Violin and piano

SKU: HG.GH-11712

13 mittelschwere Swingstucke. Composed by Joachim Johow. Klavierauszug mit CD. Hug Musikverlage #GH 11712. Published by Hug Musikverlage (HG.GH-11712).

ISBN 9790202823774.

Welc he Geigerin, welcher Geiger hatte nicht Lust, neben der klassischen Violinliteratur einmal etwas Neues und Mitreissendes auszuprobieren? Der erfahrene Geiger, Musiker und Musikpadagoge Joachim Johow legt mit Swing & More eine abwechslungsreiche Sammlung von 13 swingenden Stucken vor, die es ermoglicht, auch mit der Geige Swing zu spielen. Violinheft mit 32 Seiten, Klavierbeilage 40 Seiten. Mit CD: - Bassstimme ad. lib. als PDF auf der CD - Demoversion und Play Along als zuverlassiger Ubungspartner fur Konzert, Klassenvorspiel oder eigene Hausmusik Die Charakterstucke in Joachim Johows 'Swing & More' fur Geige und Klavier tonen auf der CD noch differenzierter, als sie aufgeschrieben sind. Man sollte also gut zuhoren und sich anregen lassen. Schweizer Musikzeitung.

Violin and piano

SKU: HG.GH-11713

12 mittelschwere Latinstucke. Composed by Joachim Johow. Heft und CD. Hug Musikverlage #GH 11713. Published by Hug Musikverlage (HG.GH-11713).

ISBN 9790202825020.

Note nformat, Violinheft 28 Seiten, Klavierbeilage 36 Seiten, mit CD (Demoversion und Play Along) Wer traumt nicht von einem Urlaub zwischen blauen Lagunen und Sandstranden? Am besten noch mit einem Korb tropischer Fruchte daneben ... Zumindest musikalisch kommt man diesem Traum mit der Ausgabe Latin, Tropical & More sehr nahe. Die Ausgabe prasentiert 12 exotische Fruchte. Wie jede Frucht etwas anders schmeckt, so hat auch jedes Stuck seinen eigenen Charakter. Allesamt stehen sie in der Latin-Tradition. Die meisten Stucke stehen in der 1. bis 3. Lage, in wenigen Fallen in der 4. Lage, der Schwierigkeitsgrad ist mittelschwer (geeignet fur fortgeschrittene Schuler(innen) aus dem Unterstufe II- sowie Mittelstufenbereich (in Anlehnung an den VdM)). Die Stucke eignen sich fur verschiedene Anlasse, ob als Vorspielstucke, als Muggenzugabe oder einfach zum lustvollen Spiel zuhause..

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
Envoyer des commentaires

Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Violin, piano

SKU: FG.55011-635-1

Composed by Jean Sibelius. Fennica Gehrman #55011-635-1. Published by Fennica Gehrman (FG.55011-635-1).

ISBN 9790550116351.

In 1929 Sibelius sent some small pieces to the New York publisher Carl Fischer for
consideration. Included among these was the Suite for Violin and String Orchestra, to which
he had assigned the opus number 117.
The Suite for Violin and String Orchestra represents the culmination point in a series of
works written for violin and orchestra which started with the serenades op. 69 and continued
with the Six Humoresques opp. 87 & 89. Together these works bear witness to the
composer's deep insight into the instrumental possibilities of the violin. In these works, more
limited in formal scope than the Violin Concerto though they be, the voice of the solo violin
- Sibelius' second mother-tongue - unites with the orchestral writing of a mature and
experienced symphonist. The reduction and solo part are published together for the first time.
---.

Violin and Piano - early intermediate

SKU: BT.DHP-1043625-404

Composed by Alexei Janschinow. De Haske Study and Play. Educational Tool. Book with Part and Audio-Online. Composed 2021. 16 pages. De Haske Publications #DHP 1043625-404. Published by De Haske Publications (BT.DHP-1043625-404).

ISBN 9789043161763. 9x12 inches. English-German-French-Dut ch.

Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result.

The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire.

Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extra’s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.

St udy and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche Übungsroutine individuellergänze n. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren Übetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird.

Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires.

Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo d’é tude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusqu’ ce que vous ayez atteint le résultat souhaité.

Le titre de la pièce évoque le contexte d’unconcer t : l’interpr� �ƒÂ©tation d’une partie soliste avec accompagnement. On compte des milliers d’oeuvres similaires pour violon mais un grand nombre d’entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidéra bles. Concertino in Russian Style Opus 35 vous permet d’acquà ©rir l’expÃ� �©rience nécessaire l’interpr� �ƒÂ©tation de ce genre de pièces, c’est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien d’un accompagnateur lors de l’interpr� �ƒÂ©tation. Choisi avec soin, ce Concertino enrichira votre répertoire.

Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dell’accom pagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

(27 Recital Pieces from Baroque to Modern). By Various. Edited by Eric Wen. For violin and piano. Book. 48 pages. Published by Carl Fischer

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.

Loves Sorrow - W/ CD. By Fritz Kreisler. For Violin Solo, Piano. Carl Fischer CD Solo Series. Classical. Set of parts. 8 pages. Published by Carl Fischer.
Level: Intermediate Level.

Violin and Piano

SKU: BT.EMBZ2524

Composed by Bela Bartok. EMB Music of Bela Bartok. Exam Material. Book Only. Composed 1957. 6 pages. Editio Musica Budapest #EMBZ2524. Published by Editio Musica Budapest (BT.EMBZ2524).

English-German-Hungari an.

An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók s favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing. Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches.

Piano; Violin - intermediate

SKU: HL.49019514

Violin and Piano. Composed by Joe Duddell. This edition: Saddle stitching. Sheet music. String. Classical, Contemporary. Softcover. Composed 2010. 24 pages. Duration 9'. Schott Music #ED13358. Published by Schott Music (HL.49019514).

ISBN 9790220132575. 9.0x12.0x0.111 inches.

“All Stars Aligned was originally to be a set of variations on a theme that is almost hidden in the opening bars. However, the piece took on much more of a fantasia feel and shape as I wrote it and it could be argued that a second theme first heard in the violin of the ground (derived from material in bar 5) becomes more dominant than the first as the piece progresses. The piece is in one continuous movement but is in three distinct sections and tempi: medium, slow and fast. The material shares some similarities with my piano trio, Nightswimming, and in some ways can be seen as a companion piece (minus the cello of course). The title comes from a track on an album by the artist St. Vincent called Marry Me which I hope is appropriate for a piece commissioned to celebrate a wedding anniversary.” Joe Duddell 2010.

Violin, piano

SKU: FG.55011-615-3

Composed by Kalevi Aho. Solo part & piano reduction. Fennica Gehrman #55011-615-3. Published by Fennica Gehrman (FG.55011-615-3).

ISBN 9790550116153.

Kale vi Aho (b. 1949) composed Violin concerto No. 2 in late summer and early autumn 2015 for the Finnish violinist Elina Vahala. Lasting about 32 minutes, the second concerto is a large-scale virtuoso work dominated by the soloist. The strong-featured first movement (Allegro) begins with a fairly short orchestral introduction that is followed by the soloist's first vigorous statement. Around the middle of the movement is a cadenza, and the movement ends with a quick stretta. The soloist dominates the events in the slow second movement (Adagio) even more than it did in the first. The Adagio begins with the same opening motif for the soloist as the first movement, but this time the motif is more lyrical and singing. Having built up to a dramatic climax, it subsides on flageolet notes and finally sounds that are somewhere between musical notes and noise. The third movement (Vivace, leggiero) is by nature dance-like again and lighter than the previous ones. At the end, the tempo accelerates to a wild, virtuosic prestissimo. Piano reduction (2020) by Kari Vehmanen.

Composed by Traditional. Arranged by Hidan Mamudov. For violin, piano. World Music. Score, parts and CD. 34 pages. Published by Universal Edition

Piano Accompaniment; Violin - intermediate to advanced

SKU: HL.49017078

For Violin & Piano. Composed by Johanna Senfter. Edited by Wolfgang Birtel. Arranged by Friedemann Eichhorn. This edition: Saddle stitching. Sheet music. String. Classical. Op. 26. 64 pages. Duration 16'. Schott Music #VLB116. Published by Schott Music (HL.49017078).

ISBN 9790001145251. UPC: 884088351410. 9.0x12.0x0.228 inches. Ed. Wolfgang Birtel fing./bowings by Friedemann Eichhorn.

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the public is now taking more and more interest in her works. The present Sonata in A major bears even Brahmsian traits and consists of four movements: moderately fast - slow - leisurely - lively.

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Piano Accompaniment; Violin

SKU: HL.50513343

Composed by E. Rubbra. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL0855. Published by Alfred Lengnick & Co (HL.50513343).

The Concerto for Violin and Orchestra Op.103 was written in 1958 and is yet another superb orchestral work by Edmund Rubbra. Typically, this is a work that calls more on musicality than on virtuosity, although Rubbra knew the violin well for having long partnered his wife and for having long played in a trio with William Pleeth. Rubbra's familiarity with the instrument certainly helped him avoiding technical 'tricks' and concentrating his creative energies more on an inward-looking solo part than an outward-dashing virtuosic one!

This is an arrangement for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.

Violin and Piano

SKU: BT.AL-0855

Composed by Edmund Rubbra. Book Only. 62 pages. Alfred Lengnick & Co #AL 0855. Published by Alfred Lengnick & Co (BT.AL-0855).

English.

The Concerto for Violin and Orchestra Op.103 was written in 1958 and is yet another superb orchestral work by Edmund Rubbra. Typically, this is a work that calls more on musicality than on virtuosity, although Rubbra knewthe violin well for having long partnered his wife and for having long played in a trio with William Pleeth. Rubbra's familiarity with the instrument certainly helped him avoiding technical ‘tricks’ and concentrating his creativeenergies more on an inward-looking solo part than an outward-dashing virtuosic one!

This is an arrangement for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.

Violin and Piano

SKU: HL.14030977

Composed by Bent Sorensen. Music Sales America. Classical. Book [Softcover]. Music Sales #KP00906. Published by Music Sales (HL.14030977).

ISBN 9788759862148.

Work for Violin and Piano dating from 1999. The composer writes: 'Sieben Sehnsuchte was written in 1999 for David Alberman and Rolf Hind. As the title suggests, it is in seven movements - each more insanely difficult and bothersome than the other. All sorts of possible and impossible playing techniques have been used, and the performers have to both whistle and sing. However, it is not the intention that the slightly more unusual sound should be heard as effects. Everything is supposed to fuse together into something that is in itself a little opera - a 'chamber piece'. It was written in a period when I was waiting impatiently for the libretto for Under the Sky, and I see it as a meeting (or seven meetings) between two people - two instruments - longing for each other; longing to merge together. The piece is a kind of sister work to Roses are Falling.'.

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Composed by Andrii Didorenko. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42371. Published by Theodore Presser Company

Violin and Piano - early intermediate

SKU: BT.DHP-1115233-400

By Nico Dezaire. By Ferdinand Kuchler. De Haske Study and Play. Book with CD. Composed 2011. 24 pages. De Haske Publications #DHP 1115233-400. Published by De Haske Publications (BT.DHP-1115233-400).

ISBN 9789043136204. 9x12 inches. English-German-French-Dut ch.

The Concertino op. 12 by the German violinist, composer and violin educator Ferdinand Küchler (1867-1937) is a three-movement work that is ideal for the development of playing in first and third position. The first movement is both powerful and playful in character, and its themes that follow on from each other rapidly, producing a concise sonata form. The second movement has been written in a three-part song form (A-B-A). The A section has a cantabile atmosphere, whereas section B is more dramatic. The third movement is a rondo (with a refrain and episodes). The refrain is joyful in spirit, and the episodes present variation.

Het Concertino op. 12 van Ferdinand Küchler (1867-1937) is een driedelig werk. Voor de leerling is dit het ideale werk om aan de eerste en derde positie te werken. Het eerste deel is krachtig en speels tegelijk. Het tweededeel is in de vorm van een driedelige lied geschreven (A-B-A). Het derde deel is een rondo.

Das Concertino op. 12 von Ferdinand Küchler (1867-1937) ist ein dreisätziges Werk, mit dem Schüler ausgezeichnet an ihrem Spiel in der ersten und dritten Lage arbeiten können. Der erste Satz ist kraftvoll und verspielt zugleich; der zweite Satz wurde in der Form eines dreistimmigen Liedes geschrieben (A-B-A). Der dritte Satz ist ein Rondo.

Le Concertino opus 12 de Ferdinand Küchler (1867-1937) est un Å?uvre en trois mouvements, destinées aux élèves maîtrisant le jeu en première et troisième position. Le premier mouvement est puissant et ludique, le deuxième a été écrit sous la forme d'une mélodie en trois parties (ABA). Le troisième mouvement est un rondo.

Il Concertino op. 12 di Ferdinand Küchler (1867-1937) è un brano in tre movimenti, ideale per praticare la prima e terza posizione. Il primo movimento è al contempo potente e gioioso, il secondo in forma di un canto a voci (A-B-A), mentre il terzo movimento è un rondò.

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 24. Baerenreiter Verlag #BA10937. Published by Baerenreiter Verlag

Composed by Aleksey Igudesman. Solo part with piano reduction. With Standard notation. 24 pages. Universal Edition #UE36755. Published by Universal Edition

Violin and piano

SKU: FG.042-08516-5

Composed by Jean Sibelius. Published by Fennica Gehrman (FG.042-08516-5).

ISBN 979-0-042-08516-5.

The F major sonata is the last and the most developed of all the works Sibelius wrote during his youth for his own instrument, the violin. It was completed in the summer of 1889 in Loviisa and premiered there the same year at a charity gala. During his youth Sibelius looked to the music of Grieg, which is clearly to be heard in this work - not only in the melodies or harmonies but also in the formal structure, which is more romantically oriented than that of many early works from Sibelius's youth, which are more closely tied to the classical tradition. In the andante Sibelius introduces aspects of folk music for the first time, thereby anticipating the Finnish stamp of many of his pieces from the 1890's.

Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Oppermann. Henle Music Folios. Classical. Softcover. G. Henle #HN1056. Published by G. Henle

Composed by Various. Music Sales America. Opera, Classical. 52 pages. Novello and Co Ltd. #NOV12069603. Published by Novello and Co Ltd.