Arranged by Andrew Moore. For Violin. Violin. Classic. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

Arranged by Andrew Moore. For Violin. Solos. Kevin Mayhew Ltd. Classic. Level: Intermediate. Book. Size 9x12. 48 pages. Published by Kevin Mayhew Ltd.

By Ludwig van Beethoven (1770-1827). Arranged by Andrew Moore. For violin and piano. Grade 5-7. Book. Published by Kevin Mayhew Publishers

Arranged by Andrew Moore. For Violin. Violin. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

Violin and Piano

SKU: AP.36-60710009

From Preludes, Book 2. Arranged by Claude Debussy and ed./arr. Lucien Garban. Violin. Master String Series. Book. LudwigMasters Publications #36-60710009. Published by LudwigMasters Publications (AP.36-60710009).

ISBN 9798888521786. UPC: 676737764432. English.

Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four Préludes for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April 1913, in two sets, with twelve preludes to each volume. Jane Mortier delivered the premiere of the first volume on May 3, 1911, at the Salle Pleyel in Paris. Walter Morse Rummel gave the first complete performance of the second volume on June 12, 1913, at the Aeolian Hall in London. Prelude No. 5 from Book 2, subtitled Bruyéres, bears similarity to another of his works for piano, La Fille aux cheveux de lin (The Girl with the Flaxen Hair). The pianist Marguerite Long, a friend of the composer, suggested that it sounded reminiscent of the mingling scent of sea mist and pines. French composer and arranger Lucien Garban completed this transcription of No. 5 from Book 2 (Bruyères) for violin and piano in 1926. Reprint edition.

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Violin and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Music. Softcover. 20 pages. Boosey & Hawkes #M060132988. Published by Boosey & Hawkes

Violin & piano

SKU: HH.HH423-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and parts. Duration 20 Minutes. Edition HH Music Publishers #HH423-FSP. Published by Edition HH Music Publishers (HH.HH423-FSP).

ISBN 9790708146247.

Eber l's Sonata in D major, Op. 20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's 'Immortal Beloved', and to whom that composer dedicated his Piano Sonata in A major, Op. 101. Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op. 20 shares much of the musical ambition and quality of Beethoven's works in this genre. 1803 saw the publication of Eberl's Op. 20, and Beethoven's set of three sonatas with violin, Op. 30, all produced by the Bureau des Arts et d'Industrie firm in Vienna. Beethoven's set were advertised for sale in the Wiener Zeitung in May 1803, days after the premiere of his Op. 47 sonata with violin (given by George Bridgetower and Beethoven, but later dedicated to Rudolphe Kreutzer). Eberl's Op. 20 was advertised in the Wiener Zeitung six weeks later, in July 1803.

For Violin and Piano Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.978474

Arranged by Endre Granat. LKM Music. Classical, General Worship, Sacred. Softcover. Lauren Keiser Music Publishing #S511046. Published by Lauren Keiser Music Publishing (HL.978474).

ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches.

This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century.

Violin and Piano

SKU: AP.36-60710002

Composed by Claude Debussy. Arranged by Alexandre Roelens. Solo; Violin. Master String Series. Book. LudwigMasters Publications #36-60710002. Published by LudwigMasters Publications (AP.36-60710002).

ISBN 9798888521823. UPC: 676737572853. English.

Claude Debussy (1862-1918) composed Valse Romantique (F minor; CD 79/L.71) in 1890 for solo piano, during a period when he was short piano works in traditional genres, seeking his own style. Unlike the impressionism for which he later became known, this waltz is written in a late romantic style. Not particularly difficult, it is ideal for teaching or for a recital. This transcription for violin or flute and piano was created in 1924 by Alexandre Roelens. Reprint edition.

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Violin and Piano

SKU: AP.36-60710001

For Violin and Piano. Composed by Percy Aldridge Grainger. Arranged by Fritz Kreisler. Solo; Violin. Master String Series. Book. LudwigMasters Publications #36-60710001. Published by LudwigMasters Publications (AP.36-60710001).

ISBN 9798888521878. UPC: 676737670276. English.

Percy Grainger's (1882-1961) love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that he grouped into a series called British Folk-Music Settings, including Molly on the Shore, Irish Reel from British Folk Music Settings, No. 1. Grainger produced at least six versions of this folk tune arrangement of two contrasting Irish Reels (Temple Hill and Molly on the Shore, from The Complete Petrie Collection of Ancient Irish Music), starting with the original 1907 version for string quartet or string orchestra. That same year, Grainger also produced a version for violin solo and piano, which is also available from the publisher. This wholly unique version was freely arranged for violin and piano by famous early 20th century violinist Fritz Kreisler, offering players already familiar with Grainger's original rendition an opportunity to approach the music in a different way. Reprint edition.

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Violin, Piano - Grade 3

SKU: AP.36-52710008

For Violin and Piano. Composed by Elfrida Andree. Arranged by Lynne Latham. Solo; Solo Small Ensembles; String - Violin Solo and Piano. Ludwig Masters. Book. Latham Music Enterprises #36-52710008. Published by Latham Music Enterprises (AP.36-52710008).

ISBN 9781682967195. UPC: 660355061141. English.

Reminiscen t of Mendelssohn's Song Without Words, but with an expanded harmonic language. Piano part for No. 2 is advanced.

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Violin, Piano - Grade 3.5

SKU: AP.36-52710007

For Violin and Piano. Composed by Laura Netzel. Arranged by Lynne Latham. Solo; Solo Small Ensembles; String - Violin Solo and Piano. Ludwig Masters. Book. Latham Music Enterprises #36-52710007. Published by Latham Music Enterprises (AP.36-52710007).

ISBN 9781682965597. UPC: 660355173103. English.

This is an exciting venture into chromatic fingerings and 1st - 4th position for the advanced-intermediate player in the key of A minor. The piano part is quite reasonable.

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Music by John Williams. For violin solo and piano accompaniment. Includes instrumental solo book and accompaniment CD. With solo part, standard notation, bowings, piano accompaniment and black and white photos. Movies. 66 pages. 9x12 inches. Published by Alfred Publishing.

Violin, piano

SKU: FG.55011-500-2

Composed by Paavo Heininen. Fennica Gehrman #55011-500-2. Published by Fennica Gehrman (FG.55011-500-2).

ISBN 9790550115002.

Even though I was and remain a proponent of absolute music, the things that we see and experience inevitably colour and energise our thought processes. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) turned his impressions of Boston into violin sonatas op. 134 (2016). All the three sonatas - Boston Sonata, Boston Variations and Boston Ballade - were premiered in one concert in Helsinki celebrating the composer's 80th birthday in May 2018 by Kaija Saarikettu (violin) and Juhani Lagerspetz (piano).

For Violin and Piano. Composed by Nico Muhly. Music Sales America. Classical. Softcover. Music Sales #SRO100133. Published by Music Sales (HL.14048062).

Chamber Music violin, piano

SKU: PR.114417650

For violin And Piano. Composed by Carter Pann. Sws. Contemporary. Set of Score and Parts. With Standard notation. Composed 1996. 8+2 pages. Duration 9 minutes. Theodore Presser Company #114-41765. Published by Theodore Presser Company (PR.114417650).

ISBN 9781491107959. UPC: 680160636204. 9x12 inches.

Composed in the mold of Satie's Gymnopedies, Carter Pann's TWO ROMANCES for Violin and Piano transport us exquisitely into a dream world of gentle impressionism and lilting dance. The two movements may be performed individually or as a pair. Pann's orchestral version of these romances is recorded on Naxos under the title Deux Sejours. For advanced performers.

Violin and Piano

SKU: AP.36-60710008

For Violin and Piano. Composed by Ralph Vaughan Williams/ Inspired by a poem of George Meredith. Violin. Master String Series. Book. LudwigMasters Publications #36-60710008. Published by LudwigMasters Publications (AP.36-60710008).

ISBN 9798888522028. UPC: 676737624248. English.

Ralph Vaughan Williams, ever fond of poetry, found creative impetus for his beautiful romance The Lark Ascending, IRV 39, in an 1881 poem by George Meredith. Marie Pauline Hall, to whom the work was dedicated, gave the first performance of the original violin and piano version, here presented in a Masters reprint edition, at Shirehampton Public Hall on December 15, 1920, beside pianist Geoffrey Mendham. After World War I, the composer expanded the work for soloist and full orchestra. This has become the version most familiar to listeners. The violin, lifting its silvery tones above the stage, captures the soaring nature of Meredith's couplet: Till lost on his aerial rings/In light, and then the fancy sings. Reprint edition.

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Violin, piano

SKU: FG.55011-501-9

Composed by Paavo Heininen. Fennica Gehrman #55011-501-9. Published by Fennica Gehrman (FG.55011-501-9).

ISBN 9790550115019.

Even though I was and remain a proponent of absolute music, the things that we see and experience inevitably colour and energise our thought processes. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) turned his impressions of Boston into violin sonatas op. 134 (2016). All the three sonatas - Boston Sonata, Boston Variations and Boston Ballade - were premiered in one concert in Helsinki celebrating the composer's 80th birthday in May 2018 by Kaija Saarikettu (violin) and Juhani Lagerspetz (piano).

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.