Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn's compositions are possibly not as well-known as they ought to be. Sonata in C major for Violin and Piano, however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet, before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his compositions often contain expressions of his otherwise hidden emotions and moods. Sonata in C major contains a variety of different features, making for a pleasant and evocative piece for advanced violinists.

For Violin and Piano Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.978474

Arranged by Endre Granat. LKM Music. Classical, General Worship, Sacred. Softcover. Lauren Keiser Music Publishing #S511046. Published by Lauren Keiser Music Publishing (HL.978474).

ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches.

This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century.

Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. Henle Music Folios. Softcover. 66 pages. G. Henle #HN1351. Published by G. Henle (HL.51481351).

Violin and Piano - advanced

SKU: BT.DOW-04534-400

Composed by Ludwig van Beethoven. Dowani 3 Tempi Play Along. Classical. Book, CD and Audio-Online. Composed 2021. 32 pages. Dowani #DOW 04534-400. Published by Dowani (BT.DOW-04534-400).

ISBN 9789043160797. English-German-French.

This edition presents one of the most important chamber works for violin: the Sonata No. 5 for Piano and Violin (“Spring”, Op. 24) in F major by Ludwig van Beethoven. It allows you to work through the piece systematically and at different tempi with accompaniment.
The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.

Mit dieser Ausgabe präsentieren wir Ihnen eines der wohl bedeutendsten Kammer­musikwerke für Violine: die ­Sonate Nr. 5 für Klavier und Violine (Frühlingssonate� �, op. 24) in F-Dur von Ludwig van Beethoven. Die DOWANI-Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten.
Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.

Cette édition présente l’une des plus célèbres Å“uvres pour violon du ­répertoire de musique de chambre : la sonate pour piano et violon (“Le Printemps”, opus 24) en Fa majeur de Ludwig van Beethoven. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel.
Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
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Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Composed by Dmitri Kabalevsky (1904-1987), edited by Josef Gingold. Instrumental solo book for violin and piano accompaniment. C Major. Composed 1948. 47 pages. Published by International Music Co.

Virtuoso and Entertaing Pieces for Violin and Piano. Composed by Various. Edited by Wolfgang Birtel. String. Softcover. Schott Music #ED23308. Published by Schott Music

Violin and Piano. Composed by Edvard Greig. Edited by Einar Steen-Nokleberg and Ernst- Gunter Heinemann. Henle Music Folios. Classical. Softcover. G. Henle #HN1105. Published by G. Henle

Composed by Joseph Haydn, edited by Carl Flesch. Hob. VIIa: 1. For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Classical period. 35 pages. 9x12 inches. Published by C.F. Peters.

Composed by Dmitri Kabalevsky (1904-1987). Op. 48. Instrumental solo book for violin solo and piano accompaniment. With solo part, standard notation, bowings, fingerings and piano reduction. Composed 1948. 47 pages. Published by C.F. Peters.

Composed by Alexander Borodin (1833-1887), arranged by David Curran. Instrumental solo book for violin solo and piano accompaniment. With solo part, standard notation and piano accompaniment. 11 pages. Published by C.F. Peters.

(The Auernhammer Sonatas Op. II) Composed by Wolfgang Amadeus Mozart (1756-1791), edited by W. D. Seiffert. Collection and set of performance parts for Violin and piano. With introductory text, performance notes, bowings and fingerings. Urtext edition-paper bound. 168 pages. Published by G. Henle.

With 2 Violin Parts (1 Part with editorial annotations) - for Violina and Piano (Harpsichord). By Johann Sebastian Bach. Edited by H. Eppstein. Violin. Pages: Score = 126 * 2 Vl Parts = 43 each. Urtext edition without fingering-paper bound. Published by G. Henle.

Violin and Piano. By Dmitri Shostakovich. Arranged by Konstantin Fortunatov. (Violin). String. Book only. Size 8.25x11.75 inches. 36 pages. Published by Sikorski.

By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (recorder), piano (violoncello ad lib). Nos.1-3(A,g,F). Published by C.F. Peters.

By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (recorder), piano (violoncello ad lib). Nos.3-6(D,A,E). Published by C.F. Peters.

Violin and Piano

SKU: BT.ALHE29553

Composed by Reynaldo Hahn. Classical. Book Only. 96 pages. Heugel & Cie #ALHE29553. Published by Heugel & Cie (BT.ALHE29553).

French.

Havin g been considered as a 'fashionable' and 'cliché' composer of his day, Hahn's compositions are possibly not as well-known as they ought to be. Sonata In C Major for Violin andPiano, however, shatter these prejudices held, representing the engaging diversity of the composer's music.

Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. Hereceived a high standard of musical education from Decombes, Lavignac, Dubois and Massenet, before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art andhiscompositions often contain expressions of his otherwise hidden emotions and moods. Sonat a In C Major conta ins a variety of different features, making for a pleasant and evocative piece for advancedviolinists.

Sonatas for Piano and Violin, Vol. 1 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 1. Standard notation. Published by Wiener Urtext/Vienna Urtext

Violin, Piano SKU: HU.HN8 Composed by Ludwig van Beethoven. Edited by Sieghard Brandenburg. Strings, Repertoire, Collections. Sonatas for Piano and Violin Volume 2. Classical. Softcover Book. 347 pages. G. Henle #HN8. Published by G. Henle

Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. For Violin, Piano. Playing Score; Single Part; Urtext Edition (paperbound). Op.post.159. Published by Baerenreiter-Ausgaben (German import).

(Concerto for Piano and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Edited by Hermann Beck. For Violin 2. Single Part. KV 503

Composed by Franz Joseph Haydn (1732-1809), edited by Ferdinand Kuechler. Hob. VIIa: 4. For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Classical period. 28 pages. 9x12 inches. Published by C.F. Peters.

Sonatas for Piano and Violin, Vol. 2 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 2. Standard notation. Published by Wiener Urtext/Vienna Urtext

Composed by Carl Maria von Weber (1786-1826). Edited by Ewald Zimmermann. For Piano, Violin. Violin. Henle Music Folios. Pages: Score = 48 * Vl Part = 16. Softcover. 64 pages. G. Henle #HN182. Published by G. Henle