Play-Along Violin Violon et Piano [Partition + CD] Universal Edition
Edited by Iwan Malachowskij. Arranged by Iwan Malachowskij. For Violin, Piano. P...(+)
Edited by Iwan
Malachowskij. Arranged by
Iwan Malachowskij. For
Violin, Piano. Play Along
- World Music Russia.
Play Along. Book and CD.
Composed 2000/2008
Piano Accompaniment; Violin (Violin) SKU: HL.48011422 Easy pieces for ...(+)
Piano Accompaniment;
Violin (Violin)
SKU:
HL.48011422
Easy
pieces for beginner
violinists with a showbiz
theme. Composed by
Hilary Burgoyne. Boosey &
Hawkes Chamber Music.
Contemporary,
Educational. 24 pages.
Boosey & Hawkes
#M060092664. Published by
Boosey & Hawkes
(HL.48011422).
UPC:
073999299632.
8.25x11.75x0.12
inches.
Contents:
Soft Shoe Shuffle * Stomp
* Lazy * The Chase *
Square Dance * Siesta *
Uncle Sam * Fast Life *
Ghost Train * Deep Blue *
Hollywood * Tango * Tap
Dance * Take the Stage *
Hopalong * Old Time Waltz
* Cat Walk * Blues Song *
Chicken Reel.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Songbook, accompaniment/performance CD and set of performance parts for violin a...(+)
Songbook,
accompaniment/performance
CD and set of performance
parts for violin and
piano accompaniment. With
bowings and chord names.
Series: Pop Hits for the
Instrumental Soloist. 72
pages. Published by
Alfred Publishing.
By Franck C. Edited by Wojciechowski. For violin, piano. Includes music, plus CD...(+)
By Franck C. Edited by
Wojciechowski. For
violin, piano. Includes
music, plus CD recording
of piano part. Play
Along. Sheet Music and
Play-Along CD. Published
by C.F. Peters.
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Hey Klezmorim! Violon et Piano - Intermédiaire De Haske Publications
Violin and Piano - intermediate SKU: BT.DHP-1196148-404 16 new Klezmer...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1196148-404
16 new Klezmer
melodies for violin and
piano. Composed by
Joachim Johow. Book with
Part and Audio-Online.
Composed 2019. 80 pages.
De Haske Publications
#DHP 1196148-404.
Published by De Haske
Publications
(BT.DHP-1196148-404).
ISBN 9789043157230.
English-German-French-Dut
ch.
Since the
revival of Klezmer in the
1990s, the style has
enjoyed a continued
popularity. Hey
Klezmorim! presents
16 new pieces of music
from the pen of Joachim
Johow, inspired by
traditional Yiddish
music. This edition is
especially aimed at
violinists who wish to be
accompanied on the piano.
It therefore also
contains easy-to-play
piano accompaniment parts
while play-along
recordings are available
online. Additional demo
recordings that encourage
you to develop your own
personal Klezmer playing
style should help you to
enjoy this unmistakable
and diverse
music!
Seit
seinem Revival in den
90er-Jahren des
vergangenen Jahrhunderts
erfreut sich der
Klezmer-Musikstil einer
ungebrochenen
Beliebtheit. Hey
Klezmorim!
präsentiert 16 neue
Musikstücke aus der
Feder von Joachim Johow,
die an die traditionelle
jiddische Musik
anknüpfen. Die Ausgabe
wendet sich besonders an
Geiger, die sich gerne am
Klavier begleiten lassen
möchten, und
enthält daher gut
spielbare
Klavierbegleitungen als
Notentext sowie in online
verfügbaren
Play-along-Aufnahmen.
Zusätzliche
Demo-Aufnahmen sollen
dazu anregen, einen
eigenen, persönlichen
Klezmer-Spielstil zu
entwickeln. Viel Freude
mit dieser
unverwechselbaren,
abwechslungsreichen
Musik!
Violin & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-44959 <...(+)
Violin & Piano or CD Play
Back / Play Along - Grade
1
SKU:
MA.EMR-44959
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Violin &
CD Playback (Play Along).
Score and parts. Duration
21'08. Editions Marc
Reift #EMR 44959.
Published by Editions
Marc Reift
(MA.EMR-44959).
The Partridge /
Merrily We Roll Along /
Little Mozart / Le Bon
Roi Dagobert / Jingle
Bells / How To Slur / How
To Play Staccato / J'ai
du Bon Tabac / Serenade /
Slurring Is Fun / Flea
Jumps / Ode To Joy / Ah
vous dirais-je Maman /
Old Mac Donald ...
Violin and Piano SKU: HL.14030977 Composed by Bent Sorensen. Music Sales ...(+)
Violin and Piano
SKU:
HL.14030977
Composed
by Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00906. Published
by Music Sales
(HL.14030977).
ISBN
9788759862148.
Work
for Violin and Piano
dating from 1999. The
composer writes: 'Sieben
Sehnsuchte was written in
1999 for David Alberman
and Rolf Hind. As the
title suggests, it is in
seven movements - each
more insanely difficult
and bothersome than the
other. All sorts of
possible and impossible
playing techniques have
been used, and the
performers have to both
whistle and sing.
However, it is not the
intention that the
slightly more unusual
sound should be heard as
effects. Everything is
supposed to fuse together
into something that is in
itself a little opera - a
'chamber piece'. It was
written in a period when
I was waiting impatiently
for the libretto for
Under the Sky, and I see
it as a meeting (or seven
meetings) between two
people - two instruments
- longing for each other;
longing to merge
together. The piece is a
kind of sister work to
Roses are Falling.'.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Violin, piano SKU: BR.EB-32059 Urtext. Composed by Eduard Franck. ...(+)
Violin, piano
SKU:
BR.EB-32059
Urtext. Composed
by Eduard Franck. Solo
instruments. Edition
Breitkopf. Sonata;
Romantic. Score.
Breitkopf and Haertel #EB
32059. Published by
Breitkopf and Haertel
(BR.EB-32059).
ISBN
9790004186510. 0 x 0
inches.
Sonata No.
3 op. 60 was probably
written around 1876;
however, it was not
published until 1910,
long after the composer's
death. The printing was
arranged by Eduard's son
Richard.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025445 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025445
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Duration 420 seconds.
Boosey and Hawkes
#M202538852. Published by
Boosey and Hawkes
(HL.48025445).
ISBN
9783793145820. UPC:
196288216438.
Hans
Winterberg's
extraordinary life was
written in two chapters,
one Czech and one German,
split right down the
middle by the experience
of the Shoah, which
Winterberg, unlike his
colleagues Ullmann,
Krása, Haas and Klein,
miraculously survived. In
1947, the Prague-born
composer moved to Munich,
where he worked for the
Bavarian Broadcasting
Corporation. As a student
of Alexander Zemlinsky
and Alois Hába, he
belongs both to the Czech
tradition following
Janácek and to the
circle of the Second
Viennese School. He saw
himself as a bridge
builder between Western
and Eastern culture. The
circumstances under which
Winterberg was able to
compose during the war
years are still unclear.
Although his “mixed
marriage” initially
saved him from
deportation, he had to
perform forced labour and
was eventually sent to
the Terezin ghetto in
January 1945. The Suite
for Violin and Piano was
composed in 1942, the
year in which both
Winterberg's mother and
his piano professor
Thérèse Wallerstein
were murdered by the
Nazis. Compared to the
violin sonata from 1936,
the Suite is much more
condensed, lasting less
than seven minutes. A
melody dominated by
chromatic turns and
expressionist harmony
lend the work its
melancholy character,
which gives way, however,
to an almost
irrepressible defiance in
the rhythmically
percussive last
movement.
Violin & Piano SKU: AP.1-ADV14770 15 Solo Etudes for Jazz Phrasing, In...(+)
Violin & Piano
SKU:
AP.1-ADV14770
15
Solo Etudes for Jazz
Phrasing, Interpretation,
and Improvisation
(English/German Language
Edition). Composed by
Jim Snidero.
Improvisation;
Method/Instruction;
Play-Along; String -
Violin Studies or
Collection; Technique
Musicianship. Advance
Music: Easy Jazz
Conception. Jazz. Book
and CD. Advance Music
#01-ADV14770. Published
by Advance Music
(AP.1-ADV14770).
UPC:
805095147704.
English.
A new and
exciting way for violin
players to learn and
practice basic jazz
style. Easy Jazz
Conception: Violin Book &
CD set features 15 solo
etudes based on blues and
standard chord
progressions,
demonstrated by Mark
Feldman on violin along
with a world-class rhythm
section: Mike LeDonne,
piano; Peter Washington,
bass; and Kenny
Washington, drums. The
recording features two
separate versions of each
etude: one with the
soloist and rhythm
section, and one with the
rhythm section only. See
and hear how the soloist
phrases, play with or
without the soloist on
the CD, and learn basic
jazz style first
hand.
Violin and piano SKU: HG.GH-11712 13 mittelschwere Swingstucke. Co...(+)
Violin and piano
SKU:
HG.GH-11712
13
mittelschwere
Swingstucke. Composed
by Joachim Johow.
Klavierauszug mit CD. Hug
Musikverlage #GH 11712.
Published by Hug
Musikverlage
(HG.GH-11712).
ISBN
9790202823774.
Welc
he Geigerin, welcher
Geiger hatte nicht Lust,
neben der klassischen
Violinliteratur einmal
etwas Neues und
Mitreissendes
auszuprobieren? Der
erfahrene Geiger, Musiker
und Musikpadagoge Joachim
Johow legt mit Swing &
More eine
abwechslungsreiche
Sammlung von 13
swingenden Stucken vor,
die es ermoglicht, auch
mit der Geige Swing zu
spielen. Violinheft mit
32 Seiten, Klavierbeilage
40 Seiten. Mit CD: -
Bassstimme ad. lib. als
PDF auf der CD -
Demoversion und Play
Along als zuverlassiger
Ubungspartner fur
Konzert, Klassenvorspiel
oder eigene Hausmusik Die
Charakterstucke in
Joachim Johows 'Swing &
More' fur Geige und
Klavier tonen auf der CD
noch differenzierter, als
sie aufgeschrieben sind.
Man sollte also gut
zuhoren und sich anregen
lassen. Schweizer
Musikzeitung.
Violin and piano SKU: HG.GH-11713 12 mittelschwere Latinstucke. Co...(+)
Violin and piano
SKU:
HG.GH-11713
12
mittelschwere
Latinstucke. Composed
by Joachim Johow. Heft
und CD. Hug Musikverlage
#GH 11713. Published by
Hug Musikverlage
(HG.GH-11713).
ISBN
9790202825020.
Note
nformat, Violinheft 28
Seiten, Klavierbeilage 36
Seiten, mit CD
(Demoversion und Play
Along) Wer traumt nicht
von einem Urlaub zwischen
blauen Lagunen und
Sandstranden? Am besten
noch mit einem Korb
tropischer Fruchte
daneben ... Zumindest
musikalisch kommt man
diesem Traum mit der
Ausgabe Latin, Tropical &
More sehr nahe. Die
Ausgabe prasentiert 12
exotische Fruchte. Wie
jede Frucht etwas anders
schmeckt, so hat auch
jedes Stuck seinen
eigenen Charakter.
Allesamt stehen sie in
der Latin-Tradition. Die
meisten Stucke stehen in
der 1. bis 3. Lage, in
wenigen Fallen in der 4.
Lage, der
Schwierigkeitsgrad ist
mittelschwer (geeignet
fur fortgeschrittene
Schuler(innen) aus dem
Unterstufe II- sowie
Mittelstufenbereich (in
Anlehnung an den VdM)).
Die Stucke eignen sich
fur verschiedene Anlasse,
ob als Vorspielstucke,
als Muggenzugabe oder
einfach zum lustvollen
Spiel zuhause..
