Violin and piano (V/KL) - easy SKU: HL.49022773 Composed by Jean-Philippe...(+)
Violin and piano (V/KL) -
easy
SKU:
HL.49022773
Composed
by Jean-Philippe Rameau.
Edited by Fritz Kreisler.
This edition: Folding.
Sheet music. Edition
Schott. 8 pages. Schott
Music #BSS30954.
Published by Schott Music
(HL.49022773).
ISBN
9790001106986. UPC:
884088567514.
9.0x12.0x0.02
inches.
Violin and piano SKU: M7.BMEA-19936 Composed by Arthur Honegger. Sheet mu...(+)
Violin and piano
SKU:
M7.BMEA-19936
Composed by Arthur
Honegger. Sheet music.
MDS (Music Distribution
Services) #BMEA 19936.
Published by MDS (Music
Distribution Services)
(M7.BMEA-19936).
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Violin and piano SKU: M7.BMEA-15219-24 Composed by George Enescu. Sheet m...(+)
Violin and piano
SKU:
M7.BMEA-15219-24
Composed by George
Enescu. Sheet music. Op.
28. MDS (Music
Distribution Services)
#BMEA 15219-24. Published
by MDS (Music
Distribution Services)
(M7.BMEA-15219-24).
Dikhthas Violon et Piano Music Distribution Services
Violin and piano SKU: M7.BMEA-17451-24 Composed by Iannis Xenakis. Sheet ...(+)
Violin and piano
SKU:
M7.BMEA-17451-24
Composed by Iannis
Xenakis. Sheet music. MDS
(Music Distribution
Services) #BMEA 17451-24.
Published by MDS (Music
Distribution Services)
(M7.BMEA-17451-24).
Violin and piano SKU: M7.BMEA-17118-24 Composed by Toru Takemitsu. Sheet ...(+)
Violin and piano
SKU:
M7.BMEA-17118-24
Composed by Toru
Takemitsu. Sheet music.
MDS (Music Distribution
Services) #BMEA 17118-24.
Published by MDS (Music
Distribution Services)
(M7.BMEA-17118-24).
Violin and piano SKU: M7.BMEA-17226-24 Composed by Maurice Ravel. Sheet m...(+)
Violin and piano
SKU:
M7.BMEA-17226-24
Composed by Maurice
Ravel. Sheet music. MDS
(Music Distribution
Services) #BMEA 17226-24.
Published by MDS (Music
Distribution Services)
(M7.BMEA-17226-24).
Violin and Piano (Violin/Piano) SKU: HL.50571567 Iii Acte Pour Violon ...(+)
Violin and Piano
(Violin/Piano)
SKU:
HL.50571567
Iii
Acte Pour Violon Et Piano
Transcription Par P.
Lemaitre. Composed by
Jean-Philippe Rameau.
Editions Durand. Score
Only. Composed 2001.
Editions Durand #DC11392.
Published by Editions
Durand (HL.50571567).
Odd Moments Violon et Piano [Conducteur] Carl Fischer
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: CF.MXE272 For...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
CF.MXE272
For
Flute, Clarinet in Bb,
violin, Violoncello And
Piano. Composed by
Paul Lansky. Sws. Score.
44+8+8+8+8 pages.
Duration 13:15. Carl
Fischer Music #MXE272.
Published by Carl Fischer
Music (CF.MXE272).
ISBN 9781491159064.
UPC: 680160917600. 9 x 12
inches.
Odd Moments
was written for the Da
Capo Chamber Players in
1999 in celebration of
George Perleas 85th
birthday. The piece was
revised in 2009,
resulting in a version
that is a few minutes
shorter. The title of the
piece obliquely refers to
Perleas late piece
Critical Moments, and
also to an aspect of
Perleas system of 12-tone
tonality, which
distinguishes between odd
and even harmonies. The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. A A A The
score is in C.
Accidentals apply only
within the measure, and
cautionary accidentals
have been added, as
needed. A A. Odd
Moments was written for
the Da Capo Chamber
Players in 1999 in
celebration of George
Perle's 85th birthday.
The piece was revised in
2009, resulting in a
version that is a few
minutes shorter. The
title of the piece
obliquely refers to
Perle's late piece
Critical Moments, and
also to an aspect of
Perle's system of 12-tone
tonality, which
distinguishes between odd
and even harmonies. The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. The score
is in C. Accidentals
apply only within the
measure, and cautionary
accidentals have been
added, as needed. Odd
Moments was written for
the Da Capo Chamber
Players in 1999 in
celebration of George
Perle’s 85th
birthday. The piece was
revised in 2009,
resulting in a version
that is a few minutes
shorter. The title of the
piece obliquely refers to
Perle’s late piece
Critical Moments, and
also to an aspect of
Perle’s system of
12-tone tonality, which
distinguishes between odd
and even harmonies.The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. Â Â
 The score is in C.
Accidentals apply only
within the measure, and
cautionary accidentals
have been added, as
needed. Â Â .
Violin and piano SKU: LM.P03092 Composed by Henri Classens. Classical. Sc...(+)
Violin and piano
SKU:
LM.P03092
Composed by
Henri Classens.
Classical. Score.
Editions Combre #P03092.
Published by Editions
Combre (LM.P03092).
GLUCK Christoph
Willibald : Ballet -
CZERNY Carl : Dolce -
BURGMULLER Friedrich :
Pastorale - CORELLI
Arcangelo : Sarabande -
KOZELUCH Leopold :
Romance - CZERNY Carl :
Melodie - WEBER Carl
Maria von : Theme -
CAMPRA Andre : Air des
Sarrasins - LALANDE
Michel-Richard de :
Rigaudon - GURLITT
Cornlius : Le refrain des
Vendangeurs - LECLAIR
Jean-Marie : Sarabande -
KIMBERGER Johann Philipp
: Gavotte - SOMIS
Giovanni Battista : Largo
- ARNE Thomas : Gavotte -
MOZART Wolfgang Amadeus :
Passe-pied - CZERNY Carl
: Divertissement -
SENALLIE Jean-Baptiste :
Gavotte - MOZART Wolfgang
Amadeus : Larghetto -
FIOCCO Joseph-Hector :
Menuet - GLUCK Christoph
Willibald : Marche
religieuse - RAMEAU
Jean-Philippe :
Menuet.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Clarinet, violin and piano (Chamber Ensemble) - difficult SKU: HL.49019079(+)
Clarinet, violin and
piano (Chamber Ensemble)
- difficult
SKU:
HL.49019079
(in
memoriam Laszlo
Polgar). Composed by
Detlev Mueller-Siemens.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2010. 36 pages.
Duration 12'. Schott
Music #ED21208. Published
by Schott Music
(HL.49019079).
ISBN
9790001178686. UPC:
884088907358.
9.0x12.0x0.103
inches.
'Privacy'
means separation. The
title of the trio for
clarinet, violin and
piano thus describes the
character of the piece.
The piano weaves sound
tapestries of deep and
long, yet fully fingered
chords which increase
their tempo in the course
of the piece. In contrast
to that, the melody of
the violin is for the
most part played in a
very high register. It is
the clarinet that fills
the space between these
extremes by means of
trembling trills, always
following the rhythm of
the violin and answering
to the latter like an
echo.
Music by John Williams. For violin solo and piano accompaniment. Includes instru...(+)
Music by John Williams.
For violin solo and piano
accompaniment. Includes
instrumental solo book
and accompaniment CD.
With solo part, standard
notation, bowings, piano
accompaniment and black
and white photos. Movies.
66 pages. 9x12 inches.
Published by Alfred
Publishing.
Violin, piano - Grades 1-3 SKU: A3.9781854721273 Grades 1-3. Compo...(+)
Violin, piano - Grades
1-3
SKU:
A3.9781854721273
Grades 1-3.
Composed by Various.
ABRSM Publications. Sheet
Music. 60 pages. ABRSM
(Associated Board of the
Royal Schools of Music)
#9781854721273. Published
by ABRSM (Associated
Board of the Royal
Schools of Music)
(A3.9781854721273).
ISBN 9781854721273. 9
x 12
inches.
Contains
characterful and
approachable compositions
for cello and piano, and
presents pieces in a
variety of styles and
moods.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Violin, piano SKU: FG.55011-546-0 Sonata in C minor for violin and pia...(+)
Violin, piano
SKU:
FG.55011-546-0
Sonata in C minor for
violin and piano.
Composed by Uuno Klami.
Fennica Gehrman
#55011-546-0. Published
by Fennica Gehrman
(FG.55011-546-0).
ISBN
9790550115460.
Uuno
Klami probably began
composing the Sonata in C
Minor for Violin and
Piano as early as May
1920. He completed two
movements but only
sketched the finale. The
reason why he never
finished it may be that
he began composing a
Viola Sonata at around
the same time. In 2016,
composer Eero Kesti was
editing Klami's Viola
Sonata when ne noticed
that the main section,
Allegro affetta, in its
finale is fully based on
the sketches for the
finale of the Violin
Sonata. He concluded that
the finales of the two
works were presumably
meant to be very similar,
even though they were in
different keys. He
therefore constructed the
last movement of the
Violin Sonata, basing it
entirely on the last
movement of the Viola
Sonata. This, we believe,
is what Klami originally
intended.
Transcriptions and Arrangements for Violin and Piano. By A. Scriabin; Edouard La...(+)
Transcriptions and
Arrangements for Violin
and Piano. By A.
Scriabin; Edouard Lalo;
Federico Mompou; Giuseppe
Tartini; Jean Philippe
Rameau; Johann Sebastian
Bach; Manuel De Falla;
Philip Heseltine; Sigurd
Lie. Arranged by Joseph
Szigeti. For Violin Solo,
Piano. Solo part with
piano reduction. 62
pages. Published by Carl
Fischer.
Starke Duos 2 Violon et Piano - Facile Holzschuh Musikverlag
Violin and piano SKU: M7.VHR-3437 21 Character Pieces - easy to modera...(+)
Violin and piano
SKU:
M7.VHR-3437
21
Character Pieces - easy
to moderately difficult
for both instruments.
Composed by Karin Gross.
Sheet music. 48 pages.
Holzschuh Musikverlag
#VHR 3437. Published by
Holzschuh Musikverlag
(M7.VHR-3437).
ISBN
9783864341120.
21
imaginative duos tell of
evenings by the fireside
and brilliant autumnal
colours, of crooks, wild
chickens and
long-forgotten times The
book is meant to be for
both violin and piano
pupils alike who enjoy
making music together.
The pieces are,
therefore, similar in
their level of difficulty
for both instruments. 1st
position. Inside the book
you can find the part for
violin (20 pages).
Arranged by Paul de Keyser. For Violin and Piano. Book; Method/Instruction; Stri...(+)
Arranged by Paul de
Keyser. For Violin and
Piano. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Published by
Faber Music
Violin and Piano SKU: AY.VLP3174PM Composed by Carles M. Eroles. Strings ...(+)
Violin and Piano
SKU:
AY.VLP3174PM
Composed
by Carles M. Eroles.
Strings - Violin. Score &
Parts. Duration 9'.
Periferia Publishing
#VLP3174PM. Published by
Periferia Publishing
(AY.VLP3174PM).
ISBN
9790543572980.
The
material introduced by
the piano of the
beginning a solo is the
one that serves of
vertebral axis of the
work, that has nearly the
form of a rondo. This
introduction is based on
isolated, naked notes,
with a constant rythm of
the eighths that create a
big intervalic space
between them. Later on,
that will be used as a
support to an espressive
melody of the violin,
that will take this
material and will expose
it in pizzicato. In this
way will be used as
accompaniment to a very
suggestive and lyric
fragment of the piano
that covers nearly all
the registers of the
instrument. This will
lead to a second section
of the work, of a very
rythmic and intense
character of both
instruments. The third
section, the most
expressive of the work,
it's iniciated with some
chords of the piano that
little by litlle
dissapear and remembers
the introduction. Here,
the violin develops a
melody of big lirism,
supported by the piano
witht he material of the
introduction, but this
time there are non
isolated notes but full
chords that disintegrate
again at the end, taking
up again the idea of a
fragment of the first
section of the piece by
means of the piano. Far
from free instrumental
effects, the work looks
mainly for a direct
communication with the
listener.
Violin and piano SKU: M7.KECF-153 (Twinkle, twinkle little star). ...(+)
Violin and piano
SKU:
M7.KECF-153
(Twinkle, twinkle
little star).
Composed by Nicolas
Dezede. Arranged by
Hans-Martin Schwindt.
This edition: Saddle
stitching. Sheet music.
18 pages. MDS (Music
Distribution Services)
#KECF 153. Published by
MDS (Music Distribution
Services) (M7.KECF-153).
ISBN 9790502361532.
German
English.
This
edition has been
stimulated by the famous
themeTwinkle, twinkle
Little star and
variations of the Suzuki
School. While These were
meant for beginners, the
characteristic pieces of
this Edition have been
arrannged for advanced
students.
