Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Composed by Leos Janacek (1854-1928). Edited by Jan Krejci; Alena Nemkova. For v...(+)
Composed by Leos Janacek
(1854-1928). Edited by
Jan Krejci; Alena
Nemkova. For violin and
piano. This edition:
Urtext edition. Stapled.
Level 4. Score with part.
Published by Baerenreiter
Verlag
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This ed...(+)
For Violin and Piano. By
Ludwig van Beethoven.
Edited by S. Brandenburg.
This edition: HN291.
Violin. Henle Music
Folios. Pages: Score = 24
* Vl Part = 8. Urtext
edition-paper bound. 32
pages. Published by G.
Henle
Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand K...(+)
Violin and Piano Schott
Student Edition - Level
2.
Composed by Ferdinand
Kuechler. Edited by
Ulrich
Schliephake. This
edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. Op. 12. 36
pages.
Schott Music #SE 1043.
Published by Schott Music
Violin and Piano. Composed by Pablo de Sarasate (1844- 1908). Edited by Peter J...(+)
Violin and Piano.
Composed by
Pablo de Sarasate (1844-
1908). Edited by Peter
Jost.
Sheet music. Henle Music
Folios. Classical.
Softcover.
56 pages. G. Henle
#HN1244.
Published by G. Henle
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pie...(+)
Violin and Piano - easy
SKU:
BT.DHP-1196083-404
16 easy 'swinging'
pieces for violin and
piano accompaniment.
Composed by Joachim
Johow. Contemporary
Music. Book with Part and
Audio-Online. Composed
2019. 57 pages. De Haske
Publications #DHP
1196083-404. Published by
De Haske Publications
(BT.DHP-1196083-404).
ISBN 9789043156837.
English-German-French-Dut
ch.
Swing-style
music for violin lessons?
A delightful idea in
itself, but suitable
literature is somewhat
thin on the ground. This
is where the Little
Swingies collection
comes in: sixteen new
pieces by Joachim
Johow—some
full-spirited and
passionate, others
gentler in
character—introduc
e the student step by
step to playing in the
swing style. In addition
to the violin part, this
edition includes an
easy-to-play piano
accompaniment: and on top
of this, MP3 recordings
of both demo performances
and backing tracks are
available online.
Little Swingies
will add new momentum to
violin lessons and
performances
alike.
Swingmuziek
voor de vioolles? Een
prachtig idee, maar het
materiaal daarvoor is dun
gezaaid. Little
Swingies biedt de
oplossing: zestien nieuwe
stukken van de hand van
Joachim Johow sommige
temperamentvol, andere
rustiger van karakter
laten de leerling stap
voor stap kennismaken met
het spelen in swingstijl.
Naast de vioolpartijen
bevat deze uitgave ook
eenvoudige
pianobegeleidingen:
bovendien zijn de
mp3-opnamen van zowel de
meespeel- als
begeleidingstracks online
te downloaden. Little
Swingies geeft
vioollessen en
toonmomenten een
verfrissende nieuwe
impuls.
Musik im
Swing-Stil für den
Geigenunterricht? An und
für sich eine
reizvolle Vorstellung,
jedoch ist
Spielliteratur, die
dafür geeignet
wäre, dünn
gesät. Hier setzt die
Sammlung Little
Swingies an: Sechzehn
neue Stücke von
Joachim Johow mal
temperamentvoll, mal eher
sanft im Charakter
führen die Schüler
Schritt für Schritt in
das Spiel im Swing-Stil
heran. Die Ausgabe
umfasst neben der
Violinstimme auch eine
gut spielbare
Klavierbegleitung:
zusätzlich stehen
sowohl Demo- als auch
Mitspielaufnahmen aller
Stücke im MP3-Format
online zur Verfügung.
Little Swingies
kann dem Geigenunterricht
wie auch dem Vorspiel
neue Impulse
geben.
G Major, Op. 78 for Violin and Piano. Composed by Johannes Brahms (1833-1897...(+)
G Major, Op. 78 for
Violin and
Piano. Composed by
Johannes
Brahms (1833-1897).
Edited by
Bernd Wiechert. Henle
Music
Folios. Classical.
Softcover.
66 pages. G. Henle
#HN1568.
Published by G. Henle
Violin SKU: AP.12-0571541887 Composed by Thomas Ades. Performance Music E...(+)
Violin
SKU:
AP.12-0571541887
Composed by Thomas Ades.
Performance Music
Ensemble; String - Violin
and Piano. Form:
Concerto. Living
Composer. Book. Faber
Music #12-0571541887.
Published by Faber Music
(AP.12-0571541887).
ISBN 9780571541881.
English.
Thomas
Adès's Violin Concerto
Concentric Paths, written
in 2005, is one of the
most important additions
to the violin concerto
repertoire since
Ligeti's. Cast in three
contrasting
movements?each linked by
a preoccupation with
circling musical figures?
the concerto, subtitled
Concentric Paths now
occupies a place in
standard repertoire. Two
lithe, rhythmically
driven movements, Rings
and Rounds bookend Paths,
an intensely emotional
and gritty exploration of
passacaglia-like
sequences, which peaks in
a lyrical outpouring of
exceptional beauty. This
is the violin part and
piano reduction.
In just 20
minutes, this
three-movement piece does
something magical. The
way it swirls ethereally
in the first movement,
exerts a tragic and
vice-like grip in the
chaconne-like second part
and finally propels you
into the uninhibited
flight of the finale is
like being spun into an
infinite space. The
Guardian (Tom
Service).
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Violin and piano - advanced SKU: HL.49017953 Composed by Johanna Senfter....(+)
Violin and piano -
advanced
SKU:
HL.49017953
Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Op. 32. 80
pages. Schott Music
#VLB134. Published by
Schott Music
(HL.49017953).
ISBN
9790001157506. UPC:
841886013186.
9.25x12.0x0.276
inches.
Johanna
Senfter (1879-1961) was a
pupil of Max
Reger.Beginning with an
expressive violin theme
in a densely packed,
'Brahms-like' piano
setting, the classical
four-movement work
centres around two
capricious and playful
movements: Lustig, nicht
zu schnell is how the
second movement begins, a
fugal gem working with
all kinds of contrapuntal
tricks. This is followed
by a scherzo-like,
wittily flirting Rasch.
The finale begins with a
melodically simple tune
in an almost
folksong-like tone which,
by a sequence of
character variations,
builds to a grand gesture
which eventually leads
back to the initial
cantabile - with the
sonata coming to a quiet
end. A valuable addition
to the chamber music
repertoire.
Violin & piano SKU: HH.HH473-FSP Composed by Anton Eberl. Edited by Marti...(+)
Violin & piano
SKU:
HH.HH473-FSP
Composed
by Anton Eberl. Edited by
Martin Harlow. Violin &
Piano. Full score and
part. Edition HH Music
Publishers #HH473-FSP.
Published by Edition HH
Music Publishers
(HH.HH473-FSP).
ISBN
9790708146841.
The
model for this sonata is
Mozart, specifically his
Sonata in B flat major,
K.454, written in 1784.
Eberl borrows many
structural and stylistic
features from K.454: the
grand, slow introduction
of the first movement;
the song-like second
movement opening over
rocking accompaniment;
and the gavotte-like
closing rondo. Eberl even
quotes directly from
K.454. But the work also
looks forward to
Beethoven’s
contributions to the
genre, and in its
duration, formal and
harmonic novelty, and in
the lively relationship
between the violin and
keyboard, Op.50 shares
much of the musical
ambition and quality of
Beethoven’s early
works in this genre.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Violin and piano - advanced SKU: HL.49045998 For Violin and Piano....(+)
Violin and piano -
advanced
SKU:
HL.49045998
For
Violin and Piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2018. 44 pages.
Duration 13'. Schott
Music #ED 30262.
Published by Schott Music
(HL.49045998).
ISBN
9781540034960. UPC:
888680790998.
9.0x12.0x0.142
inches.
In The
Diamond Sutra, an early
Buddhist text also known
as The Diamond that Cuts
Through Illusion, the
Buddha leads his
interlocutor, the Elder
Subhuti, through a series
of questions and
provocations. The Buddha
then concludes the
session by offering this
teaching to those
assembled:All composed
things are like a dream,a
phantom, a drop of dew, a
flash of lightning.That
is how to meditate on
them;that is how to
observe them.This duo
piece is in four
sections, corresponding
roughly to these four
disparate visions of
impermanence: four
distinct moments of
interplay between form
and emptiness, four
corners of a diamond.
This series of images is
itself a 'composed
thing,' gathering
dissimilar elements into
a unified system. It
suggests that the things
we make are similar to
things that exist beyond
intention. The Buddha's
utterance helps us hear
so-called 'composition'
and 'improvisation' - or
the encompassing
category, 'music' - as
part of an even larger
aggregate: that which
forms and recedes.- Vijay
Iyer.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Violin & piano SKU: HH.HH423-FSP Composed by Anton Eberl. Edited by Marti...(+)
Violin & piano
SKU:
HH.HH423-FSP
Composed
by Anton Eberl. Edited by
Martin Harlow. Violin &
Piano. Full score and
parts. Duration 20
Minutes. Edition HH Music
Publishers #HH423-FSP.
Published by Edition HH
Music Publishers
(HH.HH423-FSP).
ISBN
9790708146247.
Eber
l's Sonata in D major,
Op. 20, the sixth of
seven sonatas with
violin, was composed
around 1803 and dedicated
to Dorothea Ertmann, the
highly regarded pianist
who many have suggested
as Beethoven's 'Immortal
Beloved', and to whom
that composer dedicated
his Piano Sonata in A
major, Op. 101. Unlike
many of Eberl's lesser
contemporaries, in its
duration, formal and
harmonic novelty, and in
the lively relationship
between the violin and
keyboard, his Op. 20
shares much of the
musical ambition and
quality of Beethoven's
works in this genre. 1803
saw the publication of
Eberl's Op. 20, and
Beethoven's set of three
sonatas with violin, Op.
30, all produced by the
Bureau des Arts et
d'Industrie firm in
Vienna. Beethoven's set
were advertised for sale
in the Wiener Zeitung in
May 1803, days after the
premiere of his Op. 47
sonata with violin (given
by George Bridgetower and
Beethoven, but later
dedicated to Rudolphe
Kreutzer). Eberl's Op. 20
was advertised in the
Wiener Zeitung six weeks
later, in July 1803.
Violin and Piano SKU: AP.36-60710002 Composed by Claude Debussy. Arranged...(+)
Violin and Piano
SKU:
AP.36-60710002
Composed by Claude
Debussy. Arranged by
Alexandre Roelens. Solo;
Violin. Master String
Series. Book.
LudwigMasters
Publications
#36-60710002. Published
by LudwigMasters
Publications
(AP.36-60710002).
ISBN
9798888521823. UPC:
676737572853.
English.
Claude
Debussy (1862-1918)
composed Valse Romantique
(F minor; CD 79/L.71) in
1890 for solo piano,
during a period when he
was short piano works in
traditional genres,
seeking his own style.
Unlike the impressionism
for which he later became
known, this waltz is
written in a late
romantic style. Not
particularly difficult,
it is ideal for teaching
or for a recital. This
transcription for violin
or flute and piano was
created in 1924 by
Alexandre Roelens.
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626
For Violin and
Piano. Composed by
Samuel Coleridge-Taylor.
String. Softcover. 14
pages. Schott Music
#ED14074. Published by
Schott Music
(HL.49046626).
UPC:
842819114628.
9.0x12.0x0.07
inches.
Samuel
Coleridge-Taylor was paid
three guineas for the
publishing rights to his
Suite de Pièces by
Schott & Co. London
on 24 December 1892 when
the composer was just 17
years old. In the
following year the work
was published by Schott
Music's German office in
versions for both violin
with piano and violin
with organ.
Coleridge-Taylor was born
in London and brought up
in Croydon. He learnt to
play the violin, was
recognized as a child
prodigy and at 15 was
awarded a scholarship to
study at the Royal
College of Music with
Charles Villiers
Stanford, where he was a
contemporary of Holst and
Vaughan Williams.
Coleridge-Taylor
described himself
Anglo-African and,
despite support from his
colleagues, faced racism
throughout his whole
career. In spite of this
prejudice and his
tragically early death in
1912 aged just 37, he
enjoyed great success
during his lifetime and
his music was performed
at the Proms no less than
116 times between 1898
and 1939. In contrast,
since 1940 his music has
only been heard there on
eleven occasions. Like
many works, at some point
in the past Suite de
Pièces became out of
print. Schott Music is
very proud to present
this new modern
performing edition of the
version for violin and
piano. Errors and
inconsistencies from the
first edition have now
been corrected.
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).
Violin & piano SKU: HH.HH424-FSP Composed by Anton Eberl. Edited by Marti...(+)
Violin & piano
SKU:
HH.HH424-FSP
Composed
by Anton Eberl. Edited by
Martin Harlow. Violin &
Piano. Full score and
part. Edition HH Music
Publishers #HH424-FSP.
Published by Edition HH
Music Publishers
(HH.HH424-FSP).
ISBN
9790708146254.
Amon
g Vienna’s many
composers and pianists of
the time, Anton Eberl
(1765–1807) was
the one considered most
worthy of comparison with
Beethoven. His Sonata in
B flat major, Op.35, his
last of seven sonatas
with violin, was composed
around 1805 and dedicated
to Maria Walburga, the
Princess Bretzenheim.
This was one
Eberl’s last
works, as he died
prematurely, at the age
of forty-one, in 1807.
Unlike many of
Eberl’s lesser
contemporaries, in its
duration, formal and
harmonic novelty, and in
the lively relationship
between the violin and
keyboard, his Op.35
shares much of the
musical ambition and
quality of
Beethoven’s works
in this genre.
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(13 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(20 Recital Pieces in
First Position for Violin
and Piano or Two
Violins). Edited by Kurt
Sassmannshaus / Christoph
Sassmannshaus / Melissa
Lusk. For violin, piano.
Stapled. Barenreiter's
Sassmannshaus. Level 2.
Solo part and performance
score. Published by
Baerenreiter Verlag