Violin and Piano - early intermediate

SKU: BT.DHP-1043625-404

Composed by Alexei Janschinow. De Haske Study and Play. Educational Tool. Book with Part and Audio-Online. Composed 2021. 16 pages. De Haske Publications #DHP 1043625-404. Published by De Haske Publications (BT.DHP-1043625-404).

ISBN 9789043161763. 9x12 inches. English-German-French-Dut ch.

Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result.

The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire.

Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extra’s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.

St udy and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche Übungsroutine individuellergänze n. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren Übetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird.

Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires.

Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo d’é tude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusqu’ ce que vous ayez atteint le résultat souhaité.

Le titre de la pièce évoque le contexte d’unconcer t : l’interprà ƒÂƒÃ‚©tation d’une partie soliste avec accompagnement. On compte des milliers d’oeuvres similaires pour violon mais un grand nombre d’entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidéra bles. Concertino in Russian Style Opus 35 vous permet d’acquà ©rir l’expÃà ‚©rience nécessaire l’interprà ƒÂƒÃ‚©tation de ce genre de pièces, c’est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien d’un accompagnateur lors de l’interprà ƒÂƒÃ‚©tation. Choisi avec soin, ce Concertino enrichira votre répertoire.

Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dell’accom pagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore.

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 44 pages. De Haske Publications #DHP 1125296- 400. Published by De Haske Publications

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Composed by Clara Wieck- Schumann (1819-1896). Edited by Jacqueline Ross. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Parts (2). Opus 22. Baerenreiter Verlag #BA10947. Published by Baerenreiter Verlag

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 24. Baerenreiter Verlag #BA10937. Published by Baerenreiter Verlag

(22 Easy Concert Pieces from 5 Centuries With a CD of performances and piano accompaniments). Composed by Various. Edited by Peter Mohrs. For Violin, Piano Accompaniment. String. Softcover with CD. Schott Music #ED21467. Published by Schott Music

Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).

Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1918) and Robert Orledge. Arranged by Robert Orledge. String. Softcover. 34 pages. Schott Music #VLB214. Published by Schott Music

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
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Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Composed by Samuel Adler. For violin and piano. Contemporary. Score and Part. Standard Notation. 10 pages. Duration 4 minutes. Published by Theodore Presser Company

By Pam Wedgwood. For Violin. Book; CD; String - Violin Studies or Collection. Faber Edition: After Hours. 24 pages. Published by Faber Music

Violin and piano

SKU: LM.26849

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26849. Published by Editions Henry Lemoine (LM.26849).

ISBN 9790230968492.

With Gab - Care-Free - Two Stomp for you - Walkin'in a Louisiana street - As she like it - So goes the life - Robert's tune - Hi chazz - Eastern nostalgia - Around it - Goodbye Take - Whistling in the street - Leave me here - One Note for you - For Chris and Michel.

21 Pieces for Violin Players Violin and Piano with Online Audio. Composed by Hugh Colledge and Katherine Colledge. Edited by Sheila M. Nelson. Boosey and Hawkes Chamber Music. Children, Classical, Educational, Recital. Softcover Audio Online. 60 pages. Boosey and Hawkes #M060135477. Published by Boosey and Hawkes

Figured Bass Realization by S. Petrenz. By French Violin Music Of The Baroque Era. Edited by G. Meyn-Beckmann. Violin. Pages: Score = IX and 63 * Vl Part = 28 * BC Part = 24. Urtext edition-paper bound. Published by G. Henle.

Violin and piano

SKU: LM.26851

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26851. Published by Editions Henry Lemoine (LM.26851).

ISBN 9790230968515.

Two Days - Travel in winter - Here comes the jazz show - My friend Gabriel - Maria's memories - Never in September - When Charley meets Dan - For a moment of stillness - Time to rag - Somewhere in my heart - White and Blue song - Call me - Fleeting moment - She is gone - Like in a dream.

By Wolfgang Amadeus Mozart. Edited by E.F. Schmid. Violin. Pages: Score = 15 * Vl Part = 6. Urtext edition-paper bound. Published by G. Henle.

Violin, Piano SKU: HU.HN728 Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Strings, Repertoire, Solos. Violin Sonata e minor K. 304 (300c). Classical. Softcover Book. 27 pages. G. Henle #HN728. Published by G. Henle (HU.HN728). ISBN 9780301646404. 12.2 x 9.3 x 0.1 inches.

From the series For Children Violin Solo. By Bela Bartok. Arranged by Aladar Mozi. EMB. 12 pages. Published by Editio Musica Budapest.

Violin, Piano, Play-Along CD SKU: HU.F0571523560 For Violin and Piano/CD. Composed by Pam Wedgwood. Strings, Repertoire, Collections. After Hours. Softcover Book and CD. 32 pages. Faber Music #F0571523560. Published by Faber Music

Violin

SKU: AP.12-0571541887

Composed by Thomas Ades. Performance Music Ensemble; String - Violin and Piano. Form: Concerto. Living Composer. Book. Faber Music #12-0571541887. Published by Faber Music (AP.12-0571541887).

ISBN 9780571541881. English.

Thomas Adès's Violin Concerto Concentric Paths, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti's. Cast in three contrasting movements?each linked by a preoccupation with circling musical figures? the concerto, subtitled Concentric Paths now occupies a place in standard repertoire. Two lithe, rhythmically driven movements, Rings and Rounds bookend Paths, an intensely emotional and gritty exploration of passacaglia-like sequences, which peaks in a lyrical outpouring of exceptional beauty. This is the violin part and piano reduction.

In just 20 minutes, this three-movement piece does something magical. The way it swirls ethereally in the first movement, exerts a tragic and vice-like grip in the chaconne-like second part and finally propels you into the uninhibited flight of the finale is like being spun into an infinite space.
The Guardian (Tom Service).

Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess. Strings, Repertoire, Solos. Ladies in Lavender: Fantasy. Softcover Book. 12 pages. Faber Music #F0571537316. Published by Faber Music

G Major, Op. 78 for Violin and Piano. Composed by Johannes Brahms (1833-1897). Edited by Bernd Wiechert. Henle Music Folios. Classical. Softcover. 66 pages. G. Henle #HN1568. Published by G. Henle

Violin and piano - advanced

SKU: HL.49017953

Composed by Johanna Senfter. Edited by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. Op. 32. 80 pages. Schott Music #VLB134. Published by Schott Music (HL.49017953).

ISBN 9790001157506. UPC: 841886013186. 9.25x12.0x0.276 inches.

Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two capricious and playful movements: Lustig, nicht zu schnell is how the second movement begins, a fugal gem working with all kinds of contrapuntal tricks. This is followed by a scherzo-like, wittily flirting Rasch. The finale begins with a melodically simple tune in an almost folksong-like tone which, by a sequence of character variations, builds to a grand gesture which eventually leads back to the initial cantabile - with the sonata coming to a quiet end. A valuable addition to the chamber music repertoire.