Piano; Violin - intermediate to difficult SKU: HL.49003314 Eight Piece...(+)
Piano; Violin -
intermediate to difficult
SKU: HL.49003314
Eight Pieces for
Violin and Piano.
Composed by Various.
Arranged by Barrie Carson
Turner. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Collection, Contemporary,
Standards. Softcover. 40
pages. Schott Music
#ED12673. Published by
Schott Music
(HL.49003314).
ISBN
9790220119880. UPC:
884088053444.
9.0x12.0x0.177
inches.
This volume
presents a mixed and
varied collection of
jazzy violin arrangements
with piano
accompaniments. Contents:
Down by the Riverside *
Bill Bailey, Won't You
Please Come Home * East
Virginia Blues * Jeanie
with the Light Brown Hair
* La Paloma * The
American Patrol * Frankie
and Johnny * O Sole Mio.
Includes score and
pull-out violin part.
Violin SKU: AP.12-0571541887 Composed by Thomas Ades. Performance Music E...(+)
Violin
SKU:
AP.12-0571541887
Composed by Thomas Ades.
Performance Music
Ensemble; String - Violin
and Piano. Form:
Concerto. Living
Composer. Book. Faber
Music #12-0571541887.
Published by Faber Music
(AP.12-0571541887).
ISBN 9780571541881.
English.
Thomas
Adès's Violin Concerto
Concentric Paths, written
in 2005, is one of the
most important additions
to the violin concerto
repertoire since
Ligeti's. Cast in three
contrasting
movements?each linked by
a preoccupation with
circling musical figures?
the concerto, subtitled
Concentric Paths now
occupies a place in
standard repertoire. Two
lithe, rhythmically
driven movements, Rings
and Rounds bookend Paths,
an intensely emotional
and gritty exploration of
passacaglia-like
sequences, which peaks in
a lyrical outpouring of
exceptional beauty. This
is the violin part and
piano reduction.
In just 20
minutes, this
three-movement piece does
something magical. The
way it swirls ethereally
in the first movement,
exerts a tragic and
vice-like grip in the
chaconne-like second part
and finally propels you
into the uninhibited
flight of the finale is
like being spun into an
infinite space. The
Guardian (Tom
Service).
Violin and Piano. Composed by Pablo de Sarasate (1844- 1908). Edited by Ingolf ...(+)
Violin and Piano.
Composed
by Pablo de Sarasate
(1844-
1908). Edited by Ingolf
Turban and Peter Jost.
Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1371.
Published by G. Henle
For Solo and Ensemble. By Donald Miller. For Violin. Ensemble (Mixed). Christmas...(+)
For Solo and Ensemble. By
Donald Miller. For
Violin. Ensemble (Mixed).
Christmas. Level:
Beginning. Book. 50
pages. Published by Mel
Bay Publications, Inc.
Country Dancing Violon et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 4 SKU: FL.FX0726...(+)
Chamber Music & Piano
Accompaniment 1 Violin 1
Piano - Grade 4
SKU:
FL.FX072679
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072679.
Published by FLEX
Editions (FL.FX072679).
A perfect Piece
for exams or auditions -
from 7 years of Violin
practice ; Instruments: 1
Violin 1 Piano; Difficuly
Level: Grade 4; Duration:
2 mn 40 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Patrice BERNARD;.
Violin and Piano - Grade 2.5 SKU: AP.36-52710599 Composed by Lynne Latham...(+)
Violin and Piano - Grade
2.5
SKU:
AP.36-52710599
Composed by Lynne Latham.
Arranged by Thom Sharp.
This edition: Latham
Music. String - Violin
and Piano. LudwigMasters
- Latham Music. Book.
Latham Music Enterprises
#36-52710599. Published
by Latham Music
Enterprises
(AP.36-52710599).
ISBN
9781633610040. UPC:
679360611654.
English.
This
volume continues the
development of playing
skills found in Book 1
and progresses to more
complex rhythms,
left-hand finger patterns
and techniques, bowing
techniques, and
preparation for shifting.
Book 2 introduces
students to: long and
controlled bow strokes,
slurred legato and
staccato bow strokes,
string-crossing slurs,
and producing dynamic
contrasts; new rhythmic
patterns including dotted
notes, triplets,
sixteenth notes, swinging
eighth notes, and
syncopated rhythms; new
time signatures including
6/8 and 3/8, along with
cut time for cello/bass;
and major and minor
left-hand string
patterns, extended
fingerings, and beginning
octave harmonics and
shifting. Online audio
available.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Etude a 9/8 Violon et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 4 SKU: FL.FX0735...(+)
Chamber Music & Piano
Accompaniment 1 Violin 1
Piano - Grade 4
SKU:
FL.FX073521
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts. 7
(score); 3 (parts) pages.
Duration 2 minutes, 50
seconds. FLEX Editions
#FX073521. Published by
FLEX Editions
(FL.FX073521).
A very nice
exercice on 9/8 rhythm. ;
Instruments: 1 Violin 1
Piano; Difficuly Level:
Grade 4.
Tante Alice Violon et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 2 SKU: FL.FX0735...(+)
Chamber Music & Piano
Accompaniment 1 Violin 1
Piano - Grade 2
SKU:
FL.FX073538
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts. 7
(score); 2 (parts) pages.
Duration 3 minutes, 30
seconds. FLEX Editions
#FX073538. Published by
FLEX Editions
(FL.FX073538).
Low voice, violin and piano SKU: HL.49008532 Pater noster. Compose...(+)
Low voice, violin and
piano
SKU:
HL.49008532
Pater
noster. Composed by
Carl August Krebs. This
edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. Low.
6 pages. Schott Music
#ED0 1187. Published by
Schott Music
(HL.49008532).
ISBN
9790001086950.
9.0x12.0x0.018 inches.
German -
Latin.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024893 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48024893
Violin and Piano.
Composed by Bertold
Hummel. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 20 pages.
Duration 360 seconds.
Simrock #M221122551.
Published by Simrock
(HL.48024893).
ISBN
9783923051700. UPC:
840126925098.
As an
educational and recital
piece, Bertold Hummel's
Sonatina Op. 35, composed
in 1969, has accompanied
many a young musician
following his or her own
path. Having sold a
thousand times all over
the world, it is one of
the composer's best-known
works and hasbeen
included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. The three
movements are
characterized by warmth
and exciting rhythms: in
the powerful Maestoso,
the sonority of the main
theme is contrasted with
a lyrical side theme; the
recapitulation ends with
an impulsive Fugato. The
second movement Elegie
consists of a single
soulful melody over
spherical harmonies of
the piano. As a
highlight, playful ease,
marching rhythms and
dramatic intensifications
alternate in quick
succession in the Finale
vivace, followed by wild
arpeggios that conclude
the piece. Originally
composed for violin,
versions for viola and
violoncello were already
commonly used. To mark
its 50th birthday,
Simrock / Boosey &
Hawkes present the work
in a revised, newly set
edition. Written in the
1990s by the composer
himself and now available
forthe first time, the
versions for alto and
tenor saxophone are
valuable additions to the
repertoire for beginning
instrumentalists.
Soledad Violon et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
By Patrice Bernard. For Violin solo and Piano. Classical, Educational. Grade 3. ...(+)
By Patrice Bernard. For
Violin solo and Piano.
Classical, Educational.
Grade 3. Score and set of
parts. 3 (score); 1
(parts). Published by
FLEX Editions
Violin and Piano SKU: HL.14011290 Composed by Michael Rose. Music Sales A...(+)
Violin and Piano
SKU:
HL.14011290
Composed
by Michael Rose. Music
Sales America. Exam
Material. Book
[Softcover]. Music Sales
#NOV192032. Published by
Music Sales
(HL.14011290).
ISBN
9780853604495. 8.25x11.75
inches.
The
Fiddler’s Ten
gradually introduces new
elements to the student
– new finger and
key patterns, new bowing
considerations, new
rhythmic patterns. All
pieces are playable in
first position, though
use of other positions
may be employed to
enhance performance. This
is an invaluable teaching
tool and guaranteed to
provide interest for the
pupil.Michael Rose is a
British composer,
conductor and educator
who was formerly Music
Advisor for Bedfordshire
and brings creativity,
energy and decades of
teaching wisdom to his
publications for music
students.
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
Moments Musicaux Violon et Piano [Conducteur] Breitkopf & Härtel
Violin, piano SKU: BR.EB-6794 Composed by Jurg Baur. Solo instruments; So...(+)
Violin, piano
SKU:
BR.EB-6794
Composed
by Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere
Dusseldorf, December 6,
1976CDIgor Ozim
(Violine), Gunter Ludwig
(Klavier)CD Koch 3-1198-2
BibliographyGudelhofer,
Matthias: Jurg Baur. Die
spate Kammermusik, Koln:
Dohr 2002
Music
post-1945. Score.
Composed 1976. 28 pages.
Duration 18'. Breitkopf
and Haertel #EB 6794.
Published by Breitkopf
and Haertel (BR.EB-6794).
ISBN 9790004169919. 9
x 12 inches.
1.
Satz Ritornell -
Perpetuum mobile 2. Satz
Ritornell - Fantasia 3.
Satz Mesto 4. Satz
Ritornell - Burletta -
Ritornell Ein Ritornell
(kurz, melodios)
umschliesst das ganze
Stuck wie eine
Rahmenerzahlung, leitet
zum 1. , 2. und 4. Satz,
steht wie eine
besinnliche Frage am Ende
(Es war einmal). Die
Musik des ganzen Werks
ist von allen Zwangen
befreit; eine quasi
improvisierte Reihung von
Formteilen in jedem Satz.
Dodekaphonik, Aleatorik,
Klangspiele, Cluster
wechseln, als Farbe, -als
Felder eingesetzt. Das
Klavier ubernimmt
verschiedene Aufgaben,
Begleitung,
Gegenrhythmen,
Klangfelder, Dialoge mit
der Violine; diese
wiederum dominiert meist
technisch und musikalisch
- aber unaufdringlich,
fuhrt wie
selbstverstandlich den
Reigen an. Jeder einzelne
Satz ist
charakteristisch-typisch
gepragt wie ein ,,moment
musical. Satz 1 Perpetuum
mobile. Technisch sehr
anspruchsvoll fur die
Violine, - will immer im
Spiel bleiben - endet in
insistierenden dreifachen
Kanon ff - bricht ab -
Satz 2 Klangspiele flag.
pizz, gliss. ,
alternierend in Geige und
Klavier (Saiteneffekte),
Satz 3
Trauermarschahnliches
Mesto Klopfgerausche fur
Violine und Klavier als
Metron, Ausdrucksstarke
Kantilenen Satz 4
Mehrteilige humorvolle
Burletta endet auf
kreisender Violinfigur,
fuhrt unmerklich ins
Ritornell zuruck. CD Igor
Ozim (Violine), Gunter
Ludwig (Klavier) CD Koch
3-1198-2 Bibliography
Gudelhofer, Matthias:
Jurg Baur. Die spate
Kammermusik, Koln: Dohr
2002
World
premiere Dusseldorf,
December 6, 1976CD Igor
Ozim (Violine), Gunter
Ludwig (Klavier)CD Koch
3-1198-2
BibliographyGudelhofer,
Matthias: Jurg Baur. Die
spate Kammermusik, Koln:
Dohr 2002.
Violin and Piano. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edite...(+)
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Alexander
Komarov. Henle Music
Folios. Classical.
Softcover. 16 pages. G.
Henle #HN1274. Published
by G. Henle
(HL.51481274).
SKU: HL.50606989 For Violin and Piano. Composed by Ludovico Einaud...(+)
SKU: HL.50606989
For Violin and
Piano. Composed by
Ludovico Einaudi. String.
Softcover. 8 pages.
Duration 180 seconds.
Chester Music #CH88110.
Published by Chester
Music (HL.50606989).
ISBN 9798350128727.
UPC: 196288215363.
9.0x12.0x0.057
inches.
From 'Day
4' of Seven Days Walking,
Einaudi's Full Moon (Day
4) is a short
three-minute piece for
Piano and violin.
Inspired by winter walks
through the mountains and
the subtle details and
variations found when
exploring the same path
over and over, Seven Days
Walking is a series of
seven studio albums
released throughout 2019.
Full Moon is one of
several themes which
recur in different forms
and variations across the
days.
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.50601957 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.50601957
For Violin and
Piano. Composed by
Patrick Nunn.
Instrumental. Concert,
Recital. Softcover.
Cadenza Music
#CAZPNTRF01. Published by
Cadenza Music
(HL.50601957).
25
Easy Pieces for Violin
and Piano Book with Audio
Online. Composed by
Various. Edited by Peter
Mohrs. Edition Schott.
Baroque, Classical,
Romantic. Softcover Audio
Online. 40 pages. Schott
Music #ED20684D.
Published by Schott Music
(HL.49047090).
ISBN
9783795726966. UPC:
196288120612.
9.0x12.0x0.195
inches.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, forviolin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9.This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music. The
approach to the pieces is
made easier by the
accompanying audio tracks
which, on the one hand,
offers the opportunity to
listen to and get to know
the pieces beforehand,
and, on the other hand,
thanks to the separate
piano accompaniments,
provides first experience
in ensemble playing and
conveys the vivid joy of
music-making. When the
tracks were recorded by
Prof. Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Violin and Piano SKU: AP.36-60710009 From Preludes, Book 2. Arrang...(+)
Violin and Piano
SKU:
AP.36-60710009
From Preludes, Book
2. Arranged by Claude
Debussy and ed./arr.
Lucien Garban. Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710009. Published
by LudwigMasters
Publications
(AP.36-60710009).
ISBN
9798888521786. UPC:
676737764432.
English.
Unlike
Bach and Chopin, Claude
Debussy (1862-1918) wrote
his twenty-four Préludes
for solo piano without a
clearly organized pattern
of key relationships.
They were written from
December 1909 to April
1913, in two sets, with
twelve preludes to each
volume. Jane Mortier
delivered the premiere of
the first volume on May
3, 1911, at the Salle
Pleyel in Paris. Walter
Morse Rummel gave the
first complete
performance of the second
volume on June 12, 1913,
at the Aeolian Hall in
London. Prelude No. 5
from Book 2, subtitled
Bruyéres, bears
similarity to another of
his works for piano, La
Fille aux cheveux de lin
(The Girl with the Flaxen
Hair). The pianist
Marguerite Long, a friend
of the composer,
suggested that it sounded
reminiscent of the
mingling scent of sea
mist and pines. French
composer and arranger
Lucien Garban completed
this transcription of No.
5 from Book 2 (Bruyères)
for violin and piano in
1926. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025444 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025444
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Bote and Bock
#M202538838. Published by
Bote and Bock
(HL.48025444).
ISBN
9783793145806. UPC:
196288216421.
Hans
Winterberg has only
recently been
rediscovered as one of
the most important
representatives of the
Czech avant-garde of the
first half of the 20th
century. Performed but
not published during his
lifetime, his works were
locked away after his
death due to tragic
circumstances and are now
being published for the
first time in a
collaboration between the
Exilarte Centre of the
Vienna University of
Music and Boosey and
Hawkes. In contrast to
his colleagues and
friends Ullmann, Haas,
Krása and Klein,
Winterberg survived the
Shoah through a series of
miracles. As a student of
Alexander Zemlinsky and
Alois Hába, he is both a
successor to Janácek and
a member of the wider
circle of the Second
Viennese School. The
Sonata for Violin and
Piano, written and
premièred in Prague in
1936, is one of the most
important chamber music
works of the pre-war
period. It exhibits all
the characteristics of
Winterberg's personal
style: a sensuality of
sound grounded in French
Impressionism with a
simultaneous
expressionist rigour of
harmony, a small-scale
motivic structure, a
sophisticated play with
polyrhythmic patterns
and, especially in the
last movement, a musical
impetus borrowed from
Czech folklore.
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - difficult
SKU:
HL.49044450
Violin
and Piano. Composed
by Thierry Pé and
cou. This edition: Saddle
stitching. Sheet music.
String. Soleil-Feu refers
to the first attempt to
create a world out of a
rain of fire (nahui
quiahuitl) as described
in the cosmogony of
Ancient Mexican
civilisation. The element
of fire is reflected in
the musical soundscape of
this work; rampant,
rhythmic moti. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 6'. Schott Music
#ED21888. Published by
Schott Music
(HL.49044450).
ISBN
9790001198639.
9.0x12.0x0.124
inches.
This work
is part of a cycle of
five short pieces for a
single instrument and
piano, focused on the
five ages in the
cosmogony of Ancient
Mexican civilisation. The
peoples of the Mexican
highlands believe that
time follows specific
cycles and that the world
was created following the
pattern of 'trial and
error'. The creation of
the world is divided into
several periods which are
termed 'suns' (we are
currently living in the
fifth phase named
'Ollin'). Each period
will be brought to an end
through a natural
catastrophe.Solei-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl).The
element of fire is
reflected in the musical
soundscape of this work,
constructed from rampant,
rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space. An
intimate dialogue
develops between violin
and piano on the basis of
extremely simple figures.
Interconnecting lines and
dense musical material
are thrown against each
other in a play of
contrasting registers and
blended tonal colouring,
creating a mysterious and
disturbing mythological
universe coloured by its
ontological pessimism.
Thierry
Pecou
Soleil-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl) as
described in the
cosmogony of Ancient
Mexican civilisation. The
element of fire is
reflected in the musical
soundscape of this work;
rampant, rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space create a
mysterious and disturbing
mythological universe
coloured by its
ontological pessimism.
Thierry Pecou.