Violin and Piano. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Alexander Komarov. Henle Music Folios. Softcover. 22 pages. G. Henle #HN1273. Published by G. Henle (HL.51481273).

And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-Freienstein. Violin. Pages: Score = VII and 29 * Vl Part = 8. Edition for Violin-paper bound. Published by G. Henle.

Transcriptions and Arrangements, Original Compositions for Violin and Piano. Composed by Fritz Kreisler (1875-1962). Edited by Eric Wen. The Fritz Kreisler Collection. Classical and 20th Century. Collection and set of performance parts. With introductory text, bowings and fingerings. Published by Carl Fischer

Chamber Music Cello, Piano, Violin

SKU: PR.114423360

Composed by Stacy Garrop. Set of Score and Parts. 24+12+12 pages. Duration 8:30. Theodore Presser Company #114-42336. Published by Theodore Presser Company (PR.114423360).

UPC: 680160686285.

When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,â� �� the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.”In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.

Figured Bass Realization by S. Petrenz. By French Violin Music Of The Baroque Era. Edited by G. Meyn-Beckmann. Violin. Pages: Score = IX and 63 * Vl Part = 28 * BC Part = 24. Urtext edition-paper bound. Published by G. Henle.

(Violin and Piano). By Henri Wieniawski (1835-1880). Edited by Ray Iwazumi. For Violin, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN553. Published by G. Henle

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This edition: HN291. Violin. Henle Music Folios. Pages: Score = 24 * Vl Part = 8. Urtext edition-paper bound. 32 pages. Published by G. Henle

(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravinsky. Arranged by David Dutkanicz. For violin piano. 8 2 pages. Duration 7 minutes. Published by Carl Fischer

Violin and Piano (Violin/Piano)

SKU: HL.14043856

Composed by Howard Blake. Arranged by David Mather. Music Sales America. TV-Film-Musical-Show. Softcover. Composed 2005. Chester Music #CH76901. Published by Chester Music (HL.14043856).

ISBN 9781849385626.

R aymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.

In this suite for Violin and Piano, composer Howard Blake recreated the story in music based on the scenes from the film. The music includes the hit songWalking In The Air.

(Op. 35, No. 2). By Joseph Achron. Arranged by Jascha Heifetz. For Violin, Piano. The Jascha Heifetz Series. Standard notation. 8 pages. Published by Carl Fischer

(Op. 33). By Joseph Achron. Arranged by Jascha Heifetz. For Violin, Piano. The Jascha Heifetz Series. Standard notation. 12 pages. Published by Carl Fischer

Violin and piano

SKU: LM.26850

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26850. Published by Editions Henry Lemoine (LM.26850).

ISBN 9790230968508.

In the Emilie's Eyes - For a blue note - You miss her - Ballad for Jodie - I prefer the Blue - To sing for heaven - He would like that - Michel lives in USA - Romantic tune - The End for Eddy - I'll be in the show - Ongobongo's star - Ernie is coming back - Modernesk - Just for Babe.

(Three Pictures of Chassidic Life) Composed by Ernest Bloch (1880-1959). Set of performance parts for violin and piano. With bowings and fingerings. 14 pages. Published by Carl Fischer.

(From Piano Trio In D Minor, Op. 49). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Jascha Heifetz. For Violin, Piano. The Jascha Heifetz Series. Standard notation. 16 pages. Published by Carl Fischer

(From Midsummer Night'S Dream, Op. 61). By J. Mendelssohn. Arranged by Jascha Heifetz. For Violin, Piano. The Jascha Heifetz Series. Standard notation. 24 pages. Published by Carl Fischer

By John Craton. Chamber ensemble. For Violin, piano. Chamber Music. A humorous scherzo for violin and piano. Contemporary. Score and part. 12 pages. Duration 5:00. Published by Wolfhead Music. (WM507) Level: Advanced.

Arranged by Andrew Moore. For Violin. Violin. Classic. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

Composed by Henri Wieniawski (1835-1880), arranged by Gustave Saenger. Single piece for violin and piano. With bowings and fingerings. 14 pages. Published by Carl Fischer.

Arranged by Andrew Moore. For Violin. Violin. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

(Violin & Piano). By Howard Blake. For Violin, Piano Accompaniment. Music Sales America. Softcover. 4 pages. Chester Music #CH80080. Published by Chester Music

Fingering: Klaud Schilde; fingering and bowing: Ingolf Turban. Composed by Peter Ilyich Tchaikovsky (1840- 1893). Edited by Alexander Komarov. Henle Music Folios. Classical, Russian. Softcover. G. Henle #HN961. Published by G. Henle

Composed by Clara Wieck- Schumann. Arranged by Lauren Taylor. Collection - Score and Parts. 24+4 pages. Carl Fischer Music #BF149. Published by Carl Fischer Music