Violin and piano SKU: BO.B.3632 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3632
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3632).
Duo-Sonata for
violin and piano was
written between September
and October of 2010. It
is made up of three
movements, each of which
has unique
characteristics. The
first, Allegro
appassionato, is
monothematic, although
the theme itself is
presented in several
ways. Following a
vigorous start featuring
violin cadenza, the
movement is developed
with a lively feel,
alternating lyrical
fragments with other
energetic ones. Its
conclusion is
resounding.
Meanwh
ile, the second movement,
Quasi un lamento, is
introspective and
fragile. A long melody is
sustained by a delicate
and transparent piano
accompaniment, evoking
once again the theme of
the first movement and
concluding with a Lento
of descending piano
harmonies while the
violin follows, in
octaves, with heartfelt
glissando.
The
third movement,
Scherzando-Allegro, is a
light-hearted game
between the piano and the
violin. The main theme is
repeated once again, this
time with a binary time
signature. The violin
uses ricochet (the
rebounding of notes in a
bow stroke), as well as
natural and artificial
harmonies in quick time.
The piano part unfolds
completely naturally,
excluding any gratuitous
artifice.
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Violin, piano SKU: FG.55011-824-9 Solo part & piano reduction. Com...(+)
Violin, piano
SKU:
FG.55011-824-9
Solo part & piano
reduction. Composed
by Mikko Heinio.
Classical, contemporary.
Solo part & piano
reduction. Fennica
Gehrman #55011-824-9.
Published by Fennica
Gehrman (FG.55011-824-9).
ISBN
9790550118249.
Mikk
o Heiniö's Alla madre
(2007) abandons the
traditional virtuoso
concerto concept: here a
large orchestra engages
in dialogue with a solo
violin. The first
movement is called
Arrivo, “Arrival:
the soloist literally
arrives later, and by
degrees, playing his/her
first two solos offstage.
Even then the orchestra
continues to take the
initiative for a long
time. Not until the
second movement, entitled
Aura, “Air or Wind,
does the initiative pass
to the solo violin as it
sets light to notes in
the orchestra harmony
like individual lamps.
And not until the end of
the second movement and
the beginning of the
third does the solo
violin play completely on
its own. The title of the
first movement,
“Arrival,
underlines the event, the
dramaturgy, whereas that
of the second movement,
“Aura, alludes to
the texture and the
shimmering space. The
third movement is the
most strongly emotional,
as the name Carezza,
“Caress
suggests.
This
product includes the solo
part and the piano
reduction (B4
sized).
The
orchestral material is
available from the
publisher. The
orchestration:
3(III+picc)3(III+ca)3(III
=bcl)3(III=cfg)-4331-13-h
p-str.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Two is a Team Violon et Piano [Partition + CD] - Facile De Haske Publications
Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Compo...(+)
Composed by Ed Wennink
and
Nettie Vening. Two is a
team.
Book with CD. Composed
2013.
44 pages. De Haske
Publications #DHP
1125296-
400. Published by De
Haske
Publications
Super Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - late intermediate SKU: BT.AMP-351-400 10 Selected S...(+)
Violin and Piano - late
intermediate
SKU:
BT.AMP-351-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
351-400. Published by
Anglo Music Press
(BT.AMP-351-400).
ISBN
9789043138697. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
Violin and piano - very easy to easy SKU: HL.49004521 Aus dem 16.-18. ...(+)
Violin and piano - very
easy to easy
SKU:
HL.49004521
Aus
dem 16.-18.
Jahrhundert. Edited
by Gustav Lenzewski. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 36 pages.
Schott Music #ED 3927.
Published by Schott Music
(HL.49004521).
Chamber Music violin, piano SKU: CF.FE192 Composed by Louise Talma. Set o...(+)
Chamber Music violin,
piano
SKU:
CF.FE192
Composed by
Louise Talma. Set of
Score and Parts. With
Standard notation. 18+8
pages. Carl Fischer Music
#FE192. Published by Carl
Fischer Music (CF.FE192).
ISBN 9780825877568.
UPC: 798408077563. 9.5 x
13 inches.
The
Pytheas Center for
Contemporary Music notes:
Talma was the first woman
to receive two
Guggenheims, the first
woman elected to the
National Institute of
Arts and Letters (1974),
the first American woman
to have a full-scale
opera performed in
Germany, the first
American to teach at
Fontainebleau, and the
first woman to receive
the Sibelius Medal for
composition. This is only
the highlights of a long
life of composing. Talma
spent a good amount of
time at the MacDowell
Colony, where she wrote
many of her finest works,
including the Violin
Sonata. Having studied
composition with Nadia
Boulanger over 17 summers
in her youth, Talma
dedicated the Sonata to
her former teacher and
long-time friend on the
occasion of Boulanger's
75th birthday. The single
movement reflects Talma's
style in 1962, with more
than a passing nod to
12-tone construction. For
advanced performers.
Duration: 16'.
Violin, Piano SKU: FG.042-08244-7 Composed by Paavo Heininen. Published b...(+)
Violin, Piano
SKU:
FG.042-08244-7
Composed by Paavo
Heininen. Published by
Fennica Gehrman
(FG.042-08244-7).
ISBN
979-0-042-08244-7.
One of the most joyful of
all my compositions is
how Heininen sums up his
Violin Sonata. The work
was written at the turn
of the 1970's when
Heininen was much engaged
in writing chamber music
for strings. Heininen
cunningly combines
opposites - intensity and
playfulness, passion and
lyricism - in a work not
tinged by dry
argument.