Violin and Piano. Composed by James Macmillan. Boosey & Hawkes Chamber M...(+)
Violin and Piano.
Composed by
James Macmillan. Boosey
&
Hawkes Chamber Music.
Classical. Softcover. 46
pages. Boosey &
Hawkes
#M060136221. Published by
Boosey & Hawkes
By Various. Edited by Joseph Diermaier. Arranged by James Rae. For Violin, Piano...(+)
By Various. Edited by
Joseph Diermaier.
Arranged by James Rae.
For Violin, Piano. Play
Along - World Music.
Includes Scotland the
Brave, My Love is Like a
Red, Red Rose, The Skye
Boat Song, Mhairi's
Wedding, and 100 Pipers..
Play along; world music.
Solo part, accompaniment
part, and play along CD.
Composed 2001/2008
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Violin and Piano SKU: IS.VLP4190EM Composed by Flor Alpaerts. Strings - V...(+)
Violin and Piano
SKU:
IS.VLP4190EM
Composed
by Flor Alpaerts. Strings
- Violin. Metropolis
Music Publishers
#VLP4190EM. Published by
Metropolis Music
Publishers
(IS.VLP4190EM).
ISBN
9790365041909.
In
1901, Flor Alpaerts
finished his music
studies at the Flemish
School of Music of
Antwerp, which later
became the Royal Flemish
Conservatory. He studied
harmony and composition
with Jan Blockx. In 1903
he became professor at
this institute and from
1934 until 1941 its
director. For one season
(1922-1923) he was also
director of the Royal
Flemish Opera House of
Antwerp together with the
bass Arthur Steurbaut.
His fame, as a composer
and a conductor, came
shortly after World War
I, when he succeeded
Eduard Keurvels in 1919
as conductor of the
concerts organized by the
Royal Zoological Society
of Antwerp and as
artistic director of the
Peter Benoit Fonds. He
also conducted the choral
group Arti Vocali. As a
composer, Flor Alpaerts
was the leading figure in
the Flemish
impressionistic movement,
utilizing an
impressionism that came
closer to Richard Strauss
and Ottorino Respighi
than to Claude Debussy. A
highlight in this
direction was the
symphonic poem Pallieter
(1921-1924). With his
suite James Ensor,
inspired by four works of
the Ostend painter, he
created an
expressionistic work. In
his later compositions he
turned to
neo-classicism.