25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony #9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. A treasure trove for auditions at schools and music schools. / Violon Et Piano

La série de Concerto Classics donne aux étudiants intermédiaires l'occasion d'explorer certains des concertos plus importants et influents dans le répertoire de leur instrument. Cette édition pour violon inclut des concertos de Mozart, Mendelssohn et Bruch. Chaque pi / Violon Et Piano

A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo part for the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer. / Violon

With Piano Accompaniment. The Easy Classics books were written to provide beginning to intermediate violinists with an enjoyable introduction to some of the greatest classical melodies. This book features 16 solos and duets in keys suitable for the Violin with Piano accompaniment. Some of the popular titles include: Ode to Joy by Beethoven, Sleeping Beauty Waltz by Tchaikovsky, Eine kleine Nachtmusik by Mozart and more. A solo part is provided with Piano accompaniment as a PDF download online. / Niveau : Facile / Recueil / Violon et Piano

11 Pieces by Bach, Gluck, Handel, Mozart, Beethoven, Tartini, Field and Hummel / Violon Et Piano

Par COHEN MARY. An assortment of 19 pieces to pick and mix - from easy classics to great new pieces, this collection covers it all! All Sorts is designed to fit the technique and capabilities of the young player, with easy-to-play piano accompaniments for the teacher. Also available for violin: **Trinity College London selected pieces (Violin 2010-2012): Pineapple, Pineapple, Mango (Cohen) Lullaby (Brahms) Nobody Knows the Trouble (Trad.) / Instrumental Music / Recueil / Violon et Piano

Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015). Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano

Les dix sonates pour piano et violon de Beethoven, ainsi que celles de Mozart, constituent le c'ur de ce genre de musique classique. Suivant l'exemple des dernières sonates de Mozart, Beethoven laisse la partie violon devenir de plus en plus indépendante de la partie piano. Non seulement l'édition critique de Clive Brown propose un texte méticuleusement édité, mais elle présente pour la première fois une liste de références et un rapport critique. De plus, Brown documente un grand nombre de passages où la notation soulève quelques questions, selon les normes actuelles. Ces passages avaient auparavant été négligés dans le manuscrit autographe, mais leur signification est maintenant clarifiée. Un exemple peut être trouvé dans le « Tempo di Minuetto » de Beethoven, extrait de la Sonat op. 30 n ° 3, où il utilise une idiosyncratie notationnelle basée sur le livre de son fils C.P.E. Bach « Versuch über die wahre Art das Clavier zu spielen », pour indiquer une pause. Ce symbole musical, figurant dans la première édition publiée du vivant de Beethoven, n'a été abordé dans aucune édition moderne à ce jour. De plus, une partition dénotant un accord arpégé ne peut pas non plus être retrouvée dans les éditions modernes précédentes.