Violin and Piano. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edite...(+)
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Alexander
Komarov. Henle Music
Folios. Softcover. 22
pages. G. Henle #HN1273.
Published by G. Henle
(HL.51481273).
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This ed...(+)
For Violin and Piano. By
Ludwig van Beethoven.
Edited by S. Brandenburg.
This edition: HN291.
Violin. Henle Music
Folios. Pages: Score = 24
* Vl Part = 8. Urtext
edition-paper bound. 32
pages. Published by G.
Henle
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
Edition of selected
works,
Urtext edition. Linen.
Saint-
Saens, Camille. OEuvres
instrumentales completes
III/4. Edition of
selected
works, Performance score,
anthology. Baerenreiter
Verlag
#BA10304-01. Published by
Baerenreiter Verlag
Violin and Piano. Composed by Jakob Dont. Edited by Dominik Rahmer. Henle Musi...(+)
Violin and Piano.
Composed by
Jakob Dont. Edited by
Dominik
Rahmer. Henle Music
Folios.
Classical. Softcover. 50
pages. G. Henle #HN1175.
Published by G. Henle
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Figured Bass Realization by S. Petrenz. By French Violin Music Of The Baroque Er...(+)
Figured Bass Realization
by S. Petrenz. By French
Violin Music Of The
Baroque Era. Edited by G.
Meyn-Beckmann. Violin.
Pages: Score = IX and 63
* Vl Part = 28 * BC Part
= 24. Urtext
edition-paper bound.
Published by G. Henle.
And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-...(+)
And Piano,- Version for
Violin and Piano. By
Robert Schumann. Edited
by W. Haug-Freienstein.
Violin. Pages: Score =
VII and 29 * Vl Part = 8.
Edition for Violin-paper
bound. Published by G.
Henle.
Piano Accompaniment; Violin (violin/piano) SKU: HL.51481275 Violin and...(+)
Piano Accompaniment;
Violin (violin/piano)
SKU: HL.51481275
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky. Edited by
Alexander Komarov. Henle
Music Folios. Classical.
Softcover. 50 pages. G.
Henle #HN1275. Published
by G. Henle
(HL.51481275).
UPC:
888680991661.
9.25x12.25x0.157
inches.
“Memo
ry of a dear placeâ€
is the title given to
this collection of three
enchanting pieces for
violin and piano. The
“place†in
question was the country
estate of Brailov that
belonged to Tchaikovsky's
patron and friend
Nadezhda von Meck. He
stayed there in idyllic
seclusion in May 1878 and
completed this work.
These pieces were
composed very close in
time to his Violin
Concerto, and they too
demonstrate Tchaikovsky's
matchless gifts as a
Romantic master of
melody. For this edition,
the Russian Tchaikovsky
specialist Alexander
Komarov offers the
highest degree of
editorial precision,
having drawn on all the
relevant sources from
both Russian and
international archives.
In the course of his work
he has also been able to
disprove beyond a doubt
the view held up to now
that the title Souvenir
d'un lieu cher was only
added after Tchaikovsky's
death.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Peter's Pictures Violon et Piano - Débutant Forsyth Publications
Violin and Piano - Beginner SKU: FP.FDC24 Composed by Cyril Dalmaine. She...(+)
Violin and Piano -
Beginner
SKU:
FP.FDC24
Composed by
Cyril Dalmaine. Sheet
Music and Books. Music
sketches for beginner
violinists with piano
accompaniment, by Cyril
Dalmaine. Classical.
Collection. Forsyths
Publications #FDC24.
Published by Forsyths
Publications (FP.FDC24).
ISBN
9790570504336.
An
imaginative first violin
book, featuring 12 music
sketches with fingering
and tips on technique and
reading music, inspired
by the composer's
experience teaching a
young boy named Peter,
and the musical pictures
they painted
together.
Comp
oser and critic Cyril
Carr Dalmaine graduated
from the Royal College of
Music and was Music
master at Uppington
School before going on to
become chorus master to
the BBC. He is most
famous for coining the
term 'Lord Haw-Haw' in
his work as radio critic
of the Daily Express
under the pseudonym Jonah
Barrington, in reference
to the Nazi propaganda
broadcasts of William
Joyce during the Second
World
War.
Dalmaine was
also a record presenter
in the pre-1955 days and
responsible for the
'discovery' of the then
deceased Italian tenor,
Alessandro Valente,
giving Valente enjoyed a
considerable posthumous
vogue. As a composer
Dalmaine wrote chamber
music, and transcribed
the cantatas of J.S. Bach
to piano as well as a
wide range of piano and
string works published by
Forsyth. His works such
as Variation from
Versailles and Pathway to
the Proms remain in print
and are well worth
re-discovering, while his
arrangements of popular
classics in our
Silhouette Series remain
best sellers.
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
The violin was Sibelius's
instrument, and the
virtuoso
aspect is eminent in Drei
Stucke Op. 116 as well as
in
his entire oeuvre for
violin
and piano. Apart from
that,
Op. 116 provides a
glimpse
into the last active
phase of
Sibelius's care.
Breitkopf
and Haertel #EB-9341.
Published by Breitkopf
and
Haertel
Strings Piano
Accompaniment; Violin -
Henle Level 8
SKU:
HL.51480587
Urtext
Edition with Marked and
Unmarked String Part.
Composed by Maurice
Ravel. Edited by
Jean-Francois Monnard.
Arranged by Frank Peter
Zimmermann and Pascal
Roge. This edition:
Paperback/Soft Cover.
Sheet Music. Paperbound.
Henle Music Folios. With
marked and unmarked
string parts. Classical.
Softcover. 25 pages. G.
Henle #N587. Published by
G. Henle (HL.51480587).
ISBN 9790201805870.
UPC: 888680044091.
10.0x13.0x0.15
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 47.
Baerenreiter
Verlag #BA10938.
Published by
Baerenreiter Verlag
Violin and piano SKU: LM.26850 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26850
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26850. Published by
Editions Henry Lemoine
(LM.26850).
ISBN
9790230968508.
In
the Emilie's Eyes - For a
blue note - You miss her
- Ballad for Jodie - I
prefer the Blue - To sing
for heaven - He would
like that - Michel lives
in USA - Romantic tune -
The End for Eddy - I'll
be in the show -
Ongobongo's star - Ernie
is coming back -
Modernesk - Just for
Babe.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin, Piano SKU: HU.HN410 Composed by Claude Debussy. Edited by Ernst-Gunter ...(+)
Violin, Piano
SKU: HU.HN410
Composed by Claude
Debussy. Edited by
Ernst-Gunter Heinemann.
Strings, Repertoire,
Solos. Sonata for Violin
and Piano. Classical,
Romantic. Softcover Book.
70 pages. G. Henle
#HN410. Published by G.
Henle (HU.HN410).
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;  
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Violon et Piano [Partie séparée] - Intermédiaire Carl Fischer
Arranged by Fritz Kreisler (1875-1962). Piano/violin book (includes separate vio...(+)
Arranged by Fritz
Kreisler (1875-1962).
Piano/violin book
(includes separate violin
performance part) for
violin and piano. With
introductory text and
black and white photos.
164 pages. Published by
Carl Fischer.
(Violin and Piano Reduction With Marked and Unmarked Violin Parts Score and Part...(+)
(Violin and Piano
Reduction With Marked and
Unmarked Violin Parts
Score and Parts). By
Alban Berg (1885-1935).
Edited by Michael Kube.
For violin and piano
reduction. This edition:
Urtext edition. Henle
Music Folios. Solo part
and piano score,
paperbound. 124 pages
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag