By John Craton. Chamber ensemble. For Violin, piano. Chamber Music. Student sona...(+)
By John Craton. Chamber
ensemble. For Violin,
piano. Chamber Music.
Student sonatina for
violin and piano.
Contemporary. Score and
part. 24 pages. Duration
12:00. Published by
Wolfhead Music. (WM509)
Level: Moderately
advanced.
For Violin and Piano with Recorded Accompaniments. Composed by John Williams. ...(+)
For Violin and Piano with
Recorded Accompaniments.
Composed by John
Williams.
For Classical Players.
Classical, Movies.
Softcover
Audio Online. 72 pages.
Published by Hal Leonard
By John Craton. Edited by John Craton. Chamber ensemble. For Violin, piano. Cham...(+)
By John Craton. Edited by
John Craton. Chamber
ensemble. For Violin,
piano. Chamber Music. A
collection of 16 medieval
and renaissance melodies
arranged for violin (in
1st position) and piano.
Medieval and Renaissance.
Score and part. 46 pages.
Duration 27:00. Published
by Wolfhead Music.
(WM505)
Level: Easy to
intermediate.
Music by John Williams. For violin solo and piano accompaniment. Includes instru...(+)
Music by John Williams.
For violin solo and piano
accompaniment. Includes
instrumental solo book
and accompaniment CD.
With solo part, standard
notation, bowings, piano
accompaniment and black
and white photos. Movies.
66 pages. 9x12 inches.
Published by Alfred
Publishing.
Violin and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Musi...(+)
Violin and Piano.
Composed
by Karl Jenkins. Boosey
&
Hawkes Chamber Music.
Softcover. 20 pages.
Boosey
& Hawkes #M060132988.
Published by Boosey &
Hawkes
Violin and piano (V/KL) - difficult SKU: HL.49030434 For violin and pi...(+)
Violin and piano (V/KL) -
difficult
SKU:
HL.49030434
For
violin and piano.
Composed by John Casken.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Composed
1998. 45 pages. Duration
18'. Schott Music #ED
12650. Published by
Schott Music
(HL.49030434).
ISBN
9790220119873.
Apre
s un silence was
originally written as a
work for violin and
piano. The piano part was
subsequently orchestrated
in such a way that the
work may be performed
with a chamber orchestra
or with an ensemble of
the same forces using
strings. 'The violin's
opening interval of a
rising sixth is the gem
from which everything is
developed into one
extended movement.' This
will become a regular
presence in the violin
and piano repertoire.
