
pages.
Schott Music #SE 1043.
Published by Schott Music
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Violin and Piano SKU: AY.VLP3174PM Composed by Carles M. Eroles. Strings ...(+)
Violin and Piano
SKU:
AY.VLP3174PM
Composed
by Carles M. Eroles.
Strings - Violin. Score &
Parts. Duration 9'.
Periferia Publishing
#VLP3174PM. Published by
Periferia Publishing
(AY.VLP3174PM).
ISBN
9790543572980.
The
material introduced by
the piano of the
beginning a solo is the
one that serves of
vertebral axis of the
work, that has nearly the
form of a rondo. This
introduction is based on
isolated, naked notes,
with a constant rythm of
the eighths that create a
big intervalic space
between them. Later on,
that will be used as a
support to an espressive
melody of the violin,
that will take this
material and will expose
it in pizzicato. In this
way will be used as
accompaniment to a very
suggestive and lyric
fragment of the piano
that covers nearly all
the registers of the
instrument. This will
lead to a second section
of the work, of a very
rythmic and intense
character of both
instruments. The third
section, the most
expressive of the work,
it's iniciated with some
chords of the piano that
little by litlle
dissapear and remembers
the introduction. Here,
the violin develops a
melody of big lirism,
supported by the piano
witht he material of the
introduction, but this
time there are non
isolated notes but full
chords that disintegrate
again at the end, taking
up again the idea of a
fragment of the first
section of the piece by
means of the piano. Far
from free instrumental
effects, the work looks
mainly for a direct
communication with the
listener.
For Violin and Piano Piano Accompaniment; Violin (Violin/Piano) SKU: HL.97847...(+)
For Violin and Piano
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.978474
Arranged by Endre Granat.
LKM Music. Classical,
General Worship, Sacred.
Softcover. Lauren Keiser
Music Publishing
#S511046. Published by
Lauren Keiser Music
Publishing (HL.978474).
ISBN 9781638871361.
UPC: 196288090922.
9.0x12.0x0.102
inches.
This one of
a kind album pairs two of
the most performed Ave
Maria's for violin and
piano, meticulously
edited by Jascha Heifetz'
protege, Endre Granat.
The first of these is
Schubert's melody, which
was originally composed
as a setting of a song
from Walter Scott's
popular narrative poem
The Lady of the Lake,
titled, “Ellen's Third
Song” (Ellens dritter
Gesang). The opening
words and refrain of
Ellen's song, namely
“Ave Maria” (Latin
for “Hail Mary”), may
have led to the idea of
adapting Schubert's
melody as a setting for
the full text of the
traditional Roman
Catholic prayer. The
Latin version of the song
is now so frequently used
with Schubert's melody
that it has led to the
misconception that he
originally wrote the
melody as a setting for
the “Ave Maria.” The
second Ave Maria in this
collection was created
when Gounod famously
improvised the melody
over the background of
J.S. Bach's Prelude No. 1
in C major, BWV 846, from
The Well-Tempered
Clavier. Gounod's
beatiful improvisation
was transcribed by his
future father-in-law
Pierre-Joseph-Guillaume
Zimmermann, which was
published with the Bach
keyboard accompaniment in
1835 under the title
“Méditation sur le
Premier Prélude de Piano
de S. Bach.” Alongside
Schubert's version, the
Bach/Gounod Ave Maria has
become a fixture at
funerals, wedding masses,
and quinceañeras. Both
works have been recorded
hundreds of times during
the twentieth
century.
Duo Concertante Violon et Piano [Conducteur et Parties séparées] Theodore Presser Co.
For violin And Piano. Composed by Robert Maggio (1964-). Premiered Februa...(+)
For violin And
Piano. Composed by
Robert Maggio (1964-).
Premiered February 14,
1991 at the 92nd Street
Y, New York, NY by Scott
St. John, violin, and
Robert Koenig, piano.
Score and part(s). With
Standard notation.
Composed 1990. 51 pages.
Duration 15 minutes.
Theodore Presser Company
#114-40814. Published by
Theodore Presser Company
(PR.114408140).
(Violin/Piano) SKU: HL.48186456 Composed by Eugene Bozza. Leduc. Post-190...(+)
(Violin/Piano)
SKU:
HL.48186456
Composed
by Eugene Bozza. Leduc.
Post-1900. Softcover.
Alphonse Leduc #AL30698.
Published by Alphonse
Leduc (HL.48186456).
UPC: 888680828677.
0.022
inches.
Composer
and conductor Eugene
Bozza (1905-1991) was a
pupil of Henri Busser and
Henri Rabaud at the
Conservatoire de Paris,
and received the first
Prix de Rome in 1934. It
was during his stay the
Villa Medici that he
wrote his Aria Pour
Saxophone Alto Et Piano ?
an adaptation of the
third movement of Johan
Sebastian Bach?s Organ
Pastorale in F Major BWV
590, which was to tour
the world. This
nostalgia-imbued melody,
which expands over a
regular meter, has, in
turn, been the subject of
numerous transcriptions,
first for clarinet, then
for Violin (or Flute) and
Piano. Editions Leduc
have chosen to republish
this last version, with
the added bonus of an
audio version that should
be of valuable assistance
to all musicians!.
Super Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - late intermediate SKU: BT.AMP-351-400 10 Selected S...(+)
Violin and Piano - late
intermediate
SKU:
BT.AMP-351-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
351-400. Published by
Anglo Music Press
(BT.AMP-351-400).
ISBN
9789043138697. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
Violin, piano SKU: FG.55011-824-9 Solo part & piano reduction. Com...(+)
Violin, piano
SKU:
FG.55011-824-9
Solo part & piano
reduction. Composed
by Mikko Heinio.
Classical, contemporary.
Solo part & piano
reduction. Fennica
Gehrman #55011-824-9.
Published by Fennica
Gehrman (FG.55011-824-9).
ISBN
9790550118249.
Mikk
o Heiniö's Alla madre
(2007) abandons the
traditional virtuoso
concerto concept: here a
large orchestra engages
in dialogue with a solo
violin. The first
movement is called
Arrivo, “Arrival:
the soloist literally
arrives later, and by
degrees, playing his/her
first two solos offstage.
Even then the orchestra
continues to take the
initiative for a long
time. Not until the
second movement, entitled
Aura, “Air or Wind,
does the initiative pass
to the solo violin as it
sets light to notes in
the orchestra harmony
like individual lamps.
And not until the end of
the second movement and
the beginning of the
third does the solo
violin play completely on
its own. The title of the
first movement,
“Arrival,
underlines the event, the
dramaturgy, whereas that
of the second movement,
“Aura, alludes to
the texture and the
shimmering space. The
third movement is the
most strongly emotional,
as the name Carezza,
“Caress
suggests.
This
product includes the solo
part and the piano
reduction (B4
sized).
The
orchestral material is
available from the
publisher. The
orchestration:
3(III+picc)3(III+ca)3(III
=bcl)3(III=cfg)-4331-13-h
p-str.
Violin (Violin) SKU: HL.48181197 For Violin and Piano. Composed by...(+)
Violin (Violin)
SKU:
HL.48181197
For
Violin and Piano.
Composed by Raymond
Gallois Montbrun. Leduc.
Classical. Softcover.
Alphonse Leduc #AL20480.
Published by Alphonse
Leduc (HL.48181197).
Written by
Raymond Gallois-Montbrun,
Confidence from an Old
Clock is the third piece
of a set of twelve called
Janceline's Dreams for
Violin and Piano. Easy to
play, these twelve pieces
were composed for
beginner violinists, to
practise the use of the
first position playing
music. This piece will be
really enjoyable to play
for young players. The
full set features: I.
Quadrille des soldats de
plomb / Lead soldiers?
quadrille II. Complainte
du petit bossu / Lament
of the hunchback III.
Confidence d?une vieille
horloge / Confidence from
an old clock IV. Sourire
a Morphee / Smile to
Morpheus V. Le manege des
sept nains / Carousel of
the seven dwarves VI.
Chagrin pres d?une
fontaine / Sorrow on a
fountain VII. Polka du
Rossignol / Bird?s polka
VIII. Siciliette Reine
des siciles / Siciliette,
Queen of Sicilia IX.
Minuetti Prince de la
danse / Minuetti, Prince
of the dance X. Le jardin
des ombres / The shadow
garden XI. Remords de
Carabosse / Guilt of the
wicked witch XII. La
ronde des Grillons / The
crickets? rondo. Raymond
Gallois-Montbrun
(1918-1994) was born in
Indochine and studied
music at the Paris
Conservatoire. He
received many first
Prizes including the
Grand Prix de Rome in
1944 and became the
Director of the Paris
Conservatoire for
twenty-one years. He
composed numerous pieces
including many symphonic
works.
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy SKU: ...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
easy
SKU:
HL.49045444
For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Oskar Rieding. Edited
by Benjamin Ramirez and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 22/3. 16 pages.
Schott Music #SE1009.
Published by Schott Music
(HL.49045444).
ISBN
9790001162005. UPC:
841886028746.
9.25x12.0x0.058 inches.
German - English -
French. (ed. Wolfgang
Birtel, Benjamin Ramirez)
Schott Student Edition
Repertoire.
This
Rondo, which originally
was the third of four
easy performance pieces
in a cycle for violin and
piano (Op. 22), is one of
Rieding's most popular
and frequently performed
pieces in violin lessons
for beginners. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
Violin and piano SKU: BO.B.3632 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3632
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3632).
Duo-Sonata for
violin and piano was
written between September
and October of 2010. It
is made up of three
movements, each of which
has unique
characteristics. The
first, Allegro
appassionato, is
monothematic, although
the theme itself is
presented in several
ways. Following a
vigorous start featuring
violin cadenza, the
movement is developed
with a lively feel,
alternating lyrical
fragments with other
energetic ones. Its
conclusion is
resounding.
Meanwh
ile, the second movement,
Quasi un lamento, is
introspective and
fragile. A long melody is
sustained by a delicate
and transparent piano
accompaniment, evoking
once again the theme of
the first movement and
concluding with a Lento
of descending piano
harmonies while the
violin follows, in
octaves, with heartfelt
glissando.
The
third movement,
Scherzando-Allegro, is a
light-hearted game
between the piano and the
violin. The main theme is
repeated once again, this
time with a binary time
signature. The violin
uses ricochet (the
rebounding of notes in a
bow stroke), as well as
natural and artificial
harmonies in quick time.
The piano part unfolds
completely naturally,
excluding any gratuitous
artifice.
By Vittorio Monti (1868-1922). Edited by Kurt Sassmannshaus. For Violin, Piano. ...(+)
By Vittorio Monti
(1868-1922). Edited by
Kurt Sassmannshaus. For
Violin, Piano.
Baerenreiter's Easy
Concertos. Piano
reduction, Single part.
Published by Baerenreiter
Verlag
Violin, piano SKU: FG.55011-615-3 Composed by Kalevi Aho. Solo part & pia...(+)
Violin, piano
SKU:
FG.55011-615-3
Composed by Kalevi Aho.
Solo part & piano
reduction. Fennica
Gehrman #55011-615-3.
Published by Fennica
Gehrman (FG.55011-615-3).
ISBN
9790550116153.
Kale
vi Aho (b. 1949) composed
Violin concerto No. 2 in
late summer and early
autumn 2015 for the
Finnish violinist Elina
Vahala. Lasting about 32
minutes, the second
concerto is a large-scale
virtuoso work dominated
by the soloist. The
strong-featured first
movement (Allegro) begins
with a fairly short
orchestral introduction
that is followed by the
soloist's first vigorous
statement. Around the
middle of the movement is
a cadenza, and the
movement ends with a
quick stretta. The
soloist dominates the
events in the slow second
movement (Adagio) even
more than it did in the
first. The Adagio begins
with the same opening
motif for the soloist as
the first movement, but
this time the motif is
more lyrical and singing.
Having built up to a
dramatic climax, it
subsides on flageolet
notes and finally sounds
that are somewhere
between musical notes and
noise. The third movement
(Vivace, leggiero) is by
nature dance-like again
and lighter than the
previous ones. At the
end, the tempo
accelerates to a wild,
virtuosic prestissimo.
Piano reduction (2020) by
Kari Vehmanen.
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. I...(+)
Violin and piano
(reduction)
SKU:
BO.B.3414
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 12:00. Published
by Editorial de Musica
Boileau (BO.B.3414).
English
comments: Concertino
for violin and string
orchestra was composed in
1993. It is a pleasant
score with a slightly
virtuosic touch written
with the idea of creating
a relaxed atmosphere in
which the soloist and the
orchestra can display
their technique and
expressive capabilities.
It is a work, similar in
lenght to baroque
concertos, and is divided
into three movements,
folowing the conventional
form.: two fast movements
around a slow one. Te
first two movements
-Allegro burlesco and
Adagio cantabile- follow
the ABA pattern. The
third starts with a
-cadenza- by the soloist
which includes thematic
material from the
previous slow movement
linking straight up to
the -Presto- which uses
as its main idea a more
forceful version of the
opening melodic sketch of
the -Allegro burlesco-
converted into three
time. The work was
specially creatied for
the violinist Gerard
Claret and the Orquestra
de Cambra Nacional
d'Andorra. Recordings:
Hermitage
Orchestra-Camerata St.
Petersburg, violin:
Sergey Malov, conductor:
Alexis Soriano. Ensayo
(ENY-2003). Jordi
Cervello
Comenta
rios del
Espanol: Concertino
para violin y orquesta de
cuerda es una obra
compuesta en 1993. Se
trata de una partitura
amable y de cierto toque
virtuosistico cuya
principal preocupacion ha
sido crear una atmosfera
distendida en la que el
solista y la orquesta
puedan desplegar con
espontaneidad sus
capacidades tecnicas y
expresivas. Es una obra
de duracion similar a la
de los conciertos del
barroco y dividida en sus
tres tipicos movimientos.
Dos rapidos enmarcando
uno lento. Los dos
primeros -Allegro
burlesco y Adagio
cantabile- se desarrollan
bajo el esquema ABA. El
tercero inicia con una
-cadenza- del solista que
recoge material tematico
del movimiento lento
precedente para enlazar
sin interrupcion con el
-Presto- que utiliza como
idea principal el dibujo
melodico que abre el
-Allegro burlesco-, pero
mas decidido y a compas
ternario. La obra fue
compuesta expresamente
para el violinista Gerard
Claret y la Orquestra
Nacional de Cambra
d'Andorra. Grabaciones:
Hermitage
Orchestra-Camerata St.
Petersburg, violin
solista: Sergey Malov,
direccion: Alexis
Soriano. Ensayo
(ENY-2003) Jordi
Cervello.
Quartes En Couleurs Violon et Piano [Conducteur et Parties séparées] - Débutant FLEX Editions
Violin, Piano - Grade 1 SKU: FL.FX071558 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 1
SKU: FL.FX071558
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071558.
Published by FLEX
Editions (FL.FX071558).
Latin music
divided into three parts
of 32 mes. each: the
first is for students
with 1-2 years of
experience (only long
values and small
chromatisms are used),
the second is for those
who have 2 or 3 (add
dotted quarter / eighth
notes and intervals of
fourths), the third is
for those at the end of
the first cycle (flow
from eighth in addition).
This piece can follow the
students for three years
and / or allow 3 students
with different levels to
play together.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.51481164 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.51481164
For Violin and
Piano. Composed by
Edvard Grieg. Edited by
Egon Voss, Einar
Steen-Nö, and kleberg.
Henle Music Folios.
Classical. Softcover. 222
pages. G. Henle #HN1164.
Published by G. Henle
(HL.51481164).
UPC:
196288215875.
9.25x12.0x0.7
inches.
Grieg's
violin sonatas are a firm
staple of violin
repertoire and are
popular with amateurs and
professionals alike. G.
Henle Publishers takes
this into account with a
practical single-volume
edition of the three
sonatas. Thus, you are
simply spoilt for choice
as to whether you prefer
the youthful zest of the
first, the
Nordic-folkloristic charm
of the second or the
mature drama of the third
sonata. The opulent
volume is rounded off by
a small piece that is
ideal as an encore: a
march from Grieg's
incidental music to
Sigurd Jorsalfar, which
the composer himself
arranged for violin and
piano. Therefore, this
Henle Urtext edition
actually offers
GriegÂs complete
oeuvre for this
instrumentation â a
âmust-haveâ for
all fans of the great
Nordic melodist.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Chamber Music Cello, Piano, Violin SKU: CF.MXE112 Composed by Paul Lansky...(+)
Chamber Music Cello,
Piano, Violin
SKU:
CF.MXE112
Composed by
Paul Lansky. Sws. Set of
Score and Parts. 32+8+8
pages. Duration 18
minutes. Carl Fischer
Music #MXE112. Published
by Carl Fischer Music
(CF.MXE112).
ISBN
9781491156766. UPC:
680160915309. 9 x 12
inches.
Angles for
Piano Trio plays with a
variety of textures and
timbres that can be
produced on the piano.
Each of the four
movements takes a
different textural or
procedural angle. The
first movement, With
Pluck, uses a lot of
pizzicato in the strings,
with virtually no use of
the pedal in the piano.
The second movement, Take
a Bow, uses extensive
double stops in the
strings. The third
movement, About a Minute
Waltz, is percussive and
rhythmic, and the last
movement, A Sad Song,
contrasts repetitions of
a straightforward lyrical
stanza with rhapsodic
interludes.
Tango Suite No. 1 Violon et Piano [Set de Parties séparées] Advance Music
Violin & Piano SKU: AP.1-ADV6001 For Violin and Piano. Composed by...(+)
Violin & Piano
SKU:
AP.1-ADV6001
For
Violin and Piano.
Composed by Hauke Piper.
Series; Solo; Solo Small
Ensembles; String -
Violin Solo and Piano.
Advance Music. Form:
Dance; Suite. Latin.
Part(s). Advance Music
#01-ADV6001. Published by
Advance Music
(AP.1-ADV6001).
UPC:
805095060010.
English.
Each of
the four movements in
Tango Suite No. 1 has its
own profile and poses
different challenges to
the musicians. The first
movement is rubato; the
second one is bound to a
fixed meter and set up as
a multifaceted tale. The
third movement can be
improvised over an
accompanying ostinato; an
optional written part is
provided. The fourth
movement completes the
suite with an overview of
what has been played in
the other movements.
Arranged for violin and
piano by Hauke Piper.
Violin & piano SKU: HH.HH011-KBD Composed by Giuseppe Tartini. Arranged b...(+)
Violin & piano
SKU:
HH.HH011-KBD
Composed
by Giuseppe Tartini.
Arranged by Per Hartmann.
Violin & Piano. Keyboard
reduction. Duration 17
minutes. Edition HH Music
Publishers #HH011-KBD.
Published by Edition HH
Music Publishers
(HH.HH011-KBD).
ISBN
9790708024286.
From
Tartini's third
compositional period,
this concerto in three
movements has been
prepared using the
primary source of
Tartini's autograph. A
beautiful central
Larghetto for violins
alone is framed by the
vivacious opening Presto
and the buoyant Allegro
assai. An historically
important concerto
published for the first
time.
Violin, piano SKU: FG.55011-646-7 Supplement. Colourstrings. Class...(+)
Violin, piano
SKU:
FG.55011-646-7
Supplement.
Colourstrings. Classical.
Book. Fennica Gehrman
#55011-646-7. Published
by Fennica Gehrman
(FG.55011-646-7).
Colourstrings
Violin ABC: Piano
accompaniments for the
books G1, G2 & G2
supplement (ISMN
9790550116467) includes
the piano accompaniments
of the performing pieces
included in the following
books: Colourstrings
Violin ABC: Book G1 -
Second position
(9790550115941)
Colourstrings Violin ABC:
Book G2 - Third position
(9790550115958)
Colourstrings Violin ABC:
Performing pieces for
Violin in the First Three
Positions (supplement for
the book G2) (ISMN
9790550116375).