(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(13 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(20 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
Virtuoso and Entertaing Pieces for Violin and Piano. Composed by Various. Edit...(+)
Virtuoso and Entertaing
Pieces for Violin and
Piano.
Composed by Various.
Edited
by Wolfgang Birtel.
String.
Softcover. Schott Music
#ED23308. Published by
Schott Music
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Violin & piano - Advanced SKU: EC.LMP044 Composed by Kareem Roustom. Inst...(+)
Violin & piano - Advanced
SKU: EC.LMP044
Composed by Kareem
Roustom. Instrumental
part. E.C. Schirmer
Publishing #LMP044.
Published by E.C.
Schirmer Publishing
(EC.LMP044).
ISBN
9781962585026.
This
work was especially
arranged for Thomas
Stumpf and Joanna
Kurkowicz and was adapted
from the second movement
of my Violin Concerto No.
1. The inspiration comes
from the melodic shapes
and sentiments of the
hymns and chants of the
Syrian Orthodox Church.
Though there is no direct
reference to any
particular hymn or chant
in that repertoire, it is
the formal structure and
melodic contour from that
tradition that provided
inspiration for Hymn;
especially in the opening
and closing sections. The
inner feelings of Hymn
reflect on one aspect of
the nature of faith, and
how one holds on to it in
a tumultuous world. This
is reflected in the
middle section where the
piano's jagged rhythms
attempt to throw off the
steady pulses of the
violin. Only faith in
one's own inner rhythm
can keep the violinist
moving steadily forward.
-Kareem Roustom.
Violin, piano SKU: FG.55011-754-9 Viulusonaatti. By Walter Wolff. ...(+)
Violin, piano
SKU:
FG.55011-754-9
Viulusonaatti. By
Walter Wolff. By Yrjö
Kilpinen. Classical.
Book. Fennica Gehrman
#55011-754-9. Published
by Fennica Gehrman
(FG.55011-754-9).
ISBN
9790550117549.
Yrj
¶ Kilpinen (1892-1959)
is most known for his
hundreds of lieds and
song cycles. His
instrumental compositions
have been less know, ie.
the six piano sonatas and
suite for gamba and
piano. Large-scale Sonata
for violin and piano is
dated in 1935 with opus
number 87. The work was
never finished, and
National Library in
Helsinki holds several
sketches and versions in
its Kilpinen collection.
In 2015 violinist
Frida Backman
commissioned a completion
of the Sonata from
composer Walter Wolff.
Wolff worked on the
sketches and versions
until 2018, when the work
was completed and the
Sonata premiered.
The present
publication is the first
publication of the
Sonata. It sheds light to
Kilpinen as an
instrumental composer.
Yrjö Kilpinen
(1892-1959) tunnetaan
lähinnä
lied-sävellyksistä
¤n, joita aktiivisina
sävellysvuosina
syntyikin satoja.
Vähemmälle
huomiolle ovat
jääneet hänen
instrumentaalisävellyk
sensä, mm. kuusi
pianosonaattia,
sellosonaatti, sarja
gamballe ja pianolle
sekä muutamat
pikkukappaleet.
Vuodelle 1935
päivätty
neliosainen,
laajamuotoinen sonaatti
viululle ja pianolle (op.
87) jäi
keskeneräiseksi.
Suomen Kansalliskirjaston
Kilpinen-kokoelmassa oli
useita luonnoksia ja eri
versioita. Sonaatin
osista neljäs oli
keskeneräisin.
Viulutaiteilija
Frida Backman tilasi
konserttiaan varten
sonaatin
täydennöksen
säveltäjä Walter
Wolffilta. Hän sai
työnsä
päätöksen 2018,
jonka jälkeen sonaatti
kantaesitettiin.
Fennica Gehrmanin
julkaisu on sonaatin
ensipainos, ja siten
laajentaa kuvaamme
Yrjö Kilpisestä
instrumenttiteosten
säveltäjänä.
Teoksen osat:
Allegro - Andante -
Andante Moderato -
Allegro.
Violin, piano SKU: BR.EB-8327 Urtext. Composed by Tommaso Giordani...(+)
Violin, piano
SKU:
BR.EB-8327
Urtext. Composed
by Tommaso Giordani.
Edited by Martin Lutz.
Solo instruments;
Softcover. Edition
Breitkopf. Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Sonata; Classical. Score.
48 pages. Breitkopf and
Haertel #EB 8327.
Published by Breitkopf
and Haertel (BR.EB-8327).
ISBN 9790004176351. 9
x 12
inches.
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate. The
Sonatas Op. IVa show that
Giordani is a Haydn
contemporary who can
really hold his own.
Giordani's chamber-music
works with obbligato
piano were actually very
important for the
development of chamber
music. Too bad Giordani
did not contend himself
with writing more of
these enchanting ensemble
sonatas rather than
investing in dubious
opera projects and going
bankrupt. That was no way
to become a serious
Classical
composer!
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Piano Accompaniment; Violin SKU: HL.49045418 For Violin and Piano....(+)
Piano Accompaniment;
Violin
SKU:
HL.49045418
For
Violin and Piano.
Composed by Joji Yuasa.
This edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. Composed
2007-2011. 40 pages.
Duration 16'. Schott
Music #SJ1181. Published
by Schott Music
(HL.49045418).
ISBN
9784890664856.
9.0x12.0x0.135
inches.
Four
Imaginary Landscapes from
Basho for violin and
piano was commissioned by
Concert Hall Shizouka.
This work consists of
four pices which can be
performed independently.
Three pieces: 2. Spring
(Petal by petal
fluttering down yellow
mountain roses-, Sound of
the rapids.) 3. Summer
(The summer grass-,
holding still the dreams
of the stalwart
warriors.), and 4. Autumn
(Chrysanthemum scent...,
in Nara Ancient statues
of Momo Kodama (piano) in
Shizouka on March 9th,
2007. 1 Winter (Sound of
oar hitting waves in the
dead of night, Freezing
bowels..., tears.) was
premiered by Keiko
Urushibara (violin) and
Shigeo Neriki (piano) in
Shizouka on January 14th,
2011. Hisako Takahashi
(violin) and Kyoko Sasaki
(piano) performed all of
the pieces on March 13th,
2011.
Fantasia D 934 Violon et Piano [Conducteur et Parties séparées] - Intermédiaire Barenreiter
Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. F...(+)
Urtext der Neuen
Schubert-Ausgabe. By
Franz Schubert. Edited by
Wirth, Helmut. For
Violin, Piano. Playing
Score; Single Part;
Urtext Edition
(paperbound).
Op.post.159. Published by
Baerenreiter-Ausgaben
(German import).