Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(20 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(13 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Violin and Piano SKU: BT.DHP-1115211-400 Composed by Jaap van Elst and Wi...(+)
Violin and Piano
SKU:
BT.DHP-1115211-400
Composed by Jaap van Elst
and Wim Meuris. Speel
viool! Book with CD.
Composed 2011. 56 pages.
De Haske Publications
#DHP 1115211-400.
Published by De Haske
Publications
(BT.DHP-1115211-400).
9x12 inches.
French-Spanish-Italian.
p>
Musical
Challenges works
alongside the third
volume of the violin
method Play the
Violin!, but it can
also be used by
intermediate students
along with any other
method. The pieces are in
jazz, pop, world music
and classical styles and
contain musical as well
as technical challenges
with some being
accompanied by a relevant
technical exercise. Many
of the pieces have chord
symbols or piano
accompaniment whilst
others are duets. The CD
contains all
accompaniments and many
demo
tracks.
Musical
Challenges sluit aan
op het derde deel van
Speel Viool!, maar
kan ook los van deze
methode worden gebruikt.
De stukken in de stijlen
jazz, pop en klassiek
bevatten zowel technische
als muzikale uitdagingen,
enkeletitels worden
voorafgegaan door een
technische oefening. Een
aantal werken kan als
duet worden uitgevoerd en
andere stukken zijn
voorzien van
akkoordsymbolen of
pianobegeleiding.
Daarnaast kan met de cd,
die ook talrijke
demo'sbevat, worden
meegespeeld.
Mu
sical Challenges
schlieÃ?t an den dritten
Band der Schule Spiel
Violine! an, kann
aber von allen
fortgeschrittenen
Geigenschülern
verwendet werden. Die
Stücke in den Stilen
Jazz, Pop, Weltmusik und
Klassik enthalten sowohl
musikalische als auch
technische
Herausforderungen;
teilweise sind sind sie
mit Akkordsymbolen oder
Klavierstimmen versehen
oder als Duett
ausnotiert. AuÃ?erdem
kann zu den beiden CDs
gespielt werden, die
sämtliche Begleitungen
und zahlreiche
Demoversionen
enthalten.
Musical Challenges
rappresenta valido
materiale complementare
da usare assieme (ma
anche individualmente) al
secondo volume del metodo
Suona il Violino!
I brani proposti sono in
stile jazz, pop, folk e
classico (musica
originale e non) e
contengono sfide musicali
e tecniche. Alcuni brani
propongono un breve
esercizio tecnico, mentre
altri contengono i
simboli degli accordi o
le parti del piano. Sono
previsti anche alcuni
duetti. E per chi non ha
un altro musicista con
cui suonare, il CD
propone gli
accompagnamenti e un
grande numero di tracce
demo.
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I and
Volume
II. Classical. Score and
part.
Baerenreiter Verlag
#BA09036. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume II.
Classical. Score and
part.
Baerenreiter Verlag
#BA09015. Published by
Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I.
Classical.
Score and part.
Baerenreiter
Verlag #BA09014.
Published
by Baerenreiter Verlag
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
Violin and Piano SKU: IS.VLP6533EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano
SKU:
IS.VLP6533EM
Composed
by Charles Camilleri.
Strings - Violin.
Metropolis Music
Publishers #VLP6533EM.
Published by Metropolis
Music Publishers
(IS.VLP6533EM).
ISBN
9790365065332.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music.
Violin and Piano SKU: IS.VLP6039EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano
SKU:
IS.VLP6039EM
Composed
by Charles Camilleri.
Strings - Violin. Jenny
Spanoghe Series.
Metropolis Music
Publishers #VLP6039EM.
Published by Metropolis
Music Publishers
(IS.VLP6039EM).
ISBN
9790365060399.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music.
Violin and Piano SKU: IS.VLP6539EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano
SKU:
IS.VLP6539EM
Composed
by Charles Camilleri.
Strings - Violin.
Metropolis Music
Publishers #VLP6539EM.
Published by Metropolis
Music Publishers
(IS.VLP6539EM).
ISBN
9790365065394.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music.
Violin and Piano SKU: IS.VLP6034EM Composed by Charles Camilleri. Strings...(+)
Violin and Piano
SKU:
IS.VLP6034EM
Composed
by Charles Camilleri.
Strings - Violin.
Metropolis Music
Publishers #VLP6034EM.
Published by Metropolis
Music Publishers
(IS.VLP6034EM).
ISBN
9790365060344.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. Just like Bach's
6 suites for cello solo,
these 6 arabesques are
composed of a number of
distinct movements which
follow the suite
principle. The melodies
in these 6 arabesques are
influenced by
Mediterranean folk
music.
Violin, Piano SKU: HU.HN728 Composed by Wolfgang Amadeus Mozart. Edited by Wolf...(+)
Violin, Piano
SKU: HU.HN728
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Strings, Repertoire,
Solos. Violin Sonata e
minor K. 304 (300c).
Classical. Softcover
Book. 27 pages. G. Henle
#HN728. Published by G.
Henle (HU.HN728).
ISBN 9780301646404. 12.2
x 9.3 x 0.1 inches.
Violin and piano (Violin/Piano) - advanced SKU: HL.49019230 Two altern...(+)
Violin and piano
(Violin/Piano) - advanced
SKU: HL.49019230
Two alternative
movements for the second
movement of the Kleine
Suite for violin and
piano. Composed by
Bernd Alois Zimmermann.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 1942. 16 pages.
Duration 5'. Schott Music
#ED21335. Published by
Schott Music
(HL.49019230).
ISBN
9790001181792. UPC:
884088907365.
9.0x12.0x0.106
inches.
These two
movements were originally
intended for Kleine Suite
for violin and piano (ED
7564), but were exchanged
for the 'official' second
movement published in the
suite. Over the course of
the reviewing of
Zimmermann's early work,
many surprising things
have come to light again.
These two alternative
movements are not
difficult to play, can be
used for many different
purposes and expand the
repertoire by two unknown
pieces by Zimmermann.
Chamber Music violin, piano SKU: CF.FE192 Composed by Louise Talma. Set o...(+)
Chamber Music violin,
piano
SKU:
CF.FE192
Composed by
Louise Talma. Set of
Score and Parts. With
Standard notation. 18+8
pages. Carl Fischer Music
#FE192. Published by Carl
Fischer Music (CF.FE192).
ISBN 9780825877568.
UPC: 798408077563. 9.5 x
13 inches.
The
Pytheas Center for
Contemporary Music notes:
Talma was the first woman
to receive two
Guggenheims, the first
woman elected to the
National Institute of
Arts and Letters (1974),
the first American woman
to have a full-scale
opera performed in
Germany, the first
American to teach at
Fontainebleau, and the
first woman to receive
the Sibelius Medal for
composition. This is only
the highlights of a long
life of composing. Talma
spent a good amount of
time at the MacDowell
Colony, where she wrote
many of her finest works,
including the Violin
Sonata. Having studied
composition with Nadia
Boulanger over 17 summers
in her youth, Talma
dedicated the Sonata to
her former teacher and
long-time friend on the
occasion of Boulanger's
75th birthday. The single
movement reflects Talma's
style in 1962, with more
than a passing nod to
12-tone construction. For
advanced performers.
Duration: 16'.
Concerto in F Major L'autunno (Autumn) from The Four Seasons RV293, Op.8 No.3 (C...(+)
Concerto in F Major
L'autunno (Autumn) from
The Four Seasons RV293,
Op.8 No.3 (Critical
Edition Violin and Piano
Reduction). By Antonio
Vivaldi (1678-1741).
Edited by Maurizio
Carnelli. Violin. String
Solo. 20 pages. Ricordi
#R138526. Published by
Ricordi
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025444 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025444
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Bote and Bock
#M202538838. Published by
Bote and Bock
(HL.48025444).
ISBN
9783793145806. UPC:
196288216421.
Hans
Winterberg has only
recently been
rediscovered as one of
the most important
representatives of the
Czech avant-garde of the
first half of the 20th
century. Performed but
not published during his
lifetime, his works were
locked away after his
death due to tragic
circumstances and are now
being published for the
first time in a
collaboration between the
Exilarte Centre of the
Vienna University of
Music and Boosey and
Hawkes. In contrast to
his colleagues and
friends Ullmann, Haas,
Krása and Klein,
Winterberg survived the
Shoah through a series of
miracles. As a student of
Alexander Zemlinsky and
Alois Hába, he is both a
successor to Janácek and
a member of the wider
circle of the Second
Viennese School. The
Sonata for Violin and
Piano, written and
premièred in Prague in
1936, is one of the most
important chamber music
works of the pre-war
period. It exhibits all
the characteristics of
Winterberg's personal
style: a sensuality of
sound grounded in French
Impressionism with a
simultaneous
expressionist rigour of
harmony, a small-scale
motivic structure, a
sophisticated play with
polyrhythmic patterns
and, especially in the
last movement, a musical
impetus borrowed from
Czech folklore.