Violin, Piano - Level 3 SKU: BA.BA09428 Composed by Maurice Ravel. Edited...(+)
Violin, Piano - Level 3
SKU: BA.BA09428
Composed by Maurice
Ravel. Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, Part. Baerenreiter
Verlag #BA09428.
Published by Baerenreiter
Verlag (BA.BA09428).
ISBN 9790006541362. 31
x 24.3 cm
inches.
Ravel
worked on his Sonata for
Violin and Piano for four
years (1923â1927)
which was longer than he
took for any other
composition. According to
the composer, the reason
for his difficulties was
the âfundamental
incompatibilityâ of
these two instruments.
However, the interplay
between two quite
different partners is
precisely what makes this
sonata so charming. The
violin and piano are
independent, sometimes
playing alongside each
other and at other times
with each other: here in
a lyrical Allegretto,
there in a jazz-inspired
second movement, finally
in a âperpetuum
mobileâ
finale.
This new
edition edited by Douglas
Woodfull-Harris corrects
numerous inconsistencies
of earlier editions. It
also includes the
âBerceuse sur le nom
de Faurâ which is
available for the first
time in a
scholarly-critical Urtext
edition. This lullaby for
violin and piano consists
of variations on a theme
derived from the letters
of Faurâs
name.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violin and piano SKU: BO.B.3632 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3632
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3632).
Duo-Sonata for
violin and piano was
written between September
and October of 2010. It
is made up of three
movements, each of which
has unique
characteristics. The
first, Allegro
appassionato, is
monothematic, although
the theme itself is
presented in several
ways. Following a
vigorous start featuring
violin cadenza, the
movement is developed
with a lively feel,
alternating lyrical
fragments with other
energetic ones. Its
conclusion is
resounding.
Meanwh
ile, the second movement,
Quasi un lamento, is
introspective and
fragile. A long melody is
sustained by a delicate
and transparent piano
accompaniment, evoking
once again the theme of
the first movement and
concluding with a Lento
of descending piano
harmonies while the
violin follows, in
octaves, with heartfelt
glissando.
The
third movement,
Scherzando-Allegro, is a
light-hearted game
between the piano and the
violin. The main theme is
repeated once again, this
time with a binary time
signature. The violin
uses ricochet (the
rebounding of notes in a
bow stroke), as well as
natural and artificial
harmonies in quick time.
The piano part unfolds
completely naturally,
excluding any gratuitous
artifice.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.