For violin and piano. Format: set of performance parts (includes separate pull o...(+)
For violin and piano.
Format: set of
performance parts
(includes separate pull
out violin part). With
solo part and piano
accompaniment. Baroque,
classical period and
romantic period. Series:
Whole World Series, No.
5. 304 pages. 9x12
inches. Published by
Music Sales.
Hey Klezmorim! Violon et Piano - Intermédiaire De Haske Publications
Violin and Piano - intermediate SKU: BT.DHP-1196148-404 16 new Klezmer...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1196148-404
16 new Klezmer
melodies for violin and
piano. Composed by
Joachim Johow. Book with
Part and Audio-Online.
Composed 2019. 80 pages.
De Haske Publications
#DHP 1196148-404.
Published by De Haske
Publications
(BT.DHP-1196148-404).
ISBN 9789043157230.
English-German-French-Dut
ch.
Since the
revival of Klezmer in the
1990s, the style has
enjoyed a continued
popularity. Hey
Klezmorim! presents
16 new pieces of music
from the pen of Joachim
Johow, inspired by
traditional Yiddish
music. This edition is
especially aimed at
violinists who wish to be
accompanied on the piano.
It therefore also
contains easy-to-play
piano accompaniment parts
while play-along
recordings are available
online. Additional demo
recordings that encourage
you to develop your own
personal Klezmer playing
style should help you to
enjoy this unmistakable
and diverse
music!
Seit
seinem Revival in den
90er-Jahren des
vergangenen Jahrhunderts
erfreut sich der
Klezmer-Musikstil einer
ungebrochenen
Beliebtheit. Hey
Klezmorim!
präsentiert 16 neue
Musikstücke aus der
Feder von Joachim Johow,
die an die traditionelle
jiddische Musik
anknüpfen. Die Ausgabe
wendet sich besonders an
Geiger, die sich gerne am
Klavier begleiten lassen
möchten, und
enthält daher gut
spielbare
Klavierbegleitungen als
Notentext sowie in online
verfügbaren
Play-along-Aufnahmen.
Zusätzliche
Demo-Aufnahmen sollen
dazu anregen, einen
eigenen, persönlichen
Klezmer-Spielstil zu
entwickeln. Viel Freude
mit dieser
unverwechselbaren,
abwechslungsreichen
Musik!
Violin, Piano SKU: FG.55009-532-8 Composed by Thomas Bystrom. Published b...(+)
Violin, Piano
SKU:
FG.55009-532-8
Composed by Thomas
Bystrom. Published by
Fennica Gehrman
(FG.55009-532-8).
ISBN
979-0-55009-532-8.
Thomas Bystrom's
(1772-1839) major
compositions are his
three violin sonatas
which were evidently
completed in 1797. The
original title 'Trois
sonates pour le clavecin
our pianoforte avec
accompagnement d'un
violon oblige' recalls
the temporary practice of
the violin part being
considered secondary to
the keyboard part so that
such a sonata could be
performed without the
violin if necessary.
Actually Bystrom's
sonatas are genuine
chamber music works
rooted in the Classical
period, with both parts
being necessary
contributions to the
whole even if the piano
tends to dominate the
texture.
Violin, Piano SKU: FG.042-04246-5 Composed by Thomas Bystrom. Published b...(+)
Violin, Piano
SKU:
FG.042-04246-5
Composed by Thomas
Bystrom. Published by
Fennica Gehrman
(FG.042-04246-5).
ISBN
979-0-042-04246-5.
Thomas Bystrom's
(1772-1839) major
compositions are his
three violin sonatas
which were evidently
completed in 1797. The
original title 'Trois
sonates pour le clavecin
our pianoforte avec
accompagnement d'un
violon oblige' recalls
the temporary practice of
the violin part being
considered secondary to
the keyboard part so that
such a sonata could be
performed without the
violin if necessary.
Actually Bystrom's
sonatas are genuine
chamber music works
rooted in the Classical
period, with both parts
being necessary
contributions to the
whole even if the piano
tends to dominate the
texture.
Violin, Piano SKU: FG.042-04244-1 Composed by Thomas Bystrom. Published b...(+)
Violin, Piano
SKU:
FG.042-04244-1
Composed by Thomas
Bystrom. Published by
Fennica Gehrman
(FG.042-04244-1).
ISBN
979-0-042-04244-1.
Thomas Bystrom's
(1772-1839) major
compositions are his
three violin sonatas
which were evidently
completed in 1797. The
original title 'Trois
sonates pour le clavecin
our pianoforte avec
accompagnement d'un
violon oblige' recalls
the temporary practice of
the violin part being
considered secondary to
the keyboard part so that
such a sonata could be
performed without the
violin if necessary.
Actually Bystrom's
sonatas are genuine
chamber music works
rooted in the Classical
period, with both parts
being necessary
contributions to the
whole even if the piano
tends to dominate the
texture.
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
Violin and Piano - Grade 1.5 SKU: AP.36-52710595 Composed by Lynne Latham...(+)
Violin and Piano - Grade
1.5
SKU:
AP.36-52710595
Composed by Lynne Latham.
Arranged by Thom Sharp.
This edition: Latham
Music. String - Violin
and Piano. LudwigMasters
- Latham Music. Book.
Latham Music Enterprises
#36-52710595. Published
by Latham Music
Enterprises
(AP.36-52710595).
ISBN
9781633610002. UPC:
679360611197.
English.
Volume 1
begins with open strings
and basic notation,
rhythms, and bowing
skills. New notes,
notation, and bowing
skills are added in
logical progression,
reinforcing both right-
and left-hand technique
and developing the
cognition for string
performance. This book
introduces students to:
the basic major and minor
tetrachords on all four
strings; essential
rhythmic notation from
whole notes through
eighth-note patterns;
left-hand techniques such
as easily played double
stops, left-hand
pizzicato,
differentiating whole and
half steps; and a variety
of bow techniques. Audio
available online.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025035
Violin and Piano.
Composed by Brett Dean.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages.
Duration 1020 seconds.
Bote & Bock #M202535639.
Published by Bote & Bock
(HL.48025035).
ISBN
9783793142607. UPC:
196288020790.
9.0x12.0x0.171
inches.
With Berlin
Music, Brett Dean wrote a
threefold homage: to the
classical duo consisting
of violin and piano; to
the violin virtuoso
Midori, for whom the
piece was written; and to
the city of Berlin, where
he lived between the
mid-1980s and 2000 and
whose rich cultural life
he owes much to his
development as a musician
and composer. The first
four, relatively short
movements of the
five-movement work form a
suite of character
pieces, which is followed
by a longer final
movement. In summary,
this turns out to be the
actual main movement from
which all motifs and
harmonies emerged in a
compositional manner.
This includes tuning down
the G side by a whole
tone - an apparently
small difference, but one
that has a major effect
on the timbre and
resonance of the
instrumentand suddenly
makes previously
impossible interval
sequences playable. In
addition, the violin in
the third movement (a
moto perpetuo in which
Dean bows to Ravel's
violin sonata) has to
play with a practice
damper, while the pianist
changes the instrument
and plays on a standing
piano that is dampened by
a pedal and placed next
to the concert grand
Expressing nervous energy
in tight college
spaces.
Violin, piano SKU: FG.55011-785-3 Stringendo - Aikamme musiikkia viulu...(+)
Violin, piano
SKU:
FG.55011-785-3
Stringendo - Aikamme
musiikkia viululle ja
pianolle. Composed by
Various. Classical,
contemporary. Score &
part. Fennica Gehrman
#55011-785-3. Published
by Fennica Gehrman
(FG.55011-785-3).
ISBN
9790550117853.
Fenn
ica Gehrman the music
publisher pays tribute to
its composers with this
20th-anniversary
collection of commissions
for violin and piano.
Stringendo - Contemporary
works for violin and
piano (2022) is a
collection of ten pieces,
which vary greatly as
regards their genesis.
That by Harri Wessman is
playful and exhilarating;
Mikko Heiniö wrote his
on Women's Day, while the
duets by Kalevi Aho and
Matthew Whittall are
tributes to the late
Jaakko Kuusisto.
Einojuhani Rautavaara is
also represented, in an
arrangement for violin
and piano of his
plaintive, melodic
Sydämeni laulu (The
Song of my Heart). The
title of Lotta
Wennäkoski's work,
Vestige, is a fitting
symbol for the whole
collection.
Short
introductions to the
pieces by their composers
are included in the
collection in English,
Finnish, and
Swedish.
Contents<
br>Kalevi Aho (b. 1949):
Le Tombeau de J.
K. Einojuhani
Rautavaara (1928-2016):
Sydämeni laulu - Song
of my heart Mikko
Heiniö (b.1948):
Naisten päivä -
Women's Day Jyrki
Linjama (b. 1962): De
Profundis I Lotta
Wennäkoski (b. 1970):
Vestige Matthew
Whittall (b.1975):
Waiting to hear Olli
Kortekangas (b. 1955):
Capriccietto Harri
Wessman (b.1949):
Giocoso Veli-Matti
Puumala (b. 1965):
Édera IV Kimmo
Hakola (b.1958): A Double
Jubilee.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.49046190 Vio...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.49046190
Violin
and Piano. Composed
by Alexis Weissenberg.
String Solo. Classical.
Softcover. 16 pages.
Duration 840 seconds.
Schott Music #VLB218.
Published by Schott Music
(HL.49046190).
UPC:
841886033825.
9.0x12.0x0.064
inches.
Alexis
Weissenberg (1929-2012)
numbers among the most
prominent pianists of the
20th Century. That he was
also a composer is less
well known, though he
wrote a whole series of
works, notably for his
own instrument, the piano
(Piano Works, Schott ED
22923). His Romance for
violin and piano may be
considered something of a
rarity. Musical child
prodigy Alexis wrote this
little Romantic piece in
March 1943 in Jerusalem,
where he and his mother
had fled from Sofia
following their
internment as descendants
of Jews. The Romance is a
melancholy 'Song Without
Words', simple and
poignant in effect. This
first edition is based on
the original manuscript.
Editorial changes have
been marked in
brackets.
Violin and piano - difficult SKU: HL.49017923 For Violin and Piano...(+)
Violin and piano -
difficult
SKU:
HL.49017923
For
Violin and Piano.
Composed by Sir Peter
Maxwell Davies. This
edition: Saddle
stitching. Sheet music.
String. Composed 2008. 36
pages. Duration 15'.
Schott Music #ED13223.
Published by Schott Music
(HL.49017923).
ISBN
9790220131141. UPC:
884088567217.
9.0x12.0x0.125
inches.
Sir Peter
Maxwell Davies is
universally acknowledged
as one of the foremost
composers of our time and
as he reaches his 75th
birthday in 2009 he
remains prolific.The
sonata for violin and
piano was written for the
virtuoso violinist, Ilya
Gringolts and first
performed at the St
Magnus Festival in Orkney
in 2008. The work is
principally concerned
with Italian architecture
and the music takes both
performers and audience
across an imaginary
walkway over Rome as
proposed by the architect
Giuseppe Rebecchini.
Starting at the 17th
Century Chiesa Nuova the
exceptional journey
passes Renaissance
churches, exhibition
spaces, the river Tiber,
glass facades, sculptures
and even a prison where a
Lazio folk tune can be
heard echoing from behind
the walls. The journey
ends 15 minutes later at
Gianicolo, an area where
one can take in
breathtaking views over
the whole city.
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626
For Violin and
Piano. Composed by
Samuel Coleridge-Taylor.
String. Softcover. 14
pages. Schott Music
#ED14074. Published by
Schott Music
(HL.49046626).
UPC:
842819114628.
9.0x12.0x0.07
inches.
Samuel
Coleridge-Taylor was paid
three guineas for the
publishing rights to his
Suite de Pièces by
Schott & Co. London
on 24 December 1892 when
the composer was just 17
years old. In the
following year the work
was published by Schott
Music's German office in
versions for both violin
with piano and violin
with organ.
Coleridge-Taylor was born
in London and brought up
in Croydon. He learnt to
play the violin, was
recognized as a child
prodigy and at 15 was
awarded a scholarship to
study at the Royal
College of Music with
Charles Villiers
Stanford, where he was a
contemporary of Holst and
Vaughan Williams.
Coleridge-Taylor
described himself
Anglo-African and,
despite support from his
colleagues, faced racism
throughout his whole
career. In spite of this
prejudice and his
tragically early death in
1912 aged just 37, he
enjoyed great success
during his lifetime and
his music was performed
at the Proms no less than
116 times between 1898
and 1939. In contrast,
since 1940 his music has
only been heard there on
eleven occasions. Like
many works, at some point
in the past Suite de
Pièces became out of
print. Schott Music is
very proud to present
this new modern
performing edition of the
version for violin and
piano. Errors and
inconsistencies from the
first edition have now
been corrected.
Violin and piano - Intermediate SKU: YM.GPW01096346 Strings. Disney. Scor...(+)
Violin and piano -
Intermediate
SKU:
YM.GPW01096346
Strings. Disney. Score &
part. Yamaha Music Media
#GPW01096346. Published
by Yamaha Music Media
(YM.GPW01096346).
ISBN
9784636963465.
8
arrngements for solo
violin and piano in easy
level. 8Shou Zhong Ji
Nan Du Bian Pei De Xiao
Ti Qin &Gang Qin He Zou
Bian Pei Qu Pu . 8Shou
Zhong Ji Nan Du Bian Pei
De Xiao Ti Qin &Gang Qin
He Zou Bian Pei Qu Pu .
1.
Bibbidi-Bobbidi-Boo; 2. A
Dream Is a Wish Your
Heart Makes; 3. Part of
Your World; 4. Under the
Sea; 5. Be Our Guest; 6.
Beauty and the Beast; 7.
A Whole New World; 8. Let
It Go 1. Mo Fa Zhi Ge
; 2. Meng Jiu Shi Ni Xin
Zhong De Yuan Wang ; 3.
Yu Ni Wei Ban ; 4. Zai
Hai Di ; 5. Huan Ying Ni
; 6. Mei Nu Yu Ye Shou ;
7. Zhan Xin De Shi Jie ;
8. Sui Ta Ba.
(from L'Estro armonico Violin and Piano Reduction). By Antonio Vivaldi (1678-174...(+)
(from L'Estro armonico
Violin and Piano
Reduction). By Antonio
Vivaldi (1678-1741).
Edited by Christopher
Hogwood. Arranged by
Annette Seyfried. For
Violin, Piano
Accompaniment. String.
Softcover. 16 pages.
Schott Music #VLB172.
Published by Schott Music
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
(Violin and Piano). Composed by Henri Wieniawski (1835-1880). For Violin, Piano ...(+)
(Violin and Piano).
Composed by Henri
Wieniawski (1835-1880).
For Violin, Piano
Accompaniment. PWM.
Softcover. 40 pages.
Polskie Wydawnictwo
Muzyczne #7823030.
Published by Polskie
Wydawnictwo Muzyczne
(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(13 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(20 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
Violin - advanced to difficult SKU: HL.49019054 Violin and Piano. ...(+)
Violin - advanced to
difficult
SKU:
HL.49019054
Violin
and Piano. Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. Arranged by
Friedemann Eichhorn. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. Op.
100. 48 pages. Schott
Music #VLB122. Published
by Schott Music
(HL.49019054).
ISBN
9790001147828.
On
11 August 2011 it is
fifty years since the
death of the composer
Johanna Senfter from
Oppenheim who actually
was a trained violinist
for she had studied with
renowned violinists at
the Hoch Conservatory in
Frankfurt. No wonder that
she dealt with the solo
violin repertoire her
whole life long. Concert
works with orchestral
accompaniment as well as
chamber music works were
the results of her
compositional endeavours,
and she attended to both
the large and the small
form. Apart from sonatas
deeply rooted in the
Romantic tradition,
Johanna Senfter also
wrote '5 Stucke' Op. 100
for violin with piano
accompaniment. They are
five miniatures which
combine to form a kind of
sonatina, while
nevertheless being quite
equal to its big sister,
the sonata, as regards
playing and compositional
technique. A musically
demanding, yet rewarding
work by the Reger
pupil.