Violin and Piano with Online Accompaniments. Composed by Alain Boublil and Cla...(+)
Violin and Piano with
Online
Accompaniments. Composed
by
Alain Boublil and Claude-
Michel Schonberg. For
Classical Players.
Broadway,
Movies, Musicals.
Softcover
Audio Online. 56 pages.
Published by Hal Leonard
Violin and piano - Level 3 SKU: LM.27639 Composed by Michel Leclerc and O...(+)
Violin and piano - Level
3
SKU: LM.27639
Composed by Michel
Leclerc and Olivier
Leclerc. Michel Leclerc.
Pop, jazz. Score and CD.
Editions Henry Lemoine
#27639. Published by
Editions Henry Lemoine
(LM.27639).
ISBN
9790230976398.
RENA
UD : Mistral gagnant -
Manhattan Kaboul -
HALLYDAY Johnny : Retiens
la nuit - Que je t'aime -
CLERC Julien : Femmes je
vous aime - Fais-moi une
place - CABREL Francis :
Il faudra leur dire -
Hors-saison.
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
Violin and piano SKU: LM.26849 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26849
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26849. Published by
Editions Henry Lemoine
(LM.26849).
ISBN
9790230968492.
With
Gab - Care-Free - Two
Stomp for you - Walkin'in
a Louisiana street - As
she like it - So goes the
life - Robert's tune - Hi
chazz - Eastern nostalgia
- Around it - Goodbye
Take - Whistling in the
street - Leave me here -
One Note for you - For
Chris and Michel.
Violin and Piano - Grade 2 SKU: HL.14001803 Irish Air for Violin. ...(+)
Violin and Piano - Grade
2
SKU: HL.14001803
Irish Air for
Violin. Arranged by
Michele Esposito. Music
Sales America. Folk
British Isles. Book
[Softcover]. Composed
2005. 10 pages. Music
Sales #OMB92. Published
by Music Sales
(HL.14001803).
ISBN
9781846095443.
8.5x11.75x0.056 inches.
English.
An
Chuilfhionn or The Coolin
is a wonderful Irish Air.
A traditional,
recognisable and popular
Irish melody arranged for
Violin with Piano
accompaniment by Michele
Esposito.
Violin and Piano SKU: HL.14011290 Composed by Michael Rose. Music Sales A...(+)
Violin and Piano
SKU:
HL.14011290
Composed
by Michael Rose. Music
Sales America. Exam
Material. Book
[Softcover]. Music Sales
#NOV192032. Published by
Music Sales
(HL.14011290).
ISBN
9780853604495. 8.25x11.75
inches.
The
Fiddler’s Ten
gradually introduces new
elements to the student
– new finger and
key patterns, new bowing
considerations, new
rhythmic patterns. All
pieces are playable in
first position, though
use of other positions
may be employed to
enhance performance. This
is an invaluable teaching
tool and guaranteed to
provide interest for the
pupil.Michael Rose is a
British composer,
conductor and educator
who was formerly Music
Advisor for Bedfordshire
and brings creativity,
energy and decades of
teaching wisdom to his
publications for music
students.
Violin and piano SKU: LM.26850 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26850
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26850. Published by
Editions Henry Lemoine
(LM.26850).
ISBN
9790230968508.
In
the Emilie's Eyes - For a
blue note - You miss her
- Ballad for Jodie - I
prefer the Blue - To sing
for heaven - He would
like that - Michel lives
in USA - Romantic tune -
The End for Eddy - I'll
be in the show -
Ongobongo's star - Ernie
is coming back -
Modernesk - Just for
Babe.
(Violin and Piano Reduction With Marked and Unmarked Violin Parts Score and Part...(+)
(Violin and Piano
Reduction With Marked and
Unmarked Violin Parts
Score and Parts). By
Alban Berg (1885-1935).
Edited by Michael Kube.
For violin and piano
reduction. This edition:
Urtext edition. Henle
Music Folios. Solo part
and piano score,
paperbound. 124 pages
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
Edition of selected
works,
Urtext edition. Linen.
Saint-
Saens, Camille. OEuvres
instrumentales completes
III/4. Edition of
selected
works, Performance score,
anthology. Baerenreiter
Verlag
#BA10304-01. Published by
Baerenreiter Verlag
Violin and piano SKU: LM.P03073 Composed by Henri Classens. Classical. Sc...(+)
Violin and piano
SKU:
LM.P03073
Composed by
Henri Classens.
Classical. Score.
Editions Combre #P03073.
Published by Editions
Combre (LM.P03073).
ISBN
9790230330732.
DIAB
ELLI Anton : Petite piece
en Do maj. - LATOUR Jean
Theodore : Theme en Sol
maj. - GLUCK Christoph
Willibald :
Divertissement en Sol
maj. - GRETRY
Andre-Modeste : Ariette
en Sol maj. - ARNE Thomas
: Menuet en Sol maj. -
GURLITT Cornlius :
Berceuse en Do maj. -
CZERNY Carl : Amusement
en Re maj. - PURCELL
Henry : Menuet en Sol
maj. - BRAHMS Johannes :
L'homme au sable en Sol
maj. - SCHUMANN Robert :
Petite romance en La min.
- KUHNAU Johann : Menuet
en Sol maj. - GOUNOD
Charles : Chanson du soir
en Do maj. - SCHUMANN
Robert : L'Etranger en
Sol maj. - HAENDEL Georg
Friedrich : Menuet en Fa
maj. - HEROLD Ferdinand :
Romance en Sol maj. -
DIABELLI Anton : Andante
en Fa maj. - DUVAL
Francois : Sarabande en
Re maj. - PINOLET de
MONTECLAIR Michel :
Menuet en Re maj. - DUVAL
Francois : Sarabande en
Sol maj. - SCHUMANN
Robert : Marche militaire
en Sol maj. - MION
Charles-Louis : Air en Si
min. - PINOLET de
MONTECLAIR Michel :
Entree des masques en La
maj. - PINOLET de
MONTECLAIR Michel :
Musette en Do maj. -
CZERNY Carl : Sur I'Onde
en Do maj. - PINOLET de
MONTECLAIR Michel : Les
chasseurs en Re maj.
Les petits moulins a vent. Composed by Francois Couperin (1668-1733). Edi...(+)
Les petits moulins a
vent. Composed by
Francois Couperin
(1668-1733). Edited by
Michael Press. String
music. Score and part.
Published by Noten Roehr
(NR.80532).
Walzer, Landler, Polka for Violin and Piano. Composed by Joseph Lanner (1...(+)
Walzer, Landler, Polka
for Violin and Piano.
Composed by Joseph Lanner
(1801-1843). Arranged by
Michael Publig. String
music. 47 + 19 pages
pages. Published by
Doblinger Music
Publishers (DB.03-00321).
Five Pulses Frivolous Violon et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Violin, Piano - Grade 3 SKU: FL.FX071574 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071574
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071574.
Published by FLEX
Editions (FL.FX071574).
The purpose of
this composition is to
familiarize yourself with
the unusual 5/4 metric,
often associated to the
famous jazz standard by
Paul Desmond, Take Five.
Rhythms and articulation
are varied but without
major difficulty. This
iece is dedicated to the
saxophonist Michel
Itier.
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Brahms – Dietrich – Schumann Violin and Piano. Composed by Albert Dietri...(+)
Brahms – Dietrich –
Schumann
Violin and Piano.
Composed by
Albert Dietrich, Johannes
Brahms, and Robert
Schumann.
Edited by Michael Struck.
Henle Music Folios.
Classical.
Softcover. 96 pages. G.
Henle
#HN1572. Published by G.
Henle
Violin and Piano. Composed by Johannes Brahms (1833-1897). Edited by Bernd W...(+)
Violin and Piano.
Composed by
Johannes Brahms
(1833-1897).
Edited by Bernd Wiechert,
Martin Helmchen, and
Michael
Struck. Henle Music
Folios.
Classical. Softcover. 202
pages. G. Henle #HN1566.
Published by G. Henle
Violin, piano SKU: FG.55011-612-2 Composed by Uuno Klami. Fennica Gehrman...(+)
Violin, piano
SKU:
FG.55011-612-2
Composed by Uuno Klami.
Fennica Gehrman
#55011-612-2. Published
by Fennica Gehrman
(FG.55011-612-2).
ISBN
9790550116122.
Uuno
Klami (1900-1961) was an
acclaimed Finnish
orchestral composer whose
works in other genres
also deserve to be known.
Berceuse for violin and
piano is composer's own
arrangement of the second
movement of his Symphonie
enfantine op. 7. Laulema
(A Little Song) for
violin and piano was an
aphoristic birthday
greeting to a friend in
1952. Read more:
https://fennica.digital/k
lami/klamichamber.pdf.
