Violin, piano

SKU: BR.EB-32065

Urtext. Composed by Richard Franck. Edited by Nick Pfefferkorn. Solo instruments; stapled. Edition Breitkopf. Late-romantic. Score. 20 pages. Duration 10'. Breitkopf and Haertel #EB 32065. Published by Breitkopf and Haertel (BR.EB-32065).

ISBN 9790004186558. 9 x 12 inches.

Die Entstehung von op. 52 fallt in ein zeitlich und inhaltlich schwer abzugrenzendes Spannungsfeld. Die Stucke erschienen 1910 im Verlag von Albert Stahl in Berlin, als Richard Franck sich bereits nach Heidelberg zuruckgezogen hatte. Sie zahlen somit zu seinen letzten veroffentlichten Werken. Inhalt: I. Elegie wirkt ausgesprochen resigniert, fast wie ein Abschied. Die Flote steht ganz im Vordergrund dieses melancholischen, mit Chromatik angereicherten und klar strukturierten Adagio-Satzes. II. Der Reiter von Sankt Karli kommt als humorvolles Scherzo daher, wohl eine Anspielung auf die Schweiz, in der Franck einige Jahre verbrachte. Fast wirkt es wie eine Hommage an Schumann. Der Mittelteil dieses Scherzos, ein Andante, nimmt Bezug auf die elegische Stimmung des ersten Satzes. Es ist eine ruhigere Station, bevor der Reiter weiterzieht. III. Perpetuum mobile, so schnell als moglich kann man als Vorlaufer moderner Klangflachenkompositionen auffassen, aber naturlich auch als schlichtes, scherzhaftes Bravourstuck im Stile des Hummelflugs.

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

By Jack Long (Arranger). For Violin, Piano. Classical. Sheet Music. 120 pages. Published by Chester Music.

Violin and Piano - advanced

SKU: BT.DOW-04534-400

Composed by Ludwig van Beethoven. Dowani 3 Tempi Play Along. Classical. Book, CD and Audio-Online. Composed 2021. 32 pages. Dowani #DOW 04534-400. Published by Dowani (BT.DOW-04534-400).

ISBN 9789043160797. English-German-French.

This edition presents one of the most important chamber works for violin: the Sonata No. 5 for Piano and Violin (“Spring”, Op. 24) in F major by Ludwig van Beethoven. It allows you to work through the piece systematically and at different tempi with accompaniment.
The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.

Mit dieser Ausgabe präsentieren wir Ihnen eines der wohl bedeutendsten Kammer­musikwerke für Violine: die ­Sonate Nr. 5 für Klavier und Violine (Frühlingssonate� �, op. 24) in F-Dur von Ludwig van Beethoven. Die DOWANI-Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten.
Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.

Cette édition présente l’une des plus célèbres Å“uvres pour violon du ­répertoire de musique de chambre : la sonate pour piano et violon (“Le Printemps”, opus 24) en Fa majeur de Ludwig van Beethoven. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel.
Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: urtext edition. Stapled. Performance score, Part. Opus 102. Baerenreiter Verlag #BA10958. Published by Baerenreiter Verlag

Violin, Piano - Grade 1

SKU: FL.FX071558

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071558. Published by FLEX Editions (FL.FX071558).

Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can follow the students for three years and / or allow 3 students with different levels to play together.

Op. 31a. Composed by Oliver Knussen (1952-). Solo; Solo Small Ensembles; String - Violin and Piano. Faber Edition. 20th Century. Part(s); Score. Faber Music #12-0571520561. Published by Faber Music

Sonatas for Piano and Violin, Vol. 2 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 2. Standard notation. Published by Wiener Urtext/Vienna Urtext

Sonatas for Piano and Violin, Vol. 1 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 1. Standard notation. Published by Wiener Urtext/Vienna Urtext

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

Violin and piano

SKU: HL.49044181

Composed by Stefan Heucke. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 2009. Op. 58. 68 pages. Duration 21'. Schott Music #VLB189. Published by Schott Music (HL.49044181).

ISBN 9790001197939. 9.25x12.0x0.263 inches.

Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstuck zu der duster-aufgewuhlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmung des Werkes ist sicherlich nicht zuletzt durch seinen Enstehungsort Cervo an der ligurischen Riviera, meiner italienischen Wahlheimat, buchstablich bei Sonnenschein unter blauem Himmel entstanden, beeinflusst.Dem ganzen Werk liegt ein musikalisches Motto zugrunde, das jedoch erst im abschliessenden zehntaktigen Adagio amoroso, das aus einer versunkenen Welt zu entstammen scheint, verraten wird. Alles Material ist darauf bezogen und die ganze Sonate scheint eigentlich nur komponiert worden zu sein, um diese Schlussaussage formulieren zu konnen.Der erste Satz ist ein breit angelegtes Moderato mit zwei Themen in strenger Sonatenhauptsatzform. Sowohl thematisches Material als auch alle formalen Verbindungsglieder sind harmonisch wie melodisch aus den Intervallen der kleinen und grossen Terz und deren Komplementarintervallen, der grossen und kleinen Sext gebildet. Dieses beinahe serielle Verfahren wird allerdings von dem uberschwanglich romantischen Gestus der Musik vollkommen kaschiert.Der sehr schnelle, federleicht schwebende zweite Scherzosatz wird beherrscht vom luftigen Pizzicato der Violine und fluchtigen Klavierfiguren, nur im gesanglichen Trio erhebt sich die Violine zu einer vierphrasigen, langsam aufsteigenden Kantilene auf choralartig akkordischem Untergrund des Klaviers.Die langsame Einleitung des Finalsatzes nahert sich dem abschliessenden Motto bereits sehr deutlich ohne es ganz erklingen zu lassen. Diese Introduktion wird in die Mitte des zweithemigen, feurig dahinsturmenden Allegro anstelle einer Durchfuhrung wieder aufgenommen und in den lebhaften Gestus des Schlusssatzes umgewandelt. Mit dem Erklingen des eigentlichen Herzstuck des Werkes als Adagio amoroso schliesst das Werk, sicherlich sehr uberraschend fur Neue Musik.- Stefan Heucke.

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 2

SKU: FL.FX072649

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072649. Published by FLEX Editions (FL.FX072649).

A small trip in calm waters... for young instrumentalists of the first cycle of conservatories. - Pascal PROUST ;

A Piece for students from 2 or 3 years of instrument practice ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

Violin and Piano Accompaniment Violin, Piano - Grade 3

SKU: FL.FX072491

Composed by Johann Sebastian Bach. Arranged by Sarah Labrousse-Baert. Arrangement. Classical, Educational, Baroque. Score and Set of Parts. FLEX Editions #FX072491. Published by FLEX Editions (FL.FX072491).

Instruments: Violin, Piano. Difficuly Level: Grade 3. Duration: 1'45. Musical Style: Classical, Educational, Baroque. Category: Arrangement. Composer: BACH Johann Sebastian. Arranger: LABROUSSE-BAERT Sarah.

(Instrumental Solos) Music by Patrick Doyle. Set of performance parts and accompaniment CD for violin and piano accompaniment. With black & white photos and bowings. 66 pages. Published by Alfred Publishing.

Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand Kuechler. Edited by Ulrich Schliephake. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 12. 36 pages. Schott Music #SE 1043. Published by Schott Music

Violin and Piano Accompaniment Violin, Piano - Grade 3

SKU: FL.FX072492

Composed by Piotr Ilyitch Tchaikovsky. Arranged by Sarah Labrousse-Baert. Arrangement. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072492. Published by FLEX Editions (FL.FX072492).

Instruments: Violin, Piano. Difficuly Level: Grade 3. Duration: 3'00. Musical Style: Classical, Educational. Category: Arrangement. Composer: TCHAIKOVSKY Piotr Ilyitch. Arranger: LABROUSSE-BAERT Sarah.

Violin, piano

SKU: BR.EB-9413

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2020. 28 pages. Duration 9'. Breitkopf and Haertel #EB 9413. Published by Breitkopf and Haertel (BR.EB-9413).

ISBN 9790004188873. 9 x 12 inches.

For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020

World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.

Arranged by Daniel Kelley. For Violin/Flute/Oboe and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Violin, Piano - Grade 3

SKU: FL.FX071870

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071870. Published by FLEX Editions (FL.FX071870).

This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!

Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 2

SKU: FL.FX073538

Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. 7 (score); 2 (parts) pages. Duration 3 minutes, 30 seconds. FLEX Editions #FX073538. Published by FLEX Editions (FL.FX073538).

Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2.

Violin and Piano Accompaniment Violin, Piano - Grade 3

SKU: FL.FX072494

Composed by Antonio Vivaldi. Arranged by Sarah Labrousse-Baert. Arrangement. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072494. Published by FLEX Editions (FL.FX072494).

Instruments: Violin, Piano. Difficuly Level: Grade 3. Duration: 2'00. Musical Style: Classical, Educational. Category: Arrangement. Composer: VIVALDI Antonio. Arranger: LABROUSSE-BAERT Sarah.

Composed by Charles E. Callahan Jr. (1951-). For Flute or Violin, Keyboard (Organ or Piano). 21st Century. Moderately Easy. Scripture: Psalms 84:1 (26);Psalms 100 (26);Psalms 23:2 (26);Psalms 96 (26). Published by MorningStar Music Publishers

Piano Accompaniment; Violin

SKU: HL.14041762

Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762).

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.