Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 24. Baerenreiter Verlag #BA10937. Published by Baerenreiter Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 47. Baerenreiter Verlag #BA10938. Published by Baerenreiter Verlag

(from L'Estro armonico Violin and Piano Reduction). By Antonio Vivaldi (1678-1741). Edited by Christopher Hogwood. Arranged by Annette Seyfried. For Violin, Piano Accompaniment. String. Softcover. 16 pages. Schott Music #VLB172. Published by Schott Music

(15 Original Pieces for Violin and Piano). By Christopher Norton. BH Piano. Softcover with CD. 66 pages

By John Craton. Chamber ensemble. For Violin, piano. Chamber Music. Student sonatina for violin and piano. Contemporary. Score and part. 24 pages. Duration 12:00. Published by Wolfhead Music. (WM509) Level: Moderately advanced.

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Edited by Diana Traietta. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #SB2223. Published by Wingert-Jones Publications

Chamber Music Cello, Piano, Violin

SKU: PR.114423360

Composed by Stacy Garrop. Set of Score and Parts. 24+12+12 pages. Duration 8:30. Theodore Presser Company #114-42336. Published by Theodore Presser Company (PR.114423360).

UPC: 680160686285.

When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,â� �� the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.”In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.

Composed by Antonio Vivaldi (1678-1741), edited by Christopher Hogwood. For violin and piano. Urtext. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction, introductory text and performance notes. Baroque. 75 pages. 9x12 inches. Duration 46m. Published by Baerenreiter-Ausgaben.

Violin and Piano. By Christopher Norton. (Violin). Boosey and Hawkes Chamber Music. Book only. Size 9x12 inches. 9 pages. Published by Boosey and Hawkes.

Composed by Giuseppe Tartini (1692-1770). Arranged by Per Hartmann. Keyboard reduction. Duration 20 minutes. Published by Edition HH Music Publishers (HH.HH010-KBD).

Violin and Piano. By Sheila Nelson. (Violin). Boosey and Hawkes Chamber Music. Size 9.25x12.25 inches. 42 pages. Published by Boosey and Hawkes.

Composed by John Rutter (1945-). Score and part (Violin version). 12 pages. Duration 5. Published by Oxford University Press

(Monstrous Pieces for Beginners). By Pam Wedgwood. For Violin and Piano. Book; String - Violin Studies or Collection. Faber Edition. 16 pages. Published by Faber Music

Violin and Piano Book/Audio Online. Composed by Christopher Norton. Boosey & Hawkes Chamber Music. Classical, Jazz. Softcover Audio Online. 68 pages. Boosey & Hawkes #M060138607. Published by Boosey & Hawkes

Piano; Violin (violin/piano)

SKU: HL.48180634

For Violin and Piano. Composed by Georges Catherine. Leduc. Classical. CD only. 4 pages. Alphonse Leduc #AL18320. Published by Alphonse Leduc (HL.48180634).

UPC: 888680829070. 0.031 inches.

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Violin and Piano

SKU: AP.36-60710007

(Rumanische Volkstanze). Arranged by Bela Bartok and ed./arr. Zoltan Szekely. Violin. Master String Series. Book. LudwigMasters Publications #36-60710007. Published by LudwigMasters Publications (AP.36-60710007).

ISBN 9798888521687. UPC: 676737816278. English.

In the years preceding World War I, Hungarian composer, pianist, and ethnomusicologist Béla Bartók (1881-1945) took trips to the Transylvanian region to explore the musical traditions of the Romanian population. Following a two-year depression caused by the war, as well as some professional setbacks, he returned to composition. The Romanian Folk Dances, Sz. 56, emerged in 1915, bearing a strong influence from his experiences as an ethnomusicologist. They comprise 6 dances, all based on folk tunes that Bartók had recorded and transcribed. In 1917, he arranged a version for full orchestra. Hungarian violinist and composer Zoltán Székely (1903-2001) transcribed these six short movements for violin and piano in 1926, which are offered here in this reprint edition. Movements: 1. Joc cu bâta (Stick Dance), 2. Brâul (Sash Dance), 3. Topogó / Pê-loc (In One Spot), 4. Bucsumí tánc / Buciumeana (Dance from Bucsum), 5. Poarga româneasca (Romanian Polka), 6. Aprózó / Maruntel (Fast Dance).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano, Violin (Violin)

SKU: HL.48180637

For Violin and Piano. Composed by Giovanni Battista Viotti. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL18324. Published by Alphonse Leduc (HL.48180637).

UPC: 888680829049. 9x12 inches.

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 29 makes use of extended techniques, including harmonics, bow techniques, aritculations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Violin

SKU: HL.48180644

For Violin and Piano. Composed by Rodolphe Kreutzer. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL18431. Published by Alphonse Leduc (HL.48180644).

UPC: 888680828950. 9x12 inches.

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Kreutzer's Concerto No. 1 is clearly printed with a helpful key of unusual techniques. Kreutzer (1766-1831) was a French violinist, teacher, conductor and composer. He composed a significant forty operas and nineteen violin concertos. The violin solo line of Concerto No. 1 makes use of extended techniques, including harmonics, bow techniques, aritculations and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Violin and Piano. By Christopher Norton. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. 52 pages. Published by Boosey and Hawkes.

Instrumental Hymns, Violin Solo. How Firm a Foundation, Come Thou Fount of Every Blessing, Spiritual, Simple Gifts, There is a Fountain, Be Thou My Vision, Holy Manna and Shall We Gather at the River. To 3rd position, some double stops. Published by Latham Music Enterprises.

For Violin and Piano. By Christopher Norton. (Violin). Boosey and Hawkes Chamber Music. 16 pages. Published by Boosey & Hawkes.

(From Trio Sonata No. 2 In G Minor). Composed by Christopf Willibald Von Gluck. Arranged by Jascha Heifetz. For Violin, Piano. The Jascha Heifetz Series. Standard notation. 12 pages. Published by Carl Fischer

Violin, piano

SKU: BR.EB-9250

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)

New music (post-2000); Music post-1945. Performance score. Composed 2016. 12 pages. Duration 12'. Breitkopf and Haertel #EB 9250. Published by Breitkopf and Haertel (BR.EB-9250).

ISBN 9790004185506. 10 x 12.5 inches.

Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)

World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).

Composed by Christopf Willibald Gluck, arranged by Fritz Kreisler (1875-1962). For violin and piano. Format: piano/violin single (includes seperate pull out performance part for violin). 20th century. 3 pages. 9x12 inches. Published by Carl Fischer.

Violin and Piano

SKU: HL.14021628

Music Sales America. Classical. Book [Softcover]. 12 pages. Music Sales #BOE004683. Published by Music Sales (HL.14021628).

ISBN 9780711996502. 9.0x12.0x0.061 inches.

A charming, romantic Mazurka which should help develop several techniques such as double-stopping and trills. Includes separate Violin part.

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440516S

Composed by Robert Martin. Full score. With Standard notation. 44 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516S. Published by Theodore Presser Company (PR.14440516S).

UPC: 680160667864. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.).