Violin

SKU: HL.48180833

For Violin and Piano. Composed by Johann Sebastian Bach. Leduc. Baroque. Softcover. 4 pages. Alphonse Leduc #AL19371. Published by Alphonse Leduc (HL.48180833).

UPC: 888680857158. 9.0x12.0x0.02 inches.

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. J. S. Bach's Menuet and Gigue is clearly printed with all edited and necessary performance directions. J.S. Bach (1685-1750) is one of the greatest composers of all time. His compositions for the violin were significant, most of which remain popular today in the advanced violinist's repertoire. The violin solo line of Menuet and Gigue makes use of harmonics, bow techniques, aritculations, fast semiquavers, and ornamentation. Catherine's series, Violin Classics provides essential access to significant repertoire of the violin, preparing advanced violinists for the major works of the repertoire.

By Maurice Journeau. For violin and piano. Arc en ciel. Classical. Advanced. Score. Published by Editions Combre

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
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Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

By Charles Ives (1874-1954). Edited by Diane Monroe. Arranged by Daniel Dorff. For violin and piano

Composed by Charles-Auguste de Beriot. Edited by Kurt Sassmannshaus. Stapled. Baerenreiter's Concert Pieces. Piano reduction, part. Opus 104 No. 9. 14/26 pages pages. Published by Baerenreiter Verlag

Violin and Piano (Violin/Piano)

SKU: HL.14009261

Composed by Frantisek Drdla. Music Sales America. Romantic, 20th Century. Book [Softcover]. 68 pages. Music Sales #BOE005124. Published by Music Sales (HL.14009261).

ISBN 9781849388573. 9.0x12.0x0.273 inches.

These eight Hungarian dances are of varying degrees of difficulty for the violinist at intermediate to advanced level. Arranged with piano accompaniment.

Violin, Piano Accompaniment (Violin) - Intermediate-Advanced

SKU: HL.14009253

Composed by Frantisek Drdla. Music Sales America. Romantic, 20th Century. Sheet Music. With Text language: English. 10 pages. Music Sales #BOE004610. Published by Music Sales (HL.14009253).

UPC: 884088487065. 9.0x11.5x0.036 inches.

Version for Violin and Piano.

Violin and Piano - intermediate-advanced

SKU: HL.14009546

Composed by Edward Elgar. Music Sales America. Classical. Book and CD. Music Sales #NOV263032. Published by Music Sales (HL.14009546).

8.25x11.75x0.058 inches.

Composed in 1884 for Violin or Cello and small Orchestra, this is one of Elgar's most popular works for accompanied soloist and has been transcribed for a variety of instruments This arangement is for the original solo instrument - the Violin, with a Piano reduction of the Orcherstral accompaniment.

Violin and Piano - intermediate-advanced

SKU: HL.14021150

Composed by Nikolai Medtner. Music Sales America. Classical. Score. Music Sales #NOV956648. Published by Music Sales (HL.14021150).

8.5x11.5x0.621 inches.

Written for violin and piano.

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand Kuechler. Edited by Ulrich Schliephake. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 12. 36 pages. Schott Music #SE 1043. Published by Schott Music

Violin and Piano Reduction. Composed by Johan Severin Svendsen (1840-1911). Edited by Annette Seyfried. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Piano reduction with solo part. Op. 26. 24 pages. Schott Music #SE 1044. Published by Schott Music

Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy

SKU: HL.49045444

For Violin and Piano Schott Student Edition Repertoire. Composed by Oskar Rieding. Edited by Benjamin Ramirez and Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 22/3. 16 pages. Schott Music #SE1009. Published by Schott Music (HL.49045444).

ISBN 9790001162005. UPC: 841886028746. 9.25x12.0x0.058 inches. German - English - French. (ed. Wolfgang Birtel, Benjamin Ramirez) Schott Student Edition Repertoire.

This Rondo, which originally was the third of four easy performance pieces in a cycle for violin and piano (Op. 22), is one of Rieding's most popular and frequently performed pieces in violin lessons for beginners. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.

About Schott Student Edition

Th e Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.

Th e repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.

Ev ery work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Violin and Piano - Schott Student Edition. Composed by Joseph-Hector Fiocco. Edited by Wolfgang Birtel. Arranged by Arthur Bent and Norman O'neill. Schott Student Edition. Repertoire. Softcover. Schott Music #SE1010. Published by Schott Music

For Violin and Piano Schott Student Edition Repertoire. Composed by Edward Elgar (1857-1934). Schott Student Edition. Repertoire. Softcover. 20 pages. Schott Music #SE1003. Published by Schott Music

Violin and Piano - advanced

SKU: BT.DOW-04534-400

Composed by Ludwig van Beethoven. Dowani 3 Tempi Play Along. Classical. Book, CD and Audio-Online. Composed 2021. 32 pages. Dowani #DOW 04534-400. Published by Dowani (BT.DOW-04534-400).

ISBN 9789043160797. English-German-French.

This edition presents one of the most important chamber works for violin: the Sonata No. 5 for Piano and Violin (“Spring”, Op. 24) in F major by Ludwig van Beethoven. It allows you to work through the piece systematically and at different tempi with accompaniment.
The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.

Mit dieser Ausgabe präsentieren wir Ihnen eines der wohl bedeutendsten Kammer­musikwerke für Violine: die ­Sonate Nr. 5 für Klavier und Violine (Frühlingssonate� �, op. 24) in F-Dur von Ludwig van Beethoven. Die DOWANI-Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten.
Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.

Cette édition présente l’une des plus célèbres Å“uvres pour violon du ­répertoire de musique de chambre : la sonate pour piano et violon (“Le Printemps”, opus 24) en Fa majeur de Ludwig van Beethoven. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel.
Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.

Selection of Original Pieces and Transcriptions. Composed by Maurice Ravel (1875-1937). Editions Durand. Softcover. 88 pages. Editions Durand #DR16099. Published by Editions Durand (HL.50565741).

Violin (violin/piano)

SKU: HL.48180707

For Violin and Piano. Composed by Charles Auguste de Beriot. Leduc. Classical. CD. 4 pages. Alphonse Leduc #AL18900. Published by Alphonse Leduc (HL.48180707).

UPC: 888680831691. 0.025 inches.

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Bériot's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the violin which remain popular in the advanced violinist's repertoire, as well as many study books for the instrument. The violin solo line of Concerto No. 7 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Violin (violin/piano)

SKU: HL.48180708

For Violin and Piano. Composed by Pierre Rode. Leduc. Classical. CD. Alphonse Leduc #AL18901. Published by Alphonse Leduc (HL.48180708).

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Beriot's Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Beriot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the violin which remain popular in the advanced violinist's repertoire, as well as many study books for the instrument. The violin solo line of Concerto No. 9 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult

SKU: HL.49019599

Three Poems for Violin and Piano. Composed by Karol Szymanowski. Edited by Ida Bieler and Wolfgang Birtel. Arranged by Ida Bieler. This edition: Saddle stitching. Sheet music. String. 20Th Century, Classical. Softcover. Op. 30. 72 pages. Schott Music #VLB174. Published by Schott Music (HL.49019599).

ISBN 9790001191043. UPC: 841886019546. 9.0x12.0x0.187 inches. Eds. Wolfgang Birtel and Ida Bieler.

Karol Szymanowski (1882-1932) is regarded as one of the most important Polish composers since Chopin. He received his formative musical training in Warsaw where he lived for many years and was also director of the Conservatoire and Music Academy. His compositional oeuvre comprises a large variety of styles: Szymanowski first leaned towards Chopin and Scriabin, then studied Richard Strauss and Igor Stravinsky, finally finding a style in which he combined impressionism and expressionism. His 'Mythes' for violin and piano from 1915 fell in a transitional period, turning away from late German Romanticism. They are expressive miniatures full of tonal refinement and impressionist charm and, thanks to their accessible virtuosity, perfect performance pieces. Contents: I. La Fontaine d'Arethuse • II. Narcisse • III. Dryades et Pan.

Violin and Piano. Composed by Edvard Greig. Edited by Einar Steen-Nokleberg and Ernst- Gunter Heinemann. Henle Music Folios. Classical. Softcover. G. Henle #HN1105. Published by G. Henle

Piano; Violin (violin/piano)

SKU: HL.48180635

For Violin and Piano. Composed by Georges Catherine. Leduc. Classical. CD. Alphonse Leduc #AL18321. Published by Alphonse Leduc (HL.48180635).

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 23 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 23 makes use of extended techniques including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Piano; Violin (violin/piano)

SKU: HL.48180634

For Violin and Piano. Composed by Georges Catherine. Leduc. Classical. CD only. 4 pages. Alphonse Leduc #AL18320. Published by Alphonse Leduc (HL.48180634).

UPC: 888680829070. 0.031 inches.

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Piano, Violin (violin/piano)

SKU: HL.48180636

For Violin and Piano. Composed by Giovanni Viotti. Leduc. Classical. CD only. 4 pages. Alphonse Leduc #AL18322. Published by Alphonse Leduc (HL.48180636).

UPC: 888680829056. 9x12 inches.

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 24 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 24 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Piano, Violin (Violin)

SKU: HL.48180637

For Violin and Piano. Composed by Giovanni Battista Viotti. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL18324. Published by Alphonse Leduc (HL.48180637).

UPC: 888680829049. 9x12 inches.

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 29 makes use of extended techniques, including harmonics, bow techniques, aritculations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Violin (violin/piano)

SKU: HL.48180989

For Violin and Piano. Composed by Henri Vieuxtemps. Leduc. Classical. CD. Alphonse Leduc #AL19945. Published by Alphonse Leduc (HL.48180989).

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Vieuxtemp's Concerto No. 5 is clearly printed with a helpful key of unusual techniques. Vieuxtemp (1820-1881) was an Belgian composer and violinist. He composed a significant amount of string music, particularly for the violin, which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 5 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.