By Juliette Marie Olga (Lili) Boulanger (1893-1918). For Violin and Piano. Strin...(+)
By Juliette Marie Olga
(Lili) Boulanger
(1893-1918). For Violin
and Piano. String -
Violin and Piano. Faber
Edition. Masterwork.
Published by Faber Music
Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Endre Granat. LKM ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Endre Granat.
LKM
Music. Ballet, Classical.
Softcover. 24 pages.
Lauren
Keiser Music Publishing
#S511035. Published by
Lauren Keiser Music
Publishing
Virtuoso and Entertaing Pieces for Violin and Piano. Composed by Various. Edit...(+)
Virtuoso and Entertaing
Pieces for Violin and
Piano.
Composed by Various.
Edited
by Wolfgang Birtel.
String.
Softcover. Schott Music
#ED23308. Published by
Schott Music
Romanza Violon et Piano Edward B. Marks Music Company
(Violin and Piano Reduction). Composed by William Bolcom. For Violin, Piano Acco...(+)
(Violin and Piano
Reduction). Composed by
William Bolcom. For
Violin, Piano
Accompaniment (Score and
Parts). E.B. Marks. 32
pages. Published by
Edward B. Marks Music
By Willy Van Dorsselaer. Edited by John Bowden. For Violin and Piano. Educationa...(+)
By Willy Van Dorsselaer.
Edited by John Bowden.
For Violin and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 24+12
pages. Duration 27
minutes. Published by
Digital Music Print
(Belgian import).
Zwei Sonatinen Violon et Piano EMB (Editio Musica Budapest)
Violin and Piano SKU: BT.EMBZ1868 Composed by Ferenc Farkas. Book Only. C...(+)
Violin and Piano
SKU:
BT.EMBZ1868
Composed
by Ferenc Farkas. Book
Only. Composed 1955. 48
pages. Editio Musica
Budapest #EMBZ1868.
Published by Editio
Musica Budapest
(BT.EMBZ1868).
Ferenc Farkas
(1905-2000) wrote his two
sonatinas in 1930-31 for
two outstanding
violinists of his
generation: György
Hannover, who died young,
and Ede Zathureczky, who
was to have a bright
career. The composer, who
was studying in Rome at
the master class of
Ottorino Respighi at that
time, fills the
easy-to-understand works
with neoclassical themes,
sometimes showing the
characteristics of
Hungarian folk music. At
the same time, he
provides performers with
the opportunity to
display their
expressiveness and
virtuosity.
Composed by Clara Wieck- Schumann. Arranged by Lauren Taylor. Collection - Sc...(+)
Composed by Clara Wieck-
Schumann. Arranged by
Lauren
Taylor. Collection -
Score and
Parts. 24+4 pages. Carl
Fischer Music #BF149.
Published by Carl Fischer
Music
Violin and Piano SKU: IS.VLP4190EM Composed by Flor Alpaerts. Strings - V...(+)
Violin and Piano
SKU:
IS.VLP4190EM
Composed
by Flor Alpaerts. Strings
- Violin. Metropolis
Music Publishers
#VLP4190EM. Published by
Metropolis Music
Publishers
(IS.VLP4190EM).
ISBN
9790365041909.
In
1901, Flor Alpaerts
finished his music
studies at the Flemish
School of Music of
Antwerp, which later
became the Royal Flemish
Conservatory. He studied
harmony and composition
with Jan Blockx. In 1903
he became professor at
this institute and from
1934 until 1941 its
director. For one season
(1922-1923) he was also
director of the Royal
Flemish Opera House of
Antwerp together with the
bass Arthur Steurbaut.
His fame, as a composer
and a conductor, came
shortly after World War
I, when he succeeded
Eduard Keurvels in 1919
as conductor of the
concerts organized by the
Royal Zoological Society
of Antwerp and as
artistic director of the
Peter Benoit Fonds. He
also conducted the choral
group Arti Vocali. As a
composer, Flor Alpaerts
was the leading figure in
the Flemish
impressionistic movement,
utilizing an
impressionism that came
closer to Richard Strauss
and Ottorino Respighi
than to Claude Debussy. A
highlight in this
direction was the
symphonic poem Pallieter
(1921-1924). With his
suite James Ensor,
inspired by four works of
the Ostend painter, he
created an
expressionistic work. In
his later compositions he
turned to
neo-classicism.
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. I...(+)
Violin and piano
(reduction)
SKU:
BO.B.3414
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 12:00. Published
by Editorial de Musica
Boileau (BO.B.3414).
English
comments: Concertino
for violin and string
orchestra was composed in
1993. It is a pleasant
score with a slightly
virtuosic touch written
with the idea of creating
a relaxed atmosphere in
which the soloist and the
orchestra can display
their technique and
expressive capabilities.
It is a work, similar in
lenght to baroque
concertos, and is divided
into three movements,
folowing the conventional
form.: two fast movements
around a slow one. Te
first two movements
-Allegro burlesco and
Adagio cantabile- follow
the ABA pattern. The
third starts with a
-cadenza- by the soloist
which includes thematic
material from the
previous slow movement
linking straight up to
the -Presto- which uses
as its main idea a more
forceful version of the
opening melodic sketch of
the -Allegro burlesco-
converted into three
time. The work was
specially creatied for
the violinist Gerard
Claret and the Orquestra
de Cambra Nacional
d'Andorra. Recordings:
Hermitage
Orchestra-Camerata St.
Petersburg, violin:
Sergey Malov, conductor:
Alexis Soriano. Ensayo
(ENY-2003). Jordi
Cervello
Comenta
rios del
Espanol: Concertino
para violin y orquesta de
cuerda es una obra
compuesta en 1993. Se
trata de una partitura
amable y de cierto toque
virtuosistico cuya
principal preocupacion ha
sido crear una atmosfera
distendida en la que el
solista y la orquesta
puedan desplegar con
espontaneidad sus
capacidades tecnicas y
expresivas. Es una obra
de duracion similar a la
de los conciertos del
barroco y dividida en sus
tres tipicos movimientos.
Dos rapidos enmarcando
uno lento. Los dos
primeros -Allegro
burlesco y Adagio
cantabile- se desarrollan
bajo el esquema ABA. El
tercero inicia con una
-cadenza- del solista que
recoge material tematico
del movimiento lento
precedente para enlazar
sin interrupcion con el
-Presto- que utiliza como
idea principal el dibujo
melodico que abre el
-Allegro burlesco-, pero
mas decidido y a compas
ternario. La obra fue
compuesta expresamente
para el violinista Gerard
Claret y la Orquestra
Nacional de Cambra
d'Andorra. Grabaciones:
Hermitage
Orchestra-Camerata St.
Petersburg, violin
solista: Sergey Malov,
direccion: Alexis
Soriano. Ensayo
(ENY-2003) Jordi
Cervello.
G Major, Op. 78 for Violin and Piano. Composed by Johannes Brahms (1833-1897...(+)
G Major, Op. 78 for
Violin and
Piano. Composed by
Johannes
Brahms (1833-1897).
Edited by
Bernd Wiechert. Henle
Music
Folios. Classical.
Softcover.
66 pages. G. Henle
#HN1568.
Published by G. Henle
Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced to
difficult
SKU:
HL.49019599
Three
Poems for Violin and
Piano. Composed by
Karol Szymanowski. Edited
by Ida Bieler and
Wolfgang Birtel. Arranged
by Ida Bieler. This
edition: Saddle
stitching. Sheet music.
String. 20Th Century,
Classical. Softcover. Op.
30. 72 pages. Schott
Music #VLB174. Published
by Schott Music
(HL.49019599).
ISBN
9790001191043. UPC:
841886019546.
9.0x12.0x0.187 inches.
Eds. Wolfgang Birtel and
Ida Bieler.
Karol
Szymanowski (1882-1932)
is regarded as one of the
most important Polish
composers since Chopin.
He received his formative
musical training in
Warsaw where he lived for
many years and was also
director of the
Conservatoire and Music
Academy. His
compositional oeuvre
comprises a large variety
of styles: Szymanowski
first leaned towards
Chopin and Scriabin, then
studied Richard Strauss
and Igor Stravinsky,
finally finding a style
in which he combined
impressionism and
expressionism. His
'Mythes' for violin and
piano from 1915 fell in a
transitional period,
turning away from late
German Romanticism. They
are expressive miniatures
full of tonal refinement
and impressionist charm
and, thanks to their
accessible virtuosity,
perfect performance
pieces. Contents: I. La
Fontaine d'Arethuse
• II. Narcisse
• III. Dryades et
Pan.
(Violin/Piano) SKU: HL.1459740 For Violin and Piano. Composed by G...(+)
(Violin/Piano)
SKU:
HL.1459740
For
Violin and Piano.
Composed by Gustav
Mahler. Arranged by Endre
Granat. LKM Music.
Softcover. 10 pages.
Lauren Keiser Music
Publishing #S511049.
Published by Lauren
Keiser Music Publishing
(HL.1459740).
ISBN
9798892703888. UPC:
196288210924.
9.0x12.0x0.052
inches.
The
Adagietto is the 4th
movement of Gustav
Mahlers (1860-1911)
FIFTH SYMPHONY, written
in 1901-1902. It is
Mahler's most popular
work, often performed
separately from the
symphony. This incredibly
expressive piece of music
was a love song to his
future wife Alma, and is
eminently suitable for
solo violin with piano
accompaniment. Otto
Winterbecher, a disciple
of Mahler, created this
transcription.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025035
Violin and Piano.
Composed by Brett Dean.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages.
Duration 1020 seconds.
Bote & Bock #M202535639.
Published by Bote & Bock
(HL.48025035).
ISBN
9783793142607. UPC:
196288020790.
9.0x12.0x0.171
inches.
With Berlin
Music, Brett Dean wrote a
threefold homage: to the
classical duo consisting
of violin and piano; to
the violin virtuoso
Midori, for whom the
piece was written; and to
the city of Berlin, where
he lived between the
mid-1980s and 2000 and
whose rich cultural life
he owes much to his
development as a musician
and composer. The first
four, relatively short
movements of the
five-movement work form a
suite of character
pieces, which is followed
by a longer final
movement. In summary,
this turns out to be the
actual main movement from
which all motifs and
harmonies emerged in a
compositional manner.
This includes tuning down
the G side by a whole
tone - an apparently
small difference, but one
that has a major effect
on the timbre and
resonance of the
instrumentand suddenly
makes previously
impossible interval
sequences playable. In
addition, the violin in
the third movement (a
moto perpetuo in which
Dean bows to Ravel's
violin sonata) has to
play with a practice
damper, while the pianist
changes the instrument
and plays on a standing
piano that is dampened by
a pedal and placed next
to the concert grand
Expressing nervous energy
in tight college
spaces.
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - x, x, x, x (+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
x, x, x, x
SKU:
HL.51481370
Violin
and Piano. Composed
by Pablo de Sarasate.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 120
pages. G. Henle #HN1370.
Published by G. Henle
(HL.51481370).
ISBN
9790201813707. UPC:
888680749972.
9.25x12.25x0.391
inches.
Just like
many other violin
virtuosos of the 19th
century, Pablo de
Sarasate also composed a
series of pieces for
violin and piano (or
orchestra) for his own
concert use. Highly
virtuosic salon pieces
with echoes of national
folk music traditions
from all over Europe are
at the centre. Sarasate
published his eight
Spanish dances in four
books between 1878 and
1882. They alternate
between fiery passion and
a yearning
expressiveness, and are
undoubtedly among his
most successful
compositions. In masterly
fashion, Sarasate here
mixes up Spanish folk
tunes with arrangements
of popular compositions
of the time. As in the
case of the Henle Urtext
edition of Sarasate's
Zigeunerweisen (HN 573),
a violin wizard of our
own time is responsible
for the fingerings and
bowings: Ingolf
Turban.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Peter's Pictures Violon et Piano - Débutant Forsyth Publications
Violin and Piano - Beginner SKU: FP.FDC24 Composed by Cyril Dalmaine. She...(+)
Violin and Piano -
Beginner
SKU:
FP.FDC24
Composed by
Cyril Dalmaine. Sheet
Music and Books. Music
sketches for beginner
violinists with piano
accompaniment, by Cyril
Dalmaine. Classical.
Collection. Forsyths
Publications #FDC24.
Published by Forsyths
Publications (FP.FDC24).
ISBN
9790570504336.
An
imaginative first violin
book, featuring 12 music
sketches with fingering
and tips on technique and
reading music, inspired
by the composer's
experience teaching a
young boy named Peter,
and the musical pictures
they painted
together.
Comp
oser and critic Cyril
Carr Dalmaine graduated
from the Royal College of
Music and was Music
master at Uppington
School before going on to
become chorus master to
the BBC. He is most
famous for coining the
term 'Lord Haw-Haw' in
his work as radio critic
of the Daily Express
under the pseudonym Jonah
Barrington, in reference
to the Nazi propaganda
broadcasts of William
Joyce during the Second
World
War.
Dalmaine was
also a record presenter
in the pre-1955 days and
responsible for the
'discovery' of the then
deceased Italian tenor,
Alessandro Valente,
giving Valente enjoyed a
considerable posthumous
vogue. As a composer
Dalmaine wrote chamber
music, and transcribed
the cantatas of J.S. Bach
to piano as well as a
wide range of piano and
string works published by
Forsyth. His works such
as Variation from
Versailles and Pathway to
the Proms remain in print
and are well worth
re-discovering, while his
arrangements of popular
classics in our
Silhouette Series remain
best sellers.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025444 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025444
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Bote and Bock
#M202538838. Published by
Bote and Bock
(HL.48025444).
ISBN
9783793145806. UPC:
196288216421.
Hans
Winterberg has only
recently been
rediscovered as one of
the most important
representatives of the
Czech avant-garde of the
first half of the 20th
century. Performed but
not published during his
lifetime, his works were
locked away after his
death due to tragic
circumstances and are now
being published for the
first time in a
collaboration between the
Exilarte Centre of the
Vienna University of
Music and Boosey and
Hawkes. In contrast to
his colleagues and
friends Ullmann, Haas,
Krása and Klein,
Winterberg survived the
Shoah through a series of
miracles. As a student of
Alexander Zemlinsky and
Alois Hába, he is both a
successor to Janácek and
a member of the wider
circle of the Second
Viennese School. The
Sonata for Violin and
Piano, written and
premièred in Prague in
1936, is one of the most
important chamber music
works of the pre-war
period. It exhibits all
the characteristics of
Winterberg's personal
style: a sensuality of
sound grounded in French
Impressionism with a
simultaneous
expressionist rigour of
harmony, a small-scale
motivic structure, a
sophisticated play with
polyrhythmic patterns
and, especially in the
last movement, a musical
impetus borrowed from
Czech folklore.
Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn...(+)
Having been considered as
a 'fashionable' and
'cliche' composer of his
day, Hahn's compositions
are possibly not as
well-known as they ought
to be. Sonata in C major
for Violin and Piano,
however, shatter these
prejudices held,
representing the engaging
diversity of the
composer's music.
Venezuelan-born Reynaldo
Hahn (1875-1947) entered
the Paris Conservatoire
at 10 years old. He
received a high standard
of musical education from
Decombes, Lavignac,
Dubois and Massenet,
before becoming a
prolific and versatile
composer himself, writing
works for all genres. For
Hahn, music was a magical
art and his compositions
often contain expressions
of his otherwise hidden
emotions and moods.
Sonata in C major
contains a variety of
different features,
making for a pleasant and
evocative piece for
advanced violinists.
Violin and Piano SKU: BT.ALHE29553 Composed by Reynaldo Hahn. Classical. ...(+)
Violin and Piano
SKU:
BT.ALHE29553
Composed
by Reynaldo Hahn.
Classical. Book Only. 96
pages. Heugel & Cie
#ALHE29553. Published by
Heugel & Cie
(BT.ALHE29553).
French.
Havin
g been considered as a
'fashionable' and
'cliché' composer
of his day,
Hahn's
compositions are possibly
not as well-known as they
ought to
be. Sonata
In C
Major for
Violin andPiano, however,
shatter these prejudices
held, representing the
engaging diversity of the
composer's music.
Venezuelan-born
Reynaldo Hahn
(1875-1947) entered the
Paris Conservatoire at 10
years old. Hereceived a
high standard of musical
education from Decombes,
Lavignac, Dubois and
Massenet, before becoming
a prolific and versatile
composer himself, writing
works for all genres. For
Hahn, music was
a magical art
andhiscompositions often
contain expressions of
his otherwise hidden
emotions and
moods. Sonat
a In C
Major conta
ins a variety of
different features,
making for a pleasant and
evocative piece for
advancedviolinists.
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025445 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025445
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Duration 420 seconds.
Boosey and Hawkes
#M202538852. Published by
Boosey and Hawkes
(HL.48025445).
ISBN
9783793145820. UPC:
196288216438.
Hans
Winterberg's
extraordinary life was
written in two chapters,
one Czech and one German,
split right down the
middle by the experience
of the Shoah, which
Winterberg, unlike his
colleagues Ullmann,
Krása, Haas and Klein,
miraculously survived. In
1947, the Prague-born
composer moved to Munich,
where he worked for the
Bavarian Broadcasting
Corporation. As a student
of Alexander Zemlinsky
and Alois Hába, he
belongs both to the Czech
tradition following
Janácek and to the
circle of the Second
Viennese School. He saw
himself as a bridge
builder between Western
and Eastern culture. The
circumstances under which
Winterberg was able to
compose during the war
years are still unclear.
Although his “mixed
marriage” initially
saved him from
deportation, he had to
perform forced labour and
was eventually sent to
the Terezin ghetto in
January 1945. The Suite
for Violin and Piano was
composed in 1942, the
year in which both
Winterberg's mother and
his piano professor
Thérèse Wallerstein
were murdered by the
Nazis. Compared to the
violin sonata from 1936,
the Suite is much more
condensed, lasting less
than seven minutes. A
melody dominated by
chromatic turns and
expressionist harmony
lend the work its
melancholy character,
which gives way, however,
to an almost
irrepressible defiance in
the rhythmically
percussive last
movement.
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris....(+)
Composed by Cesar Auguste
Franck (1822-1890).
Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Paperback. With an
introduction by Gudula
Schutz. Score and part.
Published by Baerenreiter
Verlag (BA.BA9425).
Violin and piano - advanced SKU: HL.49017953 Composed by Johanna Senfter....(+)
Violin and piano -
advanced
SKU:
HL.49017953
Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Op. 32. 80
pages. Schott Music
#VLB134. Published by
Schott Music
(HL.49017953).
ISBN
9790001157506. UPC:
841886013186.
9.25x12.0x0.276
inches.
Johanna
Senfter (1879-1961) was a
pupil of Max
Reger.Beginning with an
expressive violin theme
in a densely packed,
'Brahms-like' piano
setting, the classical
four-movement work
centres around two
capricious and playful
movements: Lustig, nicht
zu schnell is how the
second movement begins, a
fugal gem working with
all kinds of contrapuntal
tricks. This is followed
by a scherzo-like,
wittily flirting Rasch.
The finale begins with a
melodically simple tune
in an almost
folksong-like tone which,
by a sequence of
character variations,
builds to a grand gesture
which eventually leads
back to the initial
cantabile - with the
sonata coming to a quiet
end. A valuable addition
to the chamber music
repertoire.