Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre les Hits de film de conduire ' comporte des arrangements idiomatiques de thèmes de film classique offrant le plaisir répertoire que jeunes instrumentistes adoreront jouer. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Contenu : Vous pouvez laisser votre chapeau - le vent sous mes ailes - lundi bleu - Star Wars (titre principal) - parce que vous avez aimé Me - I sera toujours Love You-(Eve... / TV, Film, Comédie musicale / Date parution : 2005-05-27/ Recueil / Violon et Piano

These two collections (BA 9668, BA 9669) give young students and teachers a rich selection of recital pieces, either to complement the Sassmannshaus 'Early Start on the Violin? method or to play independently from it. As all the pieces are written entirely in first position, they can be used after just a few months of lessons.The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.- New recital pieces for the tried and trusted Sassmannshaus violin method- All pieces written in first position- With a second violin part for duet performance- Available in freely accessible recordings on YouTubeKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the 'Early Start? string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the cello. / Violon Et Piano

Arrangeur: Joachim Draheim. Par SCHUMANN CLARA. 'You can be rightfully pleased with what is coming!' announced Clara Schumann self-confidently in late 1855 to the 24-year-old Joachim upon sending him a copy of the 'Three Romances' op. 22 for violin and piano that had just been published by Breitkopf and Härtel. There is no doubt that her acquaintance with the young virtuoso had stimulated her to write the pieces already back in 1853. The two remained linked to the Romances after publication as well: Clara Schumann and Joachim often successfully performed them in their concerts in later years. After having temporarily fallen into oblivion, the Romances did not make their way more lastingly into the chamber musicrepertoire until 1983, when a reprint of the first edition was published. With the release of this new edition, today's interpreters can also be 'rightfully pleased' with Clara Schumann's Opus 22./ Répertoire / Violon et Piano

Par COHEN MARY. The Adventures of Egbert is an exciting new concept in Violin teaching - a story which has all the right ingredients to appeal to primary and early secondary school age pupils, incorporating valuable technical exercises and well-known tunes for the beginner violinist. Egbert can be used in a one-to-one teaching context, or else with a Violin group of varying ability, while for non-specialist teachers, there are plenty of opportunities to involve the whole class (not just the violinists) in a mini dramatic production. / Niveau : Facile / Recueil / Violon

Par GRIEG EDVARD. Of Grieg ’s three Violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg ’s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional “jumping dance. ” Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm wasalso consulted for this edition, thus offering an optimally ascertained musical text. / Heinemann, Ernst-Günter / Steen-Nökleberg, Einar / Répertoire / Violon et Piano