And Piano, - Version for Violin and Piano - with Comments in English - Revised E...(+)
And Piano, - Version for
Violin and Piano - with
Comments in English -
Revised Edition. By
Robert Schumann. Edited
by E. Herttrich. This
edition: HN421. Violin.
Henle Music Folios.
Pages: Score = V and 20 *
Vl Part = 7. Urtext
edition-paper bound. 32
pages. Published by G.
Henle.
Chamber Music Clarinet, Piano, Violin SKU: CF.MXE71 Composed by Martin Br...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
CF.MXE71
Composed by
Martin Bresnick. SWS.
Contemporary. Set of
Score and Parts. With
Standard notation. 23+6+5
pages. Carl Fischer Music
#MXE71. Published by Carl
Fischer Music (CF.MXE71).
ISBN 9781491144749.
UPC: 680160902248. 9 x 12
inches.
The day
that Australian and New
Zealand forces joined the
Allies for an invasion of
the Gallipoli Peninsula
of Turkey in World War I,
with disastrous
consequences, is
celebrated in Australia
as Anzac Day (Australian
and New Zealand Army
Corps). To honor this
special day, Bresnick
takes inspiration from
two selected poems by
Bertolt Brecht (And I
Always Thought and Legend
of the Unknown Soldier
Beneath the Triumphal
Arch). Commissioned to
commemorate
Australia’s Anzac
Day, similar to Memorial
Day, and inspired by two
Brecht poems…The
somber opening violin and
clarinet lines unfolded
to haunting effect before
eventually reaching a
fervent climax. --Vivien
Schweitzer, The New York
Times.
selected and arranged by Peter Spitzer. For violin. Non-Series. Classic, with ke...(+)
selected and arranged by
Peter Spitzer. For
violin. Non-Series.
Classic, with keyboard
accomp. Level: Beginning.
Book. Solos. Size
8.75x11.75. 72 pages.
Published by Mel Bay
Pub., Inc.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
For Violin and Piano Schott Student Edition Repertoire. Composed by Edward E...(+)
For Violin and Piano
Schott
Student Edition
Repertoire.
Composed by Edward Elgar
(1857-1934). Schott
Student
Edition. Repertoire.
Softcover. 20 pages.
Schott
Music #SE1003. Published
by
Schott Music
Romance op. 26 Violon et Piano [Reduction] - Intermédiaire Schott
Violin and Piano Reduction. Composed by Johan Severin Svendsen (1840-1911). ...(+)
Violin and Piano
Reduction.
Composed by Johan Severin
Svendsen (1840-1911).
Edited
by Annette Seyfried. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical. Piano
reduction with solo part.
Op. 26. 24 pages. Schott
Music #SE 1044. Published
by
Schott Music
Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand K...(+)
Violin and Piano Schott
Student Edition - Level
2.
Composed by Ferdinand
Kuechler. Edited by
Ulrich
Schliephake. This
edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. Op. 12. 36
pages.
Schott Music #SE 1043.
Published by Schott Music
Violin and Piano - Schott Student Edition. Composed by Joseph-Hector Fiocco....(+)
Violin and Piano - Schott
Student Edition. Composed
by
Joseph-Hector Fiocco.
Edited
by Wolfgang Birtel.
Arranged
by Arthur Bent and Norman
O'neill. Schott
Student
Edition. Repertoire.
Softcover. Schott Music
#SE1010. Published by
Schott
Music
Clarinet, violin and piano (Chamber Ensemble) - difficult SKU: HL.49019079(+)
Clarinet, violin and
piano (Chamber Ensemble)
- difficult
SKU:
HL.49019079
(in
memoriam Laszlo
Polgar). Composed by
Detlev Mueller-Siemens.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2010. 36 pages.
Duration 12'. Schott
Music #ED21208. Published
by Schott Music
(HL.49019079).
ISBN
9790001178686. UPC:
884088907358.
9.0x12.0x0.103
inches.
'Privacy'
means separation. The
title of the trio for
clarinet, violin and
piano thus describes the
character of the piece.
The piano weaves sound
tapestries of deep and
long, yet fully fingered
chords which increase
their tempo in the course
of the piece. In contrast
to that, the melody of
the violin is for the
most part played in a
very high register. It is
the clarinet that fills
the space between these
extremes by means of
trembling trills, always
following the rhythm of
the violin and answering
to the latter like an
echo.
Clarinet, Violin and Piano SKU: HL.14021077 Composed by John McCabe. Musi...(+)
Clarinet, Violin and
Piano
SKU:
HL.14021077
Composed
by John McCabe. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120865.
Published by Music Sales
(HL.14021077).
ISBN
9780711984707.
This
work was commissioned by
the Verdehr Trio and
funded by Michigan State
University. Includes
score and parts, (the
score in C). Duration: c.
18 minutes.
(Violin and Piano). By Edward MacDowell (1861-1908). Arranged by Wolfgang Birtel...(+)
(Violin and Piano). By
Edward MacDowell
(1861-1908). Arranged by
Wolfgang Birtel. For
Violin, Piano
Accompaniment. String.
Softcover. 6 pages.
Schott Music #ED09907.
Published by Schott Music
By Willy Van Dorsselaer. Edited by John Bowden. For Violin and Piano. Educationa...(+)
By Willy Van Dorsselaer.
Edited by John Bowden.
For Violin and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 24+12
pages. Duration 27
minutes. Published by
Digital Music Print
(Belgian import).
By Charpentier. Arranged by Uwe Rassler. For Piano Trio (optional Parts for 2nd ...(+)
By Charpentier. Arranged
by Uwe Rassler. For Piano
Trio (optional Parts for
2nd Violin, Bass, Flute
and Clarinet). Classical.
Full score and parts.
Published by Uetz Music
(German import). (BU
9033)
Concerto fur Violin and Orchestra D major op. 61 by Ludwig van Beethoven (1770-1...(+)
Concerto fur Violin and
Orchestra D major op. 61
by Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar.
Arranged by Martin
Schelhaas. For solo
violin, piano (solo
violin/flute/2 oboes/2
clarinets/2 bassoons/2
horns/2 clarin
trumpets/timpani/2
violins/viola/cello/doubl
e bass). This edition:
Stapled, Urtext edition.
Gleichzeitig auch
Auffuhrungsmaterial fur
BA 9013. Piano reduction,
Part(s). Opus 61.
48/22/22 pages. Duration
42'. Published by
Baerenreiter Verlag
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A
and B), violin and piano
SKU: HL.49017964
On poems by Diana
Kempff. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Score and
parts. Composed 1997. 80
pages. Duration 18'.
Schott Music #ED20414.
Published by Schott Music
(HL.49017964).
ISBN
9790001152938.
9.25x12.0x0.325 inches.
German.
Es war
1996, als mir Christoph
Poppen, der damalige
Leiter des Munchener
Kammerorchesters, von
einem kuriosen Konzert in
Munsing (Ammerland)
erzahlte: wahrend eines
seiner Konzerte mit dem
Orchester in der dortigen
Kirche gab es, fur alle
hor- und sichtbar, eines
der grossten Unwetter,
das die Region je gesehen
hatte. Dabei schlug der
Blitz ein in eine Art
Wahrzeichen des Ortes,
eine mehrere Jahrhunderte
alte Linde. Unter den
Zuhorern damals: die dort
lebende Dichterin und
Schriftstellerin Diana
Kempff. Sie war
unmittelbar erschuttert
vom Tod der Linde und
schrieb unter diesem
Eindruck einige Gedichte.
Christoph Poppen wiederum
war - wie in vielen
anderen Zusammenhangen
auch - genialer
Vermittler und stellte
alsbald den Kontakt zu
mir her. Die Idee: am Ort
des Geschehens, in der
Munsinger Kirche, solle
ein Jahr spater die
Urauffuhrung einer Art
Requiem fur diesen Baum,
der so vieles 'gesehen'
hatte, erklingen. Im
Rahmen der Holzhauser
Musiktagen mit den Texten
von Diana Kempff und
meiner (noch zu
schreibenden) Musik.Es
gab bald eine wunderbare,
sehr intensive Begegnung
von Diana Kempff und mir,
bei der sie etwas fur
Schriftsteller nicht
gerade Typisches tat: sie
stellte mir frei, aus den
vorliegenden Gedichten
nach Belieben lediglich
Teile, sogar nur
Zeilenfragmente zu
verwenden und auch die
Reihenfolge nach meinen
Bedurfnissen anzuordnen
und zu gestalten. Sie
begriff sofort (und
wunschte!), dass durch
die Musik ohnehin etwas
Drittes, etwas ganz
Anderes entstehen wurde.
Die Tatsache, dass wir
Monate spater eine
sichtlich bewegte Diana
Kempff auf die Buhne
holen durfte, freute uns
alle besonders. Ihre
Lyrik ist Ausdruck einer
offenkundig zutiefst
gequalten Seele und kommt
uns oft
wunderlich-versponnen
entgegen. Einer
zerbrechlichen Zartheit
steht eine bisweilen fast
brutale Harte
unversohnlich gegenuber.
Das Schubert'sche 'Fremd
bin ich eingezogen' gilt
fur sie in besonderer
Weise und aussert sich in
ihren Versen in einer
Nahe zu allem Fremden
(trotz des gleichzeitigen
manischen Umkreisens des
Eigenen und der eigenen
Erinnerung), Abseitigen
und auch (bei aller
gleichzeitigen Skepsis)
Ubernaturlichen. Dieses
geisterhaft-spukige
Element versuchte ich
durch meine Textauswahl
und mit musikalischen
Mitteln in diesen nun
'Sieben Abgesangen' zu
verdeutlichen. Das erste
Stuck ist eine karge
Studie uber das Verrinnen
der Zeit, das Nichts; das
Zweite beschwort den
Regen (den
heilbringenden) herbei,
der dann spater -
wenngleich mit
entsetzlicher Wirkung -
auch kommt. Den dritten
Abgesang habe ich 'Tanz
der toten Seelen'
betitelt; es ist ein
Zwiefacher, der jedoch
durch seine
duster-halbseidene
'Wiener' Chromatik alles
Liebenswurdig-Oberbayeris
che langst verloren hat.
Das klanglich vielleicht
avancierteste und
dichteste Stuck ist der
vierte Abgesang, der ganz
aus der Perspektive der
Linde selbst erzahlt
wird. Der funfte Abgesang
zu den Worten 'Und wenn
der Tod so kommen mag'
ist im Stile einer
traurigen Volksweise
bewusst schlicht
gehalten. Wahrend der
sechste Satz in seinem
expressionistischen
Gestus nicht ungefahrlich
das Monodram streift, ist
es schliesslich die Seele
(die ausgehauchte, die
weiterexistierende?), die
wortlich den letzten
Abgesang uber die Baume
und die Seelen pragt.
Diana Kempffs Gedichte,
der Enthusiasmus
Christoph Poppens, die
phantastischen
Urauffuhrungs-Interpreten
, allen voran die
Sangerin Juliane Banse,
haben mich zur
Komposition dieser
'Sieben Abgesange auf
eine tote Linde'
angeregt.Die 'Sieben
Abgesange' sind nunmehr
auch eine Erinnerung an
die erst jungst
verstorbene Diana Kempff.
Jorg Widmann,im Juni
2008.
(Violin/Piano) SKU: HL.48186456 Composed by Eugene Bozza. Leduc. Post-190...(+)
(Violin/Piano)
SKU:
HL.48186456
Composed
by Eugene Bozza. Leduc.
Post-1900. Softcover.
Alphonse Leduc #AL30698.
Published by Alphonse
Leduc (HL.48186456).
UPC: 888680828677.
0.022
inches.
Composer
and conductor Eugene
Bozza (1905-1991) was a
pupil of Henri Busser and
Henri Rabaud at the
Conservatoire de Paris,
and received the first
Prix de Rome in 1934. It
was during his stay the
Villa Medici that he
wrote his Aria Pour
Saxophone Alto Et Piano ?
an adaptation of the
third movement of Johan
Sebastian Bach?s Organ
Pastorale in F Major BWV
590, which was to tour
the world. This
nostalgia-imbued melody,
which expands over a
regular meter, has, in
turn, been the subject of
numerous transcriptions,
first for clarinet, then
for Violin (or Flute) and
Piano. Editions Leduc
have chosen to republish
this last version, with
the added bonus of an
audio version that should
be of valuable assistance
to all musicians!.
Chamber Music Cello, Clarinet, Piano, Violin SKU: PR.114423340 Composed b...(+)
Chamber Music Cello,
Clarinet, Piano, Violin
SKU: PR.114423340
Composed by Amanda
Harberg. Set of Score and
Parts. 28+12+8+8 pages.
Theodore Presser Company
#114-42334. Published by
Theodore Presser Company
(PR.114423340).
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy SKU: ...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
easy
SKU:
HL.49045444
For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Oskar Rieding. Edited
by Benjamin Ramirez and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 22/3. 16 pages.
Schott Music #SE1009.
Published by Schott Music
(HL.49045444).
ISBN
9790001162005. UPC:
841886028746.
9.25x12.0x0.058 inches.
German - English -
French. (ed. Wolfgang
Birtel, Benjamin Ramirez)
Schott Student Edition
Repertoire.
This
Rondo, which originally
was the third of four
easy performance pieces
in a cycle for violin and
piano (Op. 22), is one of
Rieding's most popular
and frequently performed
pieces in violin lessons
for beginners. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
Violin SKU: HL.48181200 For Violin and Piano. Composed by Raymond ...(+)
Violin
SKU:
HL.48181200
For
Violin and Piano.
Composed by Raymond
Gallois Montbrun. Leduc.
Classical. Softcover. 4
pages. Alphonse Leduc
#AL20484. Published by
Alphonse Leduc
(HL.48181200).
UPC:
888680866945. 9x12
inches.
Raymond
Gallois Montbrun
(1918-1994) published his
Dream of Janceline for
Alto Saxophone and
Piano in 1947, just
three years after he won
the Grand Prix de Rome.
Along with his Violin
Concerto,
Japan Symphony and
Concertstück for
Clarinet and Piano,
Dreams of Janceline
for Violin and Piano
remains popular to this
day. Dreams of
Janceline for Violin
is made up of twelve easy
pieces in variety of
styles, the seventh of
these being The
Nightingale's Polka.
This movement addresses
harmonics, a modulation
and articulation, among
other aspects. As
suitable and varied
pieces for the
progression of beginner
to intermediate level
violinists, Gallois
Montbrun's Dreams of
Janceline cannot be
missed.
Discourse Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin SKU: PR.11440561S Composed b...(+)
Chamber Music Clarinet,
Flute, Piano, Violin
SKU: PR.11440561S
Composed by Ralph Shapey.
Score. With Standard
notation. 36 pages.
Duration 12:30. Theodore
Presser Company
#114-40561S. Published by
Theodore Presser Company
(PR.11440561S).
UPC:
680160009039.
The
three movements examine
the same materials from
different points of view;
in the first, the ideas
are chronologically
separated, but they
alternate and develop
through the instruments
in an intensifying way
that generates a rather
imposing and grandiose
rhetoric. The second,
with its hypnoti,
incessant reiterations at
maximum volume of a
simultaneous combination
of motives of different l
lengths and shapes, ends
just short of becoming
unbearable... In the last
movement the flute,
clarinet and violin
slowly unfold a
continuous texture that
combines several of the
earlier elements, while
the piano softly
interjects the echo of
its first movement
triplets.
Chamber Music Clarinet, Horn, Narrator, Percussion, Piano, Violin SKU: PR.111...(+)
Chamber Music Clarinet,
Horn, Narrator,
Percussion, Piano, Violin
SKU: PR.11140253S
For Narrator, Bb
Clarinet, Horn, Violin,
Percussion, And
Piano. Composed by
Daniel Dorff. Sws.
Contemporary. Full score.
With Standard notation.
Composed 2015. 20 pages.
Duration 7:30. Theodore
Presser Company
#111-40253S. Published by
Theodore Presser Company
(PR.11140253S).
UPC:
680160631377. 9.5x13
inches. Based on a
traditional African folk
tale.
As a
standalone performance
piece, Dorff's A Treeful
of Monkeys is a
delightful telling of an
African folk tale,
complete with narration.
The instrumental ensemble
describes a hat seller, a
good number of hats, and
a good number of monkeys
up in the trees with
those hats. Commissioned
by the Philadelphia
Orchestra Association,
however, A Treeful of
Monkeys is also an
opportunity to introduce
musical elements to young
students, with Dorff's
suggested educational
objectives and
performance tips suitable
for classroom use.